{"id":502,"date":"2011-05-02T05:15:00","date_gmt":"2011-05-02T10:15:00","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=502"},"modified":"2026-02-04T08:44:48","modified_gmt":"2026-02-04T13:44:48","slug":"album-review-the-residents-not-available","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2011\/05\/02\/album-review-the-residents-not-available\/","title":{"rendered":"Album Review: The Residents &#8211; Not Available"},"content":{"rendered":"<p class=\"MsoNormal\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/residents_not_available.jpg\" width=\"280\" height=\"280\" align=\"right\" hspace=\"10\" vspace=\"10\" \/>Leave it to the folks at MVD Audio to mount a reissue of an album that (a) as legend has it wasn\u2019t supposed to have even been released the first time; (b) didn\u2019t shift in any sort of huge quantities on initial release and (c) is an exceedingly difficult listen.<\/p>\n<p class=\"MsoNormal\">I sometimes joke that I keep <strong>Residents<\/strong> albums handy to help hasten overstaying guests on their merry way; short of <strong>Throbbing Gristle<\/strong> and <strong>Mrs. (Elva) Miller<\/strong>, few artists are as off-putting to the casual listener as the mysterious foursome (or howevermany-some) from Louisiana (or wherever).<\/p>\n<p class=\"MsoNormal\">There\u2019s a whole mythos built up around The Residents, and their theory of obscurity is a central component of it. Their wryly-titled album <em>Not Available<\/em> dates from the early-ish part of their\u00a0 work, and saw official release on Ralph Records in 1978 (it was recorded some years earlier). A disc that defines difficult, it remains enjoyable on a number of levels. Lyrically as dark as they\u2019d ever get \u2013 though later-period discs such as <em>Tweedles<\/em> and <em>Freak Show<\/em> would push things even further toward the lyrically transgressive \u2013 <em>Not Available<\/em> includes long segments of instrumental music. Sort of a malevolent rethinking of <strong>Brian Eno<\/strong>\u2019s <em>Another Green World<\/em>, <em>Not Available<\/em> depicts a world that\u2019s unremittingly grotesque. But like an aural equivalent of a traffic accident, you can\u2019t turn away.<\/p>\n<p class=\"MsoNormal\">\u201cEdweena\u201d opens with some classical instrumentation \u2013 oboes, maybe \u2013 and a doomy rhythm. Three minutes in, bizarre and intentionally off-kilter vocal harmonies start to tell the story. There\u2019s almost always a story on a Residents record. As per usual, the <em>Not Available<\/em> story is distasteful, shocking and generally unpleasant. It\u2019s also relatively (<em>relatively<\/em>, I say) easily ignored; listeners who are open to the sonic trickery of Residents music can (if they wish) consider the vocals yet another instrument.<\/p>\n<p class=\"MsoNormal\">Since <a title=\"but I interviewed them anyway!\" href=\"http:\/\/blog.musoscribe.com\/?p=247\">nobody really knows<\/a> who is in The Residents, the issue of guest appearances isn\u2019t easily addressed. A female singer is present, portraying the part of Edweena in the operetta that was <em>Not Available<\/em>. The entire affair does have a showy, stagy feel, but of course it\u2019s warped almost beyond comprehension by The Residents. Plans were in fact underway for actual performances of the story, and the 2011 reissue includes photos from rehearsals. As one might expect, the photos are themselves a bit disturbing. Not for the kiddies, to be sure.<\/p>\n<p class=\"MsoNormal\">The Residents have never allowed themselves to be constrained by normal rules of melody or arrangement. A casual listen might lead one to decide it\u2019s all noise, but nothing could be less accurate than that assumption. \u201cThe Making of a Soul\u201d &#8212; the second of four long tracks that comprise the bulk of the record \u2013 is built around a squawking saxophone riff, joined by creepy chanted vocals. A lovely piano part quickly falls apart into something more sinister, showcasing a common Residents approach: draw the listener in with something relatively accessible, and then once they\u2019re hooked, hit \u2018em over the head with something deeply weird. The piano and string arrangement of the track\u2019s midsection is joined by an affected spoken vocal. What the lyric \u201cWelcome to the offshoots of Jupiter\u201d might possibly mean is left to the listener to decipher. Or not.<\/p>\n<p class=\"MsoNormal\">Acoustic piano, synthesizer strings and some dissonant flute-like instruments kick off \u201cShip\u2019s A\u2019going Down,\u201d the strangest and least-accessible track on <em>Not Available<\/em>. The Enigmatic Foe character appears, and the Residents equivalent of a Greek chorus adds commentary. By the middle of the track, several tunes &#8212; all dissonant &#8212; seem to be playing at once. And while The Residents rarely sound even a little bit like anyone else, in places this tracks is reminiscent of <strong>Mike Oldfield<\/strong>\u2019s <em>Tubular Bells<\/em>. The synthesizer work toward the track\u2019s end is interesting, almost subtle.<\/p>\n<p class=\"MsoNormal\">The first half of \u201cPart Four: Never Known Questions\u201d is The Residents at their most musical; there\u2019s almost a rock beat to the song. In some ways the track points toward the relatively tuneful approach the group would employ on <em>The River of Crime<\/em> some thirty years later. But the groaning recitation that makes up the track\u2019s second half is, well, not exactly ear candy. A short \u201cEpilogue\u201d reprises some of the musical themes from throughout the piece; think of it as an overture, or maybe even \u201cResidents on 45\u201d if you\u2019re in a perverse mood. A child\u2019s voice adds yet another unsettling layer to the whole affair.<\/p>\n<p class=\"MsoNormal\">Not among the most accessible of the releases from this notoriously difficult outfit, <em>Not Available<\/em> remains a rewarding if wholly challenging listen for the adventurous. Or you could play it to get your mother-in-law to go home. Of course I\u2019ve never met your spouse\u2019s mom, but I feel certain it would work on that level. If it <em>doesn&#8217;t<\/em>, well, then I suspect you have problems of another sort.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Leave it to the folks at MVD Audio to mount a reissue of an album that (a) as legend has it wasn\u2019t supposed to have even been released the first [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[65],"tags":[1823],"class_list":["post-502","post","type-post","status-publish","format-standard","hentry","category-review","tag-residents","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=502"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/502\/revisions"}],"predecessor-version":[{"id":30770,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/502\/revisions\/30770"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=502"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}