{"id":4920,"date":"2013-12-05T05:30:36","date_gmt":"2013-12-05T10:30:36","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=4920"},"modified":"2013-12-05T05:30:36","modified_gmt":"2013-12-05T10:30:36","slug":"new-album-and-dvd-from-pierce-edens","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2013\/12\/05\/new-album-and-dvd-from-pierce-edens\/","title":{"rendered":"New Albums from Asheville Locals Pierce Edens, Drunken Prayer"},"content":{"rendered":"<p>Today is my birthday. My 50th, in fact. So I&#8217;m kinda taking the day off. But still have something to share: recently I penned a news item\/feature for Asheville&#8217;s altweekly <em>Mountain Xpress<\/em>, covering a new CD and DVD release by local artist <strong>Pierce Edens<\/strong>. So with the print edition&#8217;s two-week embargo now ended, here&#8217;s a slightly edited version of that story, plus an additional sidebar I wrote. &#8212; bk.<\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/musoscribe.com\/images\/pierce_edens.jpg\" alt=\"\" width=\"280\" height=\"409\" hspace=\"20\" vspace=\"20\" \/><\/p>\n<p>Perhaps it&#8217;s paradoxical to suggest that the best way to capture a rough and tumble, unvarnished musical performance is through use of high definition cameras, but that was exactly the approach taken on <strong>Pierce Edens and the Dirty Work<\/strong>&#8216;s upcoming <em>LIVE<\/em>. \u201cWe got to make something like the live show that you can also take home when the lights go down,\u201d says Edens. Two Asheville events in November \u2013 an advance screening and release party \u2013\u00a0 celebrated the release of the new DVD and its companion audio CD. Recorded over two nights in front of an appreciative audience at The Lexington Avenue Brewery in Downtown Asheville, <em>LIVE<\/em> presents the rootsy Edens and his band at their best.<\/p>\n<p>That best really is tough to pin down: Allmusic.com classifies Edens alternately as folk-rock and psychedelic\/ garage. But his music can just easily \u2013 and accurately \u2013 be tagged with the singer\/songwriter label; he&#8217;s a gritty troubadour who takes what he needs from each style, blending and bending it to suit the needs of his songs.<\/p>\n<p>Raised on a steady diet of mountain music, Edens discovered punk in his teens; his original story-songs are a compelling synthesis of both styles. The mysterious and ominous strains of \u201cJailhouse\u201d that kick off the show display all of Edens&#8217; best qualities: raspy, hoary vocals coupled with muscular backing that has all the power of rock&#8217;n&#8217;roll while hewing mostly to the Americana side of the tracks. Stinging slide guitar leavens the acoustic underpinning of many of the tunes.<\/p>\n<p><center><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/musoscribe.com\/images\/pierce_edens_dw.jpg\" alt=\"\" width=\"425\" height=\"340\" hspace=\"20\" vspace=\"20\" \/><\/center>The careening, high-speed romp of \u201cPretty\u201d is reminiscent of <strong>Elvis Presley<\/strong>&#8216;s \u201cMystery Train\u201d by way of <strong>Johnny Cash<\/strong>, imbued with the smoky barroom aesthetic of <strong>Tom Waits<\/strong>. Elsewhere, the searing bluesy ballad of \u201cGood Man\u201d shows the stylistic range of the group, with <strong>Matt Smith<\/strong>&#8216;s extended lead guitar break featuring sheets of feedback that recall <strong>Neil Young<\/strong> at his most metallic.<\/p>\n<p>A longtime fixture of the music scene, Edens has previously released two discs under his own name: 2004&#8217;s <em>Four Songs<\/em> EP and a full-length self-titled album in 2012. The latter was fan-financed via a Kickstarter program which raised 130% of the set goal within 45 days.<\/p>\n<p>Concurrent with his solo work, Edens launched The Dirty Work, featuring Smith on electric guitar and pedal steel, <strong>Jesse James Hongisto<\/strong> on bass fiddle, drummer <strong>Dane Rand<\/strong>, and <strong>Jim Aaron<\/strong> on harmonica. The group has released a pair of studio albums, 2006&#8217;s <em>Party Dress<\/em> and <em>Long Days Above Ground<\/em> in 2009. For the performances that made up the <em>LIVE<\/em> CD and DVD, they were joined by saxophonist<strong> Jacob Rodriguez<\/strong> and <strong>Justin Ray<\/strong> on trumpet.