{"id":4910,"date":"2013-12-03T05:30:36","date_gmt":"2013-12-03T10:30:36","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=4910"},"modified":"2013-12-03T05:30:36","modified_gmt":"2013-12-03T10:30:36","slug":"funny-you-should-mention-it-howard-kaylans-shell-shocked-part-two","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2013\/12\/03\/funny-you-should-mention-it-howard-kaylans-shell-shocked-part-two\/","title":{"rendered":"Funny You Should Mention It: Howard Kaylan&#8217;s Shell Shocked (Part Two)"},"content":{"rendered":"<p><em>Continued from <a href=\"http:\/\/blog.musoscribe.com\/?p=4908\">Part One<\/a>&#8230;<\/em><\/p>\n<p><span style=\"color: #0000ff;\"><strong>Bill Kopp:<\/strong> I&#8217;ve read a lot of <strong>Jeff Tamarkin<\/strong>&#8216;s work, and I&#8217;ve had a long conversation with you. So one of the things that impressed me about <em>Shell Shocked<\/em> is how perfectly it reflects what I expect to be your \u201cvoice.\u201d He&#8217;s essentially invisible, which I&#8217;m sure was the plan. Can you tell me a little bit about working with him, and what his role was?<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/musoscribe.com\/images\/howard_kaylan_2013.jpg\" alt=\"\" width=\"280\" height=\"392\" hspace=\"20\" vspace=\"20\" \/><\/p>\n<p><strong>Howard Kaylan:<\/strong> Jeff did the index. A Herculean task; I would have never been able to do that.<\/p>\n<p>And he was valuable. I didn&#8217;t have an agent; he did all that kind of stuff. And even more importantly, I knew he was <em>the guy<\/em>. I knew when I first spoke to him. This really got started about a year and a half ago or more. He did a sort of update interview with me for <em>MOJO<\/em>. A column and a half or something. And at the time we did the interview, he said, \u201cWow, you&#8217;ve got a zillion of these stories. Jeez; you ought to write a book.\u201d And I said, \u201cFunny you should mention it.\u201d because I had written four chapters about a year and a half earlier, and I just put &#8217;em away. Because even though I was encouraged early on \u2013 by an agent, <strong>Paula Guran<\/strong>, and a client of hers, a sci-fi writer by the name of <strong>John Shirley<\/strong>, one of the original cyberpunks \u2013 I started to write it as a how-to. Or a how-<em>not<\/em>-to. It was originally called <em>How Not to Be Me<\/em>. And after writing about four chapters of that, it was like writing a punk rock album: \u201cThose days are gone; I have no business doing this. I have nothing to protest.\u201d I had no more business dispensing advice than other people do. Preaching is just not in my wheelhouse.<\/p>\n<p>So I put the thing on the shelf. But I told Tamarkin that I had done exactly that, and he said, \u201cWell, that&#8217;s interesting as hell.\u201d And I told him the reasons I didn&#8217;t complete it: (a) I&#8217;m <em>really<\/em> a procrastinator. And (b) I need to get paid.<\/p>\n<p>This is a business where everybody does stuff on the back-end, and never gets paid for anything. And I knew better, after having written<em> My Dinner With Jimi<\/em>. I knew better because working with <strong>Harold Bronson<\/strong> \u2013 after we had the initial indie 30-minute film that was just the dinner portion \u2013 I knew what that was gonna be like. And I was right, all down the line.<\/p>\n<p>So I told Jeff that what I <em>really<\/em> needed was a swift kick in the butt every now and then. And a check and a deadline usually meant that. And he said, \u201cWell, I&#8217;ll do it.\u201d And I said, \u201cOkay!\u201d<\/p>\n<p>And there wasn&#8217;t anybody more suited to it. Because I know a lot of writer guys. Tamarkin was the guy; I knew his work. I read the [<strong>Jefferson<\/strong>] <strong>Airplane<\/strong> book. I knew how well-spoken-of it was in the business. He took fuckin&#8217; <em>five years<\/em> to write it.<\/p>\n<p>I didn&#8217;t have five years. But I knew in that case he had interviewed a thousand people, and in my case \u2013 and I stressed this the first time I talked to him \u2013 he wouldn\u2019t be interviewing anybody. The only person he&#8217;d have to deal with is me. And I didn&#8217;t <em>want<\/em> to do it like an interview; I didn&#8217;t want to answer questions. I didn&#8217;t want to speak it into a recorder, or dictate it into a software program. The only way I could do this \u2013 in my own fucking voice \u2013 was to put a blank page in front of me. And by the time the signal got from my brain to my fingers, my self-editor would have known exactly what to do.