{"id":6149,"date":"2014-08-07T05:30:14","date_gmt":"2014-08-07T09:30:14","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=6149"},"modified":"2014-08-07T05:30:14","modified_gmt":"2014-08-07T09:30:14","slug":"album-review-the-move-live-at-the-fillmore-1969","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2014\/08\/07\/album-review-the-move-live-at-the-fillmore-1969\/","title":{"rendered":"Album Review: The Move &#8212; Live at the Fillmore 1969"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/musoscribe.com\/images\/move_fillmore.jpg\" alt=\"\" width=\"298\" height=\"298\" \/><br \/>\nHere&#8217;s <em>another<\/em> case of a long-circulating bootleg finding official release (see also: yesterday&#8217;s review of an <a href=\"http:\/\/blog.musoscribe.com\/?p=6144\"><strong>Iron Butterfly<\/strong><\/a> live set). <a href=\"http:\/\/blog.musoscribe.com\/?p=3231\"><strong>The Move<\/strong><\/a> were big in the UK, but went largely unknown in America. At least, that is, until they shifted personnel a bit and rebranded themselves as <strong>Electric Light Orchestra<\/strong>.<\/p>\n<p>The band certainly knew all about America, though. Many years before its inclusion on <strong>Lenny Kaye<\/strong>&#8216;s influential <em>Nuggets<\/em> compilation, <strong>The Nazz<\/strong>&#8216;s \u201cOpen My Eyes\u201d was a staple of The Move&#8217;s live set. Though the group had an impressive string of hit singles, on this night in 1969 at San Francisco&#8217;s Fillmore, they chose to open with a tune released two years earlier (to no great sales) by the Philadelphia group featuring a very young <a href=\"http:\/\/blog.musoscribe.com\/?p=811\"><strong>Todd Rundgren<\/strong><\/a>. The Move&#8217;s excellent live version does overextend the excellent tune just a bit, however.<\/p>\n<p>On this recording \u2013 sourced from low-generation copies of that circulating tape* and\/or subjected to some expert sound clean-up \u2013 The Move turns in exciting covers of <strong>Tom Paxton<\/strong> (\u201cLast Thing on My Mind\u201d) and relatively obscure art-prog group <strong>Ars Nova<\/strong> (\u201cFields of People,\u201d included on The Move&#8217;s 1969 <em>Shazam<\/em> LP). The <strong>Carole King<\/strong> and <strong>Gerry Goffin<\/strong> tune \u201cGoin&#8217; Back\u201d gets The Move treatment as well. The sound isn&#8217;t quite up to standard release quality on this 2CD set, but the music is good and important enough to give the audio quality a pass.<\/p>\n<p>The band were big fans of American rock: their sets often included <strong>The Byrds<\/strong>&#8216; \u201cSo You Want to Be a Rock&#8217;n&#8217;Roll Star\u201d and <strong>Moby Grape<\/strong>&#8216;s \u201cHey Grandma,\u201d though neither were performed on this Fillmore date. <strong>Rick Price<\/strong>&#8216;s super-heavy bass lines and <strong>Bev Bevan<\/strong>&#8216;s drums presage the approach used by <strong>Black Sabbath<\/strong>, but <strong>Carl Wayne<\/strong>&#8216;s lead vocal plus <strong>Roy Wood<\/strong>&#8216;s keen harmony vocals add a pop sensibility that leavens the heaviness. \u201cCherry Blossom Clinic Revisited\u201d is perhaps the best example of all of the Move&#8217;s strengths in a single tune: gentle guitar parts, <em>a capella<\/em> vocal harmonies, and thunderous backbeat; the song&#8217;s suite-like character may remind some listeners of <strong>The Who<\/strong>&#8216;s \u201cA Quick One (While He&#8217;s Away).\u201d They also manage a clever juxtaposition of a classical theme (you&#8217;ll recognize it) into the tune, before doing such things was (for a time) a de rigeuer part of rock performance. The Move manage to convey power and subtlety onstage without the use of keyboards or acoustic guitar.<\/p>\n<p>The Move&#8217;s set closes as it began, with another Nazz cover: this time it&#8217;s \u201cUnder the Ice,\u201d from Rundgren&#8217;s group&#8217;s then-current <em>Nazz Nazz<\/em> LP. The tapes as circulated among collectors purported to document a set from October 1969. As presented on this official set, the recording features additional performances of \u201cDon&#8217;t Make My Baby Blue, \u201cCherry Blossom Clinic Revisited\u201d and \u201cThe Last Thing on My Mind,\u201d plus a contemporary recording \u2013 more than ten minutes in length \u2013 in which drummer Bevan recalls the &#8217;69 tour.<\/p>\n<p>Completists note: If you have the bootleg version of this tape, you might want to hold onto it: most copies include a live version of The Move&#8217;s <strong>Tchaikovsky<\/strong>-meets-psychpop classic, \u201cNight of Fear\u201d that&#8217;s not found on this new official set.<\/p>\n<p><em>Live at the Fillmore 1969<\/em> is highly recommended to anyone who appreciates late 60s hard rock, British variant, done with a deft combination of panache and excessive volume.<\/p>\n<p>* <em>A quote in the liner notes suggests that vocalist Carl Wayne was in possession of the original tapes.<\/em><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\">Follow \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" alt=\"\" width=\"18\" height=\"18\" border=\"0\" hspace=\"1\" vspace=\"0\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s another case of a long-circulating bootleg finding official release (see also: yesterday&#8217;s review of an Iron Butterfly live set). The Move were big in the UK, but went largely [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[11,49,62,65],"tags":[2167],"class_list":["post-6149","post","type-post","status-publish","format-standard","hentry","category-bootleg","category-new-release","category-rawk","category-review","tag-the-move","cat-11-id","cat-49-id","cat-62-id","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/6149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=6149"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/6149\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=6149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=6149"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=6149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}