{"id":399,"date":"2010-12-14T06:07:19","date_gmt":"2010-12-14T11:07:19","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=399"},"modified":"2025-04-10T07:48:38","modified_gmt":"2025-04-10T11:48:38","slug":"399","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2010\/12\/14\/399\/","title":{"rendered":"DVD+CD Review: 21st Century Schizoid Band &#8211; Live in Japan"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/21csb.jpg\" alt=\"21st Century Schizoid Band - Live in Japan\" width=\"216\" height=\"306\" align=\"right\" border=\"0\" hspace=\"10\" vspace=\"10\" \/> This is both a rare treat and a tease. <strong>King Crimson<\/strong> has long been at the forefront of music, pushing the limits of various genres, while never once looking back. While the 1999 DVD <em>Deja Vroom<\/em> had the clever interactive gimmick that allowed users to create their own time-shifting version of &#8220;21st Century Schizoid Man&#8221; &#8212; selecting a drummer from one era, a bassist from another and so on &#8212; for the most part the group&#8217;s myriad permutations have concentrated on then-current material.<\/p>\n<p>The celebrated early lineup did what virtually every subsequent King Crimson lineup would do: it fell apart. By the time <em>In the Wake of Poseidon<\/em> was under way, the core group was down to <strong>Robert Fripp<\/strong>, with guests galore. Despite that, the sophomore album sounded (and sounds) very much a piece with its predecessor, <em><a class=\"body\" href=\"http:\/\/blog.musoscribe.com\/\/?p=122\">In the Court of the Crimson King<\/a><\/em>. <em>Poseidon<\/em> is due for remaster\/re-release any day now.<\/p>\n<p>And while the King Crimson Collectors Club has made a number of archival beat-the-boots live recordings available, nothing exists that brings state-of-the-art recording and live sound techniques together with the amazing music of those early days.<\/p>\n<p>Well, actually, that&#8217;s not true at all, is it? Thank goodness for an aggregation called the <strong>21st Century Schizoid Band<\/strong>. With a lineup that&#8217;s every bit as exciting to hear as it is to merely read the names, 21CSB is that rarest of animals: the original songs, played (mostly) by the original people, in the original styles. Jawdropping in its intensity, this concert recording from a 2002 date in Japan is nothing short of stunning.<\/p>\n<p><strong>Ian McDonald<\/strong>, all is forgiven. The pedestrian pap of <strong>Foreigner<\/strong> is now a distant memory, and we can once again concentrate on the immeasurable contributions you made to King Crimson. And thanks to the 21CSB we can also hear something few expected possible: live versions of songs from the equally-amazing (and even-more-unknown) 1971 <em>McDonald and Giles<\/em> LP.<\/p>\n<p>For this listener, few drummers possess the subtlety and inventiveness of <strong>Michael Giles<\/strong>. As a member of proto-Crimson <strong>Giles, Giles and Fripp<\/strong> and then on the first King Crimson LP (and then on the one-off spinoff with McDonald), Giles consistently brought a nuanced, stunningly melodic approach to the drum kit. And he sang &#8220;Tomorrow&#8217;s People&#8221; on the &#8217;71 LP. So, too, does he with 21CSB.<\/p>\n<p>For this tour, the 21CSB boasted a stellar lineup: Ian McDonald on sax, flute, keys, percussion and vocals; <strong>Mel Collins<\/strong> (from later versions of Crimson) on those same instruments and vocals; <strong>Peter Giles<\/strong> on bass and vocals; and drummer Michael Giles. Rounding out the lineup was <strong>Jakko Jaksyzyk<\/strong> handing not only the Fripperies of those King Crimson guitar parts, but channeling some serious <strong>Greg Lake<\/strong> in the vocal department. Close your eyes, and (except for the 21st century sonic clarity) you&#8217;re hearing early King Crimson.<\/p>\n<p>The new package is actually a repackaging of earlier releases. It contains both a DVD of the concert and a slightly shorter audio CD. Both discs survey the early catalog of King Crimson, hitting tracks primarily from the first and second albums. Also included are a couple of latter-day compositions from McDonald (cowritten with <strong>Peter Sinfield<\/strong>!), and some <em>McDonald and Giles<\/em> tracks (one on the CD, two on the video). It&#8217;s all amazingly filmed, played and performed, but the hands-down highlight is the heady jazz number &#8220;Cat Food.&#8221; With a shockingly intricate and swirling piano part that presages <strong>Mike Garson<\/strong>&#8216;s work on <strong>David Bowie<\/strong>&#8216;s <em>Aladdin Sane<\/em>, &#8220;Cat Food&#8221; is both a look-what-we-can-do showcase of the highest order and a thrilling song in and of itself.<\/p>\n<p>Sadly, that&#8217;s the end of the good news. Michael Giles retired from the group shortly after this date, and though he was ably replaced by another Crimson veteran in the person of <strong>Ian Wallace<\/strong>, Wallace passed away in 2007. Apparently the cost of keeping the band together was too much, and the 21st Century Schizoid Band is currently inactive. Future projects are unlikely.<\/p>\n<p>But for fans of King Crimson, of any of its alumni, and\/or anyone with an abiding interest in boundary-pushing music of historic import, this CD+DVD package called <em>Live in Japan<\/em> is a simply must-own title.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is both a rare treat and a tease. King Crimson has long been at the forefront of music, pushing the limits of various genres, while never once looking back. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[65],"tags":[],"class_list":["post-399","post","type-post","status-publish","format-standard","hentry","category-review","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=399"}],"version-history":[{"count":2,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/399\/revisions"}],"predecessor-version":[{"id":29247,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/399\/revisions\/29247"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=399"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}