{"id":5776,"date":"2014-05-30T05:30:15","date_gmt":"2014-05-30T09:30:15","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=5776"},"modified":"2014-05-30T05:30:15","modified_gmt":"2014-05-30T09:30:15","slug":"dvd-review-the-doors-r-evolution","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2014\/05\/30\/dvd-review-the-doors-r-evolution\/","title":{"rendered":"DVD Review: The Doors &#8212; R-Evolution"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/musoscribe.com\/images\/doors_revolution.jpg\" alt=\"\" width=\"280\" height=\"388\" hspace=\"20\" vspace=\"20\" \/><\/p>\n<p>Many of the best-loved bands of the 1960s don&#8217;t own the rights to their own material. What this means in practical terms is that they don&#8217;t have the freedom to put together career-spanning DVDs that offer a comprehensive look at their work in their most vital years. (and the opportunity to profit from same.)<\/p>\n<p>When I think about this fact, one of the first bands that comes to mind is <a href=\"http:\/\/blog.musoscribe.com\/?p=779\"><strong>Paul Revere and the Raiders<\/strong><\/a>. On television in their heyday more often than <strong>The Monkees<\/strong> (if you can wrap your mind around that fact), The Raiders have not a single DVD showcasing their material. (Direct your inquiries to <a href=\"http:\/\/www.dickclark.com\/\">Dick Clark Productions<\/a>, the entity responsible for the non-existence of Raiders video product in the 21<sup>st<\/sup> century.)<\/p>\n<p>Other bands have either fared better, or worked to secure rights to their material. <strong>The Doors<\/strong> were always careful stewards of their work product, so it&#8217;s not surprising (though it <em>is<\/em> most welcome) that there&#8217;s a new DVD \u2013 with a run time (including bonus material ) of nearly two and a half hours \u2013 documenting their film and television output.<\/p>\n<p><em>R-Evolution<\/em> is a thoughtful survey of The Doors&#8217; music in video form, without any annoying voice-overs or other superfluous content. It&#8217;s just the videos. And as the liner notes make clear, the pointedly chronological organization of the clips emphasizes how the band started out \u201cplaying the game\u201d (see performances on <em>American Bandstand<\/em> \u2013 Clark again! \u2013 from 1967), but quickly asserted control of their product and made more abstract, idiosyncratic films that fit with what we today recognize as the Doors aesthetic.<\/p>\n<p>The sourcing of these clips is exceptional, and the quality beats the hell out of anything that circulated among (cough) bootleg collectors. Trust me on this. Clips from <strong>Murray the K<\/strong>&#8216;s TV show, <strong>Jonathan Winters<\/strong>&#8216; show, and various European musical programs have an undeniable kitsch factor (\u201cLight My Fire\u201d on <em>Malibu U<\/em> features a setting inspired by a laughable, wrongheadedly literal interpretation of the lyric, and must be seen to be believed).<\/p>\n<p>But the later material is \u2013 as it should be \u2013 odd and much more Doors-y. Music films produced by the band themselves lean more on live footage and in-studio clips than any sort of pantomiming by the band. And even the 1980s clips \u2013 made to take advantage of the medium&#8217;s ascendancy in the age of MTV \u2013 are fascinating if a bit dated.<\/p>\n<p>The copious bonus material on <em>R-Evolution<\/em> rounds out an excellent disc that deserves to be a part of any serious 60s music fan&#8217;s collection.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\">Follow \u201cthe_musoscribe\u201d on <\/a> <a href=\"http:\/\/www.twitter.com\/the_musoscribe\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" alt=\"\" name=\"graphics1\" width=\"18\" height=\"18\" align=\"BOTTOM\" border=\"0\" hspace=\"1\" \/><\/a><a href=\"http:\/\/www.twitter.com\/the_musoscribe\"> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Many of the best-loved bands of the 1960s don&#8217;t own the rights to their own material. What this means in practical terms is that they don&#8217;t have the freedom to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[19,25,49,62,65],"tags":[705,740,1772],"class_list":["post-5776","post","type-post","status-publish","format-standard","hentry","category-compilation","category-dvd","category-new-release","category-rawk","category-review","tag-doors","tag-eagle-rock","tag-r-evolution","cat-19-id","cat-25-id","cat-49-id","cat-62-id","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/5776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=5776"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/5776\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=5776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=5776"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=5776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}