{"id":4914,"date":"2013-12-04T05:30:44","date_gmt":"2013-12-04T10:30:44","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=4914"},"modified":"2013-12-04T05:30:44","modified_gmt":"2013-12-04T10:30:44","slug":"funny-you-should-mention-it-howard-kaylans-shell-shocked-part-three","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2013\/12\/04\/funny-you-should-mention-it-howard-kaylans-shell-shocked-part-three\/","title":{"rendered":"Funny You Should Mention It: Howard Kaylan&#8217;s Shell Shocked (Part Three)"},"content":{"rendered":"<p><em>Continued from <a href=\"http:\/\/blog.musoscribe.com\/?p=4910\">Part Two<\/a>&#8230;<\/em><\/p>\n<p><span style=\"color: #0000ff;\"><strong>Bill Kopp:<\/strong> One area you didn&#8217;t spend a lot of time on was the studio sessions. You didn&#8217;t avoid them, for sure, but neither did you get into deep detail about the recording. <\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/musoscribe.com\/images\/howard_kaylan_battle.jpg\" alt=\"\" width=\"280\" height=\"375\" hspace=\"20\" vspace=\"20\" \/><\/p>\n<p><strong>Howard Kaylan:<\/strong> That&#8217;s the most boring shit in the world! I can tell <em>you<\/em>, but it doesn&#8217;t matter. To the reader, it&#8217;s news to them. And they don&#8217;t give a shit about it.<\/p>\n<p>For instance, I can tell them \u2013 and I tried to, a little bit \u2013 but I don&#8217;t know anything about microphones, whether I&#8217;m singing into a Sennheiser or a Neumann. And nobody gives a flying fuck. This is not a music book, in those respects. Not at all. Do you really want to know the difference between a fifteen-hour <strong>Roy Thomas Baker<\/strong> session and a one-hour <a href=\"http:\/\/blog.musoscribe.com\/?p=811\"><strong>Todd Rundgren<\/strong><\/a> session? Do you <em>really<\/em>?<\/p>\n<p>There was actually a whole bunch of that crap in the later chapters, because I was trying to amalgamate the 80s into a chapter, the 90s into a chapter. It wound up being cursory name dropping; it sounded like a list of people that I knew, and it was just <em>stupid:<\/em> \u201cI went over to <a href=\"http:\/\/blog.musoscribe.com\/?p=4090\"><strong>Ray Manzarek<\/strong><\/a>&#8216;s house&#8230;\u201d Well, who the fuck cares?! And so Jeff was like, \u201cWe&#8217;ve got to lose sixty pages; where do you want to lose &#8217;em?\u201d So I said, \u201cLet&#8217;s cut out the shit that we don&#8217;t need. How about that?\u201d<\/p>\n<p><span style=\"color: #0000ff;\"><strong>BK:<\/strong> Technology has fundamentally changed the way that artists interact with fans. I&#8217;d suggest that the internet allows a kind of interchange with fans that doesn&#8217;t require a followup visit to the doctor for a penicillin shot. We&#8217;ve gone from fan clubs and groupies to Facebook. You and <strong>Mark Volman<\/strong> have always been, I think, more accessible than a lot of artists thanks to your radio shows and so forth, but I&#8217;m interested to know your thoughts on the kind of communication you have with fans, admirers, and fellow musicians on Facebook and social media.<\/span><\/p>\n<p><strong>HK:<\/strong> I like to think it&#8217;s pretty good. For instance, I was running a campaign before the summer tour where I told people that if they sent me their copies of <em>Shell Shocked<\/em>, I would sign them and send them back. All I wanted from them was a self-addressed stamped envelope, the book, and the postage. And I told them what the postage would be in every area of the globe. I got a Post Office box, and waited for the copies to come in.<\/p>\n<p>And you can&#8217;t <em>believe<\/em> the stuff that I received. It&#8217;s been amazing: not only have I gotten hundreds and hundreds and hundreds of books to sign (which is great), but among all the great people out there, there are some that still just don&#8217;t get it. I had a guy send me a postal-card size envelope with $8 in stamps on it. I went back on to Facebook after a couple weeks and said, \u201cGuys! I can&#8217;t buy your postage. I&#8217;m losing money on this. I&#8217;m trying to be a nice guy. But if it&#8217;s gonna cost me six dollars plus an envelope to send this shit out to you \u2013 when it&#8217;s Amazon discounted I see only $3 on each book \u2013 then I&#8217;m losing triple. What are you doing? Please!\u201d<\/p>\n<p>So once I shut that happy little campaign down, I think the only interaction is going to be Facebook and Twitter for this guy.<\/p>\n<p><span style=\"color: #0000ff;\"><strong>BK:<\/strong> I saw that post in which you wrote, basically, \u201cDon&#8217;t send me other stuff. If you don&#8217;t send correct postage, I&#8217;m keeping the book.\u201d <\/span><\/p>\n<p><strong>HK:<\/strong> See, you got the joke, and you laughed. But if you saw the comments that followed, you know that many people didn&#8217;t.<\/p>\n<p><span style=\"color: #0000ff;\"><strong>BK:<\/strong> Right. So I commented, asking if it was okay to send eight dollars in loose pennies.<\/span><\/p>\n<p><strong>HK:<\/strong> Right! It was those four people who pissed me off, rather than the 106 \u201clikes.\u201d And when people ask me to sign it, \u201cTo the greatest guy I ever met, sorry you beat me playing pool in 1978,\u201d I want to say, \u201cI <em>didn&#8217;t<\/em> play pool with you in 1978 and I don&#8217;t know who you are.\u201d Or, \u201cTo my best friend Jimmy.\u201d You&#8217;ll be lucky if I don&#8217;t spell it with a \u201cG\u201d at that point.<\/p>\n<p align=\"CENTER\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\">Follow \u201cthe_musoscribe\u201d on <\/a> <a href=\"http:\/\/www.twitter.com\/the_musoscribe\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" alt=\"\" name=\"graphics1\" width=\"18\" height=\"18\" align=\"BOTTOM\" border=\"0\" hspace=\"1\" \/><\/a><a href=\"http:\/\/www.twitter.com\/the_musoscribe\"> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Continued from Part Two&#8230; Bill Kopp: One area you didn&#8217;t spend a lot of time on was the studio sessions. You didn&#8217;t avoid them, for sure, but neither did you [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[10,41],"tags":[840,1018,1127,1525,1941,2281],"class_list":["post-4914","post","type-post","status-publish","format-standard","hentry","category-book","category-interview","tag-flo-and-eddie","tag-howard-kaylan","tag-jeff-tamarkin","tag-mothers","tag-shell-shocked","tag-turtles","cat-10-id","cat-41-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/4914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=4914"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/4914\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=4914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=4914"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=4914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}