{"id":6883,"date":"2014-12-17T08:00:34","date_gmt":"2014-12-17T13:00:34","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=6883"},"modified":"2014-12-17T08:00:34","modified_gmt":"2014-12-17T13:00:34","slug":"album-review-antoine-fafard-ad-perpetuum","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2014\/12\/17\/album-review-antoine-fafard-ad-perpetuum\/","title":{"rendered":"Album Review: Antoine Fafard &#8212; Ad Perpetuum"},"content":{"rendered":"<p><center><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/musoscribe.com\/images\/antoine_fafard2.jpg\" alt=\"\" width=\"280\" height=\"280\" vspace=\"20\" \/><\/center>One doesn&#8217;t often think of melding progressive rock elements with jazz fusion; at least not if one wants to break even on an album release. But that&#8217;s the approach favored by bassist <a href=\"http:\/\/blog.musoscribe.com\/?p=4612\"><strong>Antoine Fafard<\/strong><\/a>. Combining the best of (dare I say) smooth jazz with rock&#8217;s muscularity, Fafard is aided in his efforts by drummer <strong>Vinnie Colaiuta<\/strong> (<strong>Frank Zappa<\/strong>, <strong>Missing Persons<\/strong>) and, on one track, the multifarious <strong>Gary Husband<\/strong> (a frequent <a href=\"http:\/\/blog.musoscribe.com\/?p=4044\"><strong>John McLaughlin<\/strong><\/a> collaborator and a jazz star in his own right). If <a href=\"http:\/\/blog.musoscribe.com\/?p=4573\"><strong>Joe Satriani<\/strong><\/a> played keyboards and leaned a bit more in a jazz direction, he might sound like this.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\">Follow \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" alt=\"\" width=\"18\" height=\"18\" border=\"0\" hspace=\"1\" vspace=\"0\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One doesn&#8217;t often think of melding progressive rock elements with jazz fusion; at least not if one wants to break even on an album release. But that&#8217;s the approach favored [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[32,40,42,49,56],"tags":[210],"class_list":["post-6883","post","type-post","status-publish","format-standard","hentry","category-fusion","category-instrumental","category-jazz","category-new-release","category-prog","tag-antoine-fafard","cat-32-id","cat-40-id","cat-42-id","cat-49-id","cat-56-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/6883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=6883"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/6883\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=6883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=6883"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=6883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}