<\/p>\n<p>Because I <em>am<\/em> a raconteur; I know these stories backward and forward. They are my life. They are all these episodes; my life still works in episodes. I still see things that way, in chapters.<\/p>\n<p>So when I would go out on the road in the summer, I would write a chapter or two a night. <strong>Mark <\/strong>[<strong>Volman<\/strong>] drove through the night, and we&#8217;d listen to <strong>Frank Sinatra<\/strong> on Sirius 71. I would write chapters in the dark, on an iPad. I would send them to Jeff, and he would ask me dumb things, like, \u201cAre you sure the name is spelled like that?\u201d And he&#8217;d correct me on things that I was really wrong about: \u201cYou didn&#8217;t leave Toledo on a Friday night, because you played a show. You had to have left on a Saturday.\u201d And if I ever got contentious about it, I would go into daily diaries, which I have kept since 1968. And Jeff would go to his two unrelated sources to corroborate things. He refused to put his name on anything that wasn&#8217;t checked and double-checked. And I needed somebody to pull things together, to make sure it was in the correct form.<\/p>\n<p>I turned the thing in when the tour ended, and that&#8217;s kind of when his work started. Dotting the i&#8217;s and crossing the t&#8217;s, as he says, but it&#8217;s really a whole lot more than that. And when the publisher threw the index [project] on him&#8230;there should have been some sort of Congressional Medal of Honor for that!<\/p>\n<p><span style=\"color: #0000ff;\"><strong>BK:<\/strong><\/span><span style=\"color: #0000ff;\"> Immediately after I finished reading <\/span><span style=\"color: #0000ff;\"><em>Shell Shocked<\/em><\/span><span style=\"color: #0000ff;\">, I read something called <\/span><a href=\"http:\/\/blog.musoscribe.com\/?p=4087\"><span style=\"color: #0000ff;\"><em>Louder than Hell: The Defintive Oral History of Heavy Metal<\/em><\/span><\/a><span style=\"color: #0000ff;\">. It&#8217;s an interesting study in contrasts, having just read your book. Both books are full of unflinching, unvarnished, unapologetic tales of sex and drugs, but you&#8217;re likeable and for the most part those characters are not. Why do you think that might be?<\/span><\/p>\n<p><strong>HK:<\/strong> Hey, man. I never said I was likeable. I keep reminding people reading this book, as I rediscovered myself, what an asshole I was. A total dick.<\/p>\n<p>Maybe everybody made those mistakes growing up. But when you realize it, if you don&#8217;t cop to it, then you&#8217;re really a jerk. And you&#8217;re writing some kind of lie.<\/p>\n<p>I&#8217;d like to think everybody writes like that; I would like to think I&#8217;m really reading <strong>Keith<\/strong> [<strong>Richards<\/strong>] when I read things I know his co-writer said. It was done so brilliantly in that case; the guy got his voice and his rhythm&#8230;it was such a beautiful job that I didn&#8217;t care.<\/p>\n<p><a href=\"http:\/\/blog.musoscribe.com\/?p=4914\"><em>Click to continue&#8230;<\/em><\/a><\/p>\n<p align=\"CENTER\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\">Follow \u201cthe_musoscribe\u201d on <\/a> <a href=\"http:\/\/www.twitter.com\/the_musoscribe\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" alt=\"\" name=\"graphics2\" width=\"18\" height=\"18\" align=\"BOTTOM\" border=\"0\" hspace=\"1\" \/><\/a><a href=\"http:\/\/www.twitter.com\/the_musoscribe\"> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Continued from Part One&#8230; Bill Kopp: I&#8217;ve read a lot of Jeff Tamarkin&#8216;s work, and I&#8217;ve had a long conversation with you. So one of the things that impressed me [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[10,41],"tags":[840,1018,1127,1525,1941,2281],"class_list":["post-4910","post","type-post","status-publish","format-standard","hentry","category-book","category-interview","tag-flo-and-eddie","tag-howard-kaylan","tag-jeff-tamarkin","tag-mothers","tag-shell-shocked","tag-turtles","cat-10-id","cat-41-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/4910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=4910"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/4910\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=4910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=4910"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=4910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}