{"id":398,"date":"2010-12-13T05:40:49","date_gmt":"2010-12-13T10:40:49","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=398"},"modified":"2016-02-02T21:40:36","modified_gmt":"2016-02-02T21:40:36","slug":"album-review-blue-beard-self-titled","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2010\/12\/13\/album-review-blue-beard-self-titled\/","title":{"rendered":"Album Review: Blue Beard (self-titled)"},"content":{"rendered":"<p>  <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/bluebeard.jpg\" alt=\"Blue Beard\" align=\"right\" border=\"0\" vspace=\"10\" width=\"300\" height=\"300\" hspace=\"10\" \/>  Way back in 1971 a self-titled album was released by a group calling itself <strong>Blue Beard<\/strong>.  Recorded and released (only) in Italy, the disc went on to become a  collectors&#8217; item. Fantastic Voyage ended up with the rights to the  masters, and has re-released the album on vinyl only.<\/p>\n<p>Then as now, Blue Beard was something of a mystery. An aggregation  comprised of musicians from all over, the studio-only project included  players from Holland, India, Ireland, Indonesia and Australia. Nope, no  Italians. In fact the project was put together specifically to record a  clutch of songs by a pair of composers, <strong>Thurman Binkley<\/strong> and <strong>Bob Welch<\/strong>.<\/p>\n<p>Next to nothing is known about the musicians on the disc, beyond their  names. And nobody seems to know much about Binkley, other than that he  would later be involved with a French film soundtrack. Welch, of course,  would go on to some fame as a member of <strong>Fleetwood Mac<\/strong>,  just prior to their transformation into the vapid and overrated 70s pop  juggernaut. (They still rocked when Welch was with &#8217;em, though.)<\/p>\n<p>The music on <em>Blue Beard<\/em> covers a wide variety of styles. The  single &#8220;Sly Willy&#8221; is a good tune marred by a grating descending-whoop  that runs throughout the whole song (intentionally so). Several of the  other songs tread in (of all things) a sort of Southern soul-pop style a  bit like late-late period <strong><a href=\"http:\/\/blog.musoscribe.com\/\/?p=259\" class=\"body\">Paul Revere and the Raiders<\/a><\/strong>, <strong>Glen Campbell<\/strong> or <strong>Mac Davis<\/strong>. &#8220;Too Many People&#8221; is vaguely reminiscent of <strong>Rare Earth<\/strong> crossed with <strong>Three Dog Night<\/strong>; that sort of commercially-minded-yet-kinda-rocking vibe pervades the record.<\/p>\n<p>The various styles attempted are all successful on some level (to  varying degrees), but the net effect is lacking in a specific identity.  This sort of thing is common to one-off studio projects: a real band  made of players who have put in time playing together before entering  the studio will develop a sort of musical <em>simpatico<\/em>, and that can&#8217;t easily be captured by studio cats.<\/p>\n<p>A few tracks on <em>Blue Beard<\/em> break out of the soul-pop mold, and end up sounding like the kind of thing one might hear on compilations like <em>The Great British Psychedelic Trip<\/em>,  (which, while often great and always British, wasn&#8217;t consistently  psychedelic). The playing is workmanlike, and the arrangements  occasionally head ever-so-slightly toward progressive rock, but there  are ultimately no undiscovered gems here; there&#8217;s nothing on the level  of <strong>Andromeda<\/strong>, <strong>The Open Mind<\/strong> or <strong>Locomotive<\/strong> (to name three obscurities of the era). There&#8217;s nothing especially distinctive here, but neither is there anything god-awful.<\/p>\n<p>The musically-by-the-numbers &#8220;Goofin&#8217; is Good Fun&#8221; has a funky\/jaunty vibe that again evokes <em>Country Wine<\/em>-era <strong><a href=\"http:\/\/blog.musoscribe.com\/\/?p=177\" class=\"body\">Raiders<\/a><\/strong>.  And while that reference elicits blank stares from most rock fans, so  too does any mention of Blue Beard. &#8220;Butter Queen&#8221; attempts a style  familiar to fans of <strong>Savoy Brown<\/strong> and <strong>Foghat<\/strong>,  but tries to leaven the recipe with a slightly clumsy prog vibe. The  result isn&#8217;t nearly the disaster that might suggest, but neither is it  very memorable; there&#8217;s a good hook but a very weak chorus. And the  singer &#8212; while competent &#8212; is no <strong>Mark Lindsay<\/strong>.<\/p>\n<p>The best track on Blue Beard is the last, &#8220;Losing You.&#8221; A successful  stab at progressive rock, the track merited inclusion in Fantastic  Voyage&#8217;s <em><a href=\"http:\/\/blog.musoscribe.com\/\/?p=374\" class=\"body\">Summer Turns to Autumn<\/a><\/em>  compilation. But anyone hearing it in that context &#8212; and subsequently  turning to this album for more of the same &#8212; will come away  disappointed.<\/p>\n<p>Ultimately, <em>Blue Beard<\/em> sounds like what it is: good songs played  by good musicians. Not great, though: the proceedings come off a bit  rushed, slightly half-baked. There are better obscure early 70s rock  albums out there waiting to be discovered. This one&#8217;s worth a listen,  but for most collectors, it won&#8217;t be put into heavy rotation.<\/p>\n<p><center><\/p>\n<p style=\"font-size: 9px\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\" class=\"body\">Follow &#8220;the_musoscribe&#8221; on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" valign=\"middle\" border=\"0\" vspace=\"0\" width=\"18\" height=\"18\" hspace=\"1\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n<p style=\"font-size: 9px\"> DISCLOSURE OF MATERIAL CONNECTION:<br \/>\n<a href=\"http:\/\/cmp.ly\/1\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/cmply_1.png\" alt=\"I have a material connection because I received a sample or review copy, or an item of nominal value that I can keep for consideration in preparing to write this content. I was\/am expected to return this item after my review.\" border=\"0\" \/><\/a><\/p>\n<p><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Way back in 1971 a self-titled album was released by a group calling itself Blue Beard. Recorded and released (only) in Italy, the disc went on to become a collectors&#8217; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[65],"tags":[810],"class_list":["post-398","post","type-post","status-publish","format-standard","hentry","category-review","tag-fantastic-voyage","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=398"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/398\/revisions"}],"predecessor-version":[{"id":10249,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/398\/revisions\/10249"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=398"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}