{"id":4799,"date":"2013-11-06T05:30:09","date_gmt":"2013-11-06T10:30:09","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=4799"},"modified":"2026-07-02T07:49:58","modified_gmt":"2026-07-02T11:49:58","slug":"album-review-the-paley-brothers-the-complete-recordings","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2013\/11\/06\/album-review-the-paley-brothers-the-complete-recordings\/","title":{"rendered":"Album Review: The Paley Brothers &#8212; The Complete Recordings"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/musoscribe.com\/images\/paleybros_complete.jpg\" class=\"alignright\" width=\"280\" height=\"280\" hspace=\"20\" vspace=\"20\" \/><\/p>\n<p>File these guys under Music You Probably Missed. Chalk it up to record execs not knowing exactly what to do with <strong>The Paley Brothers<\/strong>, or perhaps assign some of the blame to the artists themselves for not fitting neatly into a \u201cbox\u201d as the record business demanded (and demands) of recording artists.<\/p>\n<p>Whatever the reason, The Paley Brothers (<strong>Andy<\/strong> and <strong>Jonathan<\/strong>) would release but one long-playing album for Sire (1978&#8217;s cleverly-titled <em>Paley Brothers<\/em>) and then fade into obscurity. But that album was a real cracker, as was the cache of material they recorded before and after.<\/p>\n<p>But even the hardest of hardcore powerpop fanatics weren&#8217;t all fully aware of The Paley Brothers. My first exposure to them was within the pages of <em>The New Music<\/em>, an excellent (if now charmingly dated) 1980 survey of new wave and cutting-edge musical acts penned by renowned music journalist\/critics <strong>Glenn A. Baker<\/strong> and <strong>Stuart Coupe<\/strong>. Granted a full column in the book, The Paley Brothers&#8217; history is laid out in potted fashion, and the authors make it clear that their album (\u201cproduced by <strong>Earle Mankey<\/strong>, an original member of <a href=\"http:\/\/blog.musoscribe.com\/?p=4730\"><strong>Sparks<\/strong><\/a>\u201d) is worthwhile.<\/p>\n<p>But in those days I never heard their music, never stumbled across <em>Paley Brothers<\/em> in new or used record bins.<\/p>\n<p>My second exposure to the duo was many years later, when I discovered their delightful 1976 single \u201cCome Out and Play,\u201d the title track on Rhino&#8217;s <em>Come Out and Play: American Power Pop I (1975-1978)<\/em> compilation. With an infectious vibe that was equal parts distilled <strong>Beatles<\/strong> influence and bubblegum, it hit the sweet spot (if not the top of the charts).<\/p>\n<p>But that was it, until now. But the intrepid archivists at <a href=\"http:\/\/blog.musoscribe.com\/?tag=real-gone-music\">Real Gone Music<\/a> have compiled all available Paley Brothers recordings onto a jam-packed 26-track CD called <em>The Complete Recordings<\/em>. And it&#8217;s exactly that: the entire contents of the Sire LP, plus a Sire EP titled <em>Ecstasy<\/em>, plus well more than a dozen other compilation-only or previously-unreleased tunes. There&#8217;s even a live cut from 1978, \u201cFelicia,\u201d recorded at Madison Square Garden when the Paleys opened for <strong>Shaun Cassidy<\/strong>.<\/p>\n<p>Yes, you read that right: Shaun Cassidy. And that little fact may help to explain the situation within which The Paley Brothers found themselves. They were signed to a label hip enough to include <strong>The Ramones<\/strong> and <strong>Talking Heads<\/strong>, but bubblegum-sounding enough to earn (or \u201cearn\u201d) a slot as openers for the twee teen idol of the month.<\/p>\n<p>The thing is, The Paley Brothers actually were \u2013 if not all things to all people \u2013 successful in both hip-quotient and candy-coated goodness. When they rocked hard, they rocked hard. When they took it a little softer, it worked, too. The brothers (who penned nearly all of their own material, with the odd cover such as <strong>Tommy Roe<\/strong>&#8216;s \u201cSheila\u201d thrown in now and again) were adept at writing hooky, catchy tunes, and they paid attention in the studio as well. Andy would go on to become an in-demand producer and writer, working extensively with <strong>Brian Wilson<\/strong> (there&#8217;s a huge cache of unreleased material from those sessions) and most recently, co-writing <a href=\"http:\/\/blog.musoscribe.com\/?p=4749\">the latest single<\/a> from Charleston&#8217;s wonderful <a href=\"http:\/\/blog.musoscribe.com\/?p=716\"><strong>Explorers Club<\/strong><\/a>.<\/p>\n<p><em>The Complete Recordings<\/em> even includes a track from their (surprise!) abortive sessions with <strong>Phil Spector<\/strong>, and an odd little ditty, a cover of \u201cTheme From <em>Fireball X-L5<\/em>.\u201d The previously unreleased material holds its own alongside the Sire material. While powerpop never made the inroads its adherents had hoped, the highly-regarded (among those in the know, anyway) body of work from The Paley Brothers is highly recommended, and RGM has made discovering it easy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>File these guys under Music You Probably Missed. Chalk it up to record execs not knowing exactly what to do with The Paley Brothers, or perhaps assign some of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[12,19,49,51,55,62,64,65],"tags":[1642,1796,1965],"class_list":["post-4799","post","type-post","status-publish","format-standard","hentry","category-bubblegum","category-compilation","category-new-release","category-pop","category-powerpop","category-rawk","category-reissue","category-review","tag-paley-brothers","tag-real-gone-music","tag-sire","cat-12-id","cat-19-id","cat-49-id","cat-51-id","cat-55-id","cat-62-id","cat-64-id","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/4799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=4799"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/4799\/revisions"}],"predecessor-version":[{"id":31811,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/4799\/revisions\/31811"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=4799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=4799"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=4799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}