{"id":460,"date":"2011-03-04T10:31:36","date_gmt":"2011-03-04T15:31:36","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=460"},"modified":"2011-03-04T10:31:36","modified_gmt":"2011-03-04T15:31:36","slug":"album-review-dennis-coffey-dennis-coffey","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2011\/03\/04\/album-review-dennis-coffey-dennis-coffey\/","title":{"rendered":"Album Review: Dennis Coffey &#8211; Dennis Coffey"},"content":{"rendered":"<p class=\"MsoNormal\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/dennis_coffey.jpg\" align=\"right\" height=\"230\" hspace=\"10\" vspace=\"10\" width=\"230\" \/>Rock lead guitar chops. Tight, economical, in-your-face arranging skills. Funk sensibility. And licks that the top hip-hop artists turn to again and again. What\u2019s that? <strong>Dennis Coffey<\/strong>.<\/p>\n<p class=\"MsoNormal\">In the early 70s Coffey was a mainstay in the Detroit music scene. While he could \u2013 in his own way &#8212; drive as hard as the more well-known Motor City rock names (<strong>Kramer<\/strong>, <strong>Nugent<\/strong>, <strong>Cooper<\/strong>, <strong>Osterberg<\/strong>) the guitarist\u2019s chosen genre was funk. In fact Coffey was one of the legendary \u201c<strong>Funk Brothers<\/strong>\u201d (he\u2019s in that <em>Standing of the Shadows of Motown<\/em> film). With a blistering yet lean guitar attack, Coffey brought a lot of energy to other artists\u2019 records as a sideman. That\u2019s him on <strong>The Temptations\u2019<\/strong> \u201cBall of Confusion.\u201d <strong>Edwin Starr<\/strong>\u2019s \u201cWar,\u201d that\u2019s Coffey too. He played on <strong>Funkadelic<\/strong> records, sides by <strong>Gladys Knight<\/strong>, <strong>The Four Tops<\/strong>\u2026hell, he was even on <strong>Ringo Starr<\/strong>\u2019s <em>Goodnight Vienna<\/em> album.<\/p>\n<p class=\"MsoNormal\">Beginning in 1968 he started making his own records. First on a small label called Maverick, then on not-quite-as-small Sussex Records. With collaborator and producer <strong>Mike Theodore<\/strong>, Coffey cut four of the finest instro-funk records of the genre. He was rewarded for his efforts with the million-seller \u201cScorpio,\u201d an oft-sampled track. His web site lists at least fourteen artists who\u2019ve lifted from that single track; the list includes <strong>Public Enemy, Queen Latifah, LL Cool J, Moby<\/strong> and many other well-known names.<\/p>\n<p class=\"MsoNormal\">Point is, the guy\u2019s got an impressive r\u00e9sum\u00e9. After his string of successful records on Sussex, he moved in a marginally less-satisfying direction, making more disco-oriented records on Westbound (the label home to <strong>P-Funk<\/strong>), and later moved in a smooth jazz direction.<\/p>\n<p class=\"MsoNormal\">Forget all of that, though, because in 2011 he\u2019s back to his old tricks with a self-titled album. Actually, that\u2019s not quite accurate: <em>Dennis Coffey<\/em> ups the ante of the guitarist\u2019s late 60s\/early 70s albums. The record serves up super-high-energy original instrumental tracks, and adds remakes of some of the finest sides upon which Coffey originally appeared. A carefully-chosen list of guest vocalists step out front to tackle the lyrics.<\/p>\n<p class=\"MsoNormal\">The stinging, repetitive lick of \u201c7<sup>th<\/sup> Heaven&#8221; sets the tone for the disc. This swaggering instrumental number, with beefy horn charts and aggressive percussion, funks it up like the best thing you\u2019ve ever heard from <strong>Earth, Wind and Fire<\/strong>. But that rock sensibility propels the song forward. Coffey tears up the fretboard on this track that would be perfect for a modern-day blaxploitation film. Coffey\u2019s arrangement sense is mightily tasteful: his songs aren\u2019t mere guitar excursions. He often (and effectively) cedes the spotlight to the other players. A tasty bass solo is one of the many highlights of \u201c7<sup>th<\/sup> Heaven.\u201d<\/p>\n<p class=\"MsoNormal\">Coffey played on <strong>Wilson Pickett<\/strong>\u2019s \u201cDon\u2019t Knock My Love,\u201d and his remake (featuring <strong>Orgone<\/strong>\u2019s <strong>Fanny Franklin<\/strong> on vocals) sounds like a great lost number from an unaired <em>Soul Train<\/em> episode, yet there\u2019s something modern about the track. Throughout the album, Coffey manages to stay true to the classic funk vibe without creating something that\u2019s simply nostalgia.