<\/p>\n<p>The <em>LIVE<\/em> set draws from all four previous releases, recasting some of Edens&#8217; simpler arrangements in a full band style. The close-in, intimate ambience of The LAB&#8217;s stone-walled backroom music space, coupled with deft (and hi-def) multiple camera production gives the concert DVD the perfect balance of high-end and down-and-dirty. Pierce Edens says that recording allowed for a display of \u201cthe difference between a studio album and live music; this was a chance to get back into the stomping, sweaty grind that our live show can be&#8230;including that element of chaos that makes live music so special.\u201d The <em>LIVE<\/em> CD contains thirteen tracks from the Winter 2012 shows; the DVD adds special features and solo performances of Edens originals \u201cQueen of Hearts\u201d and \u201cTrain Tracks.\u201d<\/p>\n<p>Produced by local media production company Sound Lab Studios, the <em>LIVE<\/em> DVD will be released nationally on December 10. But a pair of events celebrating the release gave fans in WNC two chances to preview what&#8217;s in store. On Thursday November 21, the DVD got an advance screening at the Fine Arts Theater downtown. And the next night (Friday the 22<sup>nd<\/sup>) Pierce Edens and the Dirty Work performed a release party at The Isis Music Hall in West Asheville.<\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/musoscribe.com\/images\/drunken_prayer.jpg\" alt=\"\" width=\"280\" height=\"251\" hspace=\"20\" vspace=\"20\" \/><\/p>\n<p><strong>Drunken Prayer &#8212; <strong>House of Morgan<\/strong><\/strong><br \/>\nLike many esteemed musicians before him \u2013 <strong>Declan MacManus<\/strong> springs immediately to mind \u2013 <strong>Morgan Geer<\/strong> (formerly of Asheville&#8217;s fondly-remembered <strong>The Unholy Trio<\/strong>) plys his musical trade using a <em>nom de musc<\/em>; in his case, it&#8217;s Drunken Prayer. The Portland\/Asheville artist \u2013 who argues convincingly that he&#8217;s \u201cnot trying to be neo or alt or Americana but let out a howl informed by living life and soaking up American music from slave tunes to psychedelia to street parades\u201d \u2013 released his third album, <em>House of Morgan<\/em> this month.<\/p>\n<p>This time employing a more stripped-down approach than was used on 2012&#8217;s <em>Into the Missionfield<\/em>, Geer cut <em>House of Morgan<\/em> at home on a vintage cassette four-track (with some assist from computer software). But despite the bare-bones approach \u2013 Geer plays and sings all the sounds on the record \u2013 the sonic thread that runs through his earlier efforts remains unbroken. Listeners will hear strains of soul, funk, garage, blues, and roadhouse country. But they&#8217;re all deftly woven together by Geer&#8217;s unique sensibility. <em>House of Morgan<\/em> is out November 19 on Portland-based Fluff and Gravy Records.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\">Follow \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" alt=\"\" width=\"18\" height=\"18\" border=\"0\" hspace=\"1\" vspace=\"0\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today is my birthday. My 50th, in fact. So I&#8217;m kinda taking the day off. But still have something to share: recently I penned a news item\/feature for Asheville&#8217;s altweekly [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[6,25,44,49],"tags":[237,725,1016,1702],"class_list":["post-4920","post","type-post","status-publish","format-standard","hentry","category-americana","category-dvd","category-live-shows","category-new-release","tag-asheville","tag-drunken-prayer","tag-house-of-morgan","tag-pierce-edens","cat-6-id","cat-25-id","cat-44-id","cat-49-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/4920","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=4920"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/4920\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=4920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=4920"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=4920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}