{"id":5856,"date":"2014-06-17T05:30:29","date_gmt":"2014-06-17T09:30:29","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=5856"},"modified":"2014-06-17T05:30:29","modified_gmt":"2014-06-17T09:30:29","slug":"dvd-review-morrissey-25live","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2014\/06\/17\/dvd-review-morrissey-25live\/","title":{"rendered":"DVD Review: Morrissey &#8212; 25Live"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/musoscribe.com\/images\/morrissey_25live.jpg\" alt=\"\" width=\"280\" height=\"396\" hspace=\"20\" vspace=\"20\" \/><\/p>\n<p>In pop culture, certain truths evolve into long-running inside jokes. For example, if you booked <a href=\"http:\/\/blog.musoscribe.com\/?p=590\"><strong>Sly Stone<\/strong><\/a> for a gig, you could count on him (a) not showing up, (b) showing up right around the time the gig is supposed to end, or (c) walking out the stage door mid-act to \u201ctake a pee\u201d and then not returning. And with former <strong>Smiths<\/strong> vocalist <strong>Morrissey<\/strong>, buying an advance ticket to a date on one of his tours is akin to buying a Powerball lottery ticket: your odds of getting an return on your investment are one in a million.<\/p>\n<p>Well, okay, it&#8217;s not <em>quite<\/em> that bad. But just last week Moz announced the suspension of <em>yet another<\/em> tour, this time due to him ostensibly catching a bug of some sort from his opening act. Yeah, whatever. Terminally precious, Morrissey has a long history of this sort of behavior, and his long-suffering fans continue to buy tickets. They&#8217;re the music fan version of Charlie Brown, and Morrissey is Lucy van Pelt with the football. Aaaargh!<\/p>\n<p>But the elusive fact remains: the man does occasionally put on a show. And when he does, it&#8217;s often very, very good. While there&#8217;s no documentation letting us know just how long the film crew had to follow him around to actually catch a show, the new DVD <em>25Live<\/em> is a full concert performance. Morrissey and band appeared onstage at Hollywood High School in March 2013, and the entire show was filmed and recorded.<\/p>\n<p>The DVD opens to the strains of <a href=\"http:\/\/blog.musoscribe.com\/?p=248\"><strong>The New York Dolls<\/strong><\/a>&#8216; 1971 classic \u201cLooking for a Kiss\u201d (superfan Moz was instrumental in getting the Dolls to reunite a few years back). Black and white backstage footage is shown, with brief fan interviews letting us know just how hardcore Morrissey&#8217;s fans really are. (This fact will be hammered home as the concert gets underway.)<\/p>\n<p>The production values \u2013 both onstage and in the DVD \u2013 matter-of-factly put forth the idea (accurate or not) that Morrisey is the world&#8217;s biggest star. Everything about the DVD is top-notch and professional. The band \u2013 all dressed in matching jeans and t-shirts \u2013 perform flawlessly, yet with the fire and passion that Morrissey&#8217;s emotional (though generally not \u201cemo\u201d) songs require. And the man himself is on-key throughout, and is seemingly having the time of his life in front of the capacity crowd of young fans.<\/p>\n<p>The band charges through a pleasing survey of Morrissey&#8217;s solo material, sprinkling the set with plenty of Smiths classics. Morrissey&#8217;s lead guitarist (and musical director) <strong>Boz Boorer<\/strong> does a fine job of conjuring <strong>Johnny Marr<\/strong>&#8216;s original licks, and his own personality shines on the newer material. Morrissey&#8217;s curious blend of upbeat music wedded to somber, melancholy lyrics (the crowd happily sings along: \u201cYou have killed me, you have killed me\u201d) is well served by the performance, the venue, and the audience.<\/p>\n<p>The editing of the DVD leans in the direction of warts-and-all, though there really aren&#8217;t any warts. Morrissey&#8217;s cryptic in-between-songs banter is included, as are the count-ins. The 21<sup>st<\/sup> century ADD technique of endless quick-cutting is in full flower here: rarely does any one camera angle linger onscreen for more than two or three seconds.<\/p>\n<p>At one point, the singer hands the mic over to some front-row fans, affording them the chance to preserve in high definition audiovisual their fawning spoken tributes (Example: &#8220;Thank you for the life lessons you&#8217;ve taught us&#8221;). Though one suspects &#8212; <em>hopes?<\/em> &#8212; such words would make a performer squirm just a bit, for his part Moz doesn&#8217;t seem to mind. And during the encore, when Moz carries around a little boy &#8212; handed up from the crowd while wearing his Smiths t-shirt &#8212; one can clearly see the beefy security personnel manhandling the front-row crowd to keep them offstage. At that moment I couldn&#8217;t help recall the &#8220;Sally Simpson&#8221; scene from <strong>The Who<\/strong>&#8216;s <em>Tommy<\/em>, such is the near-messianic stature Morrissey seems to have among his fans.<\/p>\n<p>The DVD&#8217;s title <em>25Live<\/em> refers to the number of years in Morrissey&#8217;s career to date; the video includes nearly as many songs. And considering the disc&#8217;s relatively modest price \u2013 about twelve bucks for the Blu-Ray, a bit less for the DVD \u2013 it represents a sure-fire way to enjoy an evening with Morrissey. (There&#8217;s no truth to the rumor that every other copy of the disc features footage of a silent, empty stage.)<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\">Follow \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" alt=\"\" width=\"18\" height=\"18\" border=\"0\" hspace=\"1\" vspace=\"0\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In pop culture, certain truths evolve into long-running inside jokes. For example, if you booked Sly Stone for a gig, you could count on him (a) not showing up, (b) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[25,49,51,62,65],"tags":[1523,1987],"class_list":["post-5856","post","type-post","status-publish","format-standard","hentry","category-dvd","category-new-release","category-pop","category-rawk","category-review","tag-morrissey","tag-smiths","cat-25-id","cat-49-id","cat-51-id","cat-62-id","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/5856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=5856"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/5856\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=5856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=5856"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=5856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}