<\/p>\n<p class=\"MsoNormal\"><a href=\"http:\/\/blog.musoscribe.com\/?p=376\"><strong>Mayer Hawthorne<\/strong><\/a> lends his smooth, romantic lead vocal talents to \u201cAll Your Goodies Are gone,\u201d a tune originally cut by the <strong>Parliaments<\/strong>. Dig the backing vocals. For a barn-burning remake of Funkadelic\u2019s \u201cI Bet You\u201d \u2013 possibly the strongest cut on an album with zero filler &#8212; Coffey enlists two singers: <strong>Dirtbombs<\/strong>\u2019 <strong>Mick Collins<\/strong> and <strong>Rachel Nagy<\/strong> from <strong>The Detroit Cobras<\/strong>. Coffey\u2019s searing solo and spaceship effects are icing on top of a heavy soul groove.<\/p>\n<p class=\"MsoNormal\">The collaborations continue, peppered across a disc fully of four-on-the-floor instrumental numbers with evocative titles like \u201cPlutonius\u201d (with atmospheric vocal arrangement and yet another stinger from Coffey), \u201cSpace Traveller\u201d (Coffey in <strong>Stevie Wonder<\/strong>land) and the thrilling wah-wah-fest \u201cKnockabout.\u201d <strong>Kings Go Forth<\/strong> back up Coffey on the heavy funkster \u201cMiss Millie.\u201d That track features a Hammond solo that shows the distance between Detroit and Memphis is, well, not very far. Somebody needs to make a movie just so these tunes can get onscreen; they\u2019re that good.<\/p>\n<p class=\"MsoNormal\">Another contender for best track on <em>Dennis Coffey<\/em> is \u201cSomebody\u2019s Been Sleeping.\u201d With its nursery rhyme-meets-modern-soul lyric, this cut \u2013 originally done by <strong>100 Proof Aged in Soul<\/strong> (with Coffey, of course) is a prime example of 21<sup>st<\/sup> century northern soul. <strong>The<\/strong> <strong>Bellrays<\/strong>\u2019 <strong>Lisa Kekaula<\/strong> turns in an impressive vocal on the track. Coffey\u2019s arrangement skills here are breathtaking, adding critical dynamics to the track.<\/p>\n<p class=\"MsoNormal\"><strong>Paolo Nutini<\/strong> shows that he\u2019s possessed of more range (and soul) than his solo releases would suggest on \u201cOnly Good for Conversation.\u201d With a heavy distorted guitar riff worthy of the best 70s heavy metal, the song still keeps its funk. The disc wraps up with a freaky instrumental reprise of \u201cDon\u2019t Knock My Love\u201d that evokes mental images of Coffey\u2019s spaceship leaving the planet for some intergalactic funk.<\/p>\n<p class=\"MsoNormal\">But Coffey\u2019s still right here on Earth. With some high profile dates at the 2011 SXSW and a tour to follow, the 71 year old axeman shows no signs of slowing down. And for those interested in his rare and long out-of-print Sussex work, a perfectly-timed compilation called <em>Absolutely the Best of Dennis Coffey<\/em> just hit the shelves. The self-titled album won\u2019t be out until late April, but I\u2019m already wearing out my advance copy; it\u2019s no exaggeration to say that I\u2019ve played it fifty-plus times already. <em>Dennis Coffey<\/em> is a must-have.<\/p>\n<p style=\"font-size: 9px\" align=\"center\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\" class=\"body\">Follow \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" valign=\"middle\" border=\"0\" height=\"18\" hspace=\"1\" vspace=\"0\" width=\"18\" \/> Twitter<\/a><br \/>\nand get notified when new features, reviews and essays are published.<\/p>\n<p style=\"font-size: 9px\" align=\"center\"> DISCLOSURE OF MATERIAL CONNECTION:<\/p>\n<p align=\"center\"><a href=\"http:\/\/cmp.ly\/1\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/cmply_1.png\" alt=\"I have a material connection because I received a sample or review copy, or an item of nominal value that I can keep for consideration in preparing to write this content. I was\/am expected to return this item after my review.\" border=\"0\" \/><\/a><\/p>\n<p class=\"MsoNormal\">&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rock lead guitar chops. Tight, economical, in-your-face arranging skills. Funk sensibility. And licks that the top hip-hop artists turn to again and again. What\u2019s that? Dennis Coffey. In the early [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[65],"tags":[],"class_list":["post-460","post","type-post","status-publish","format-standard","hentry","category-review","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=460"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/460\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=460"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}