{"id":388,"date":"2010-11-29T05:59:13","date_gmt":"2010-11-29T10:59:13","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=388"},"modified":"2019-10-07T07:29:40","modified_gmt":"2019-10-07T11:29:40","slug":"dvd-review-ginger-bakers-airforce-live-1970","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2010\/11\/29\/dvd-review-ginger-bakers-airforce-live-1970\/","title":{"rendered":"DVD Review: Ginger Baker\u2019s Airforce &#8211; Live 1970"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2010\/11\/airforce_live_1970.jpg\" alt=\"\" width=\"216\" height=\"306\" class=\"alignright size-full wp-image-17668\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2010\/11\/airforce_live_1970.jpg 216w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2010\/11\/airforce_live_1970-212x300.jpg 212w\" sizes=\"auto, (max-width: 216px) 100vw, 216px\" \/><\/p>\n<p>I must admit I was thrilled and filled with anticipation when I recently learned of this DVD&#8217;s existence. <strong>Ginger Baker<\/strong> &#8212; then late of <strong>Blind Faith<\/strong>, and before that <strong>Cream<\/strong> &#8212; put together a groundbreaking supergroup in the waning days of the 1960s. While <strong>Ginger Baker&#8217;s Airforce<\/strong> is most often thought of &#8212; when it&#8217;s thought of it at all &#8212; as some sort of one-off failed vanity project that quickly ended up in cut-out bins, the reality is quite different.<\/p>\n<p>The group was never designed to have a set lineup of personnel. Players came and went. The first lineup included <strong>Steve Winwood<\/strong>, who had just finished playing with Baker in Blind Faith (another act that rarely gets its due). <strong>Ric Grech<\/strong> from Blind Faith had also briefly been a member, as had <strong>Chris Wood<\/strong> (previously and soon again Winwood&#8217;s bandmate in <strong>Traffic<\/strong>). <strong>Denny Laine<\/strong> (previously of the &#8220;Go Now&#8221; era <strong>Moody Blues<\/strong>, then his own tantalizingly brief <strong>String Band<\/strong>, and soon to join <strong>Wings<\/strong>) enlisted in the Airforce as well. Even former <strong>Move<\/strong> guitarist <strong>Trevor Burton<\/strong> passed through the ranks of Ginger Baker&#8217;s Airforce.<\/p>\n<p>Okay, enough with a rundown of who is <em>not<\/em> on this new video. A few facts remain: one, the existence of any Airforce video is a rare and special treat. Since the group only did a handful of shows, there were precious few opportunities to capture them on film. Two, the lineup that appeared on the German TV program <em>Beat Club<\/em> was quite amazing in and of itself. Built around a core of Baker on drums plus his mentor <strong>Graham Bond<\/strong> on saxes (leading a brass section), the group also featured some fiery guitar work from <strong>Ken Craddock<\/strong> (who doubled on organ).<\/p>\n<p>The original broadcast was, by necessity, edited for television: you always shoot more than you&#8217;ll need. This 51-minute DVD includes all extant tape from the session, including slate claps and a bit of between-song banter between the players and the studio crew. So viewers are treated to two versions of &#8220;Sunshine of Your Love.&#8221; But wait: you have never heard the song like this. Featuring the dual lead vocals of <strong>Aliki Ashman<\/strong> and <strong>Diane Stewart<\/strong> (Bond&#8217;s wife) plus a boundary-stretching horn section, the song as performed by the Airforce pushes the limits of what listeners could reasonably expect.<\/p>\n<p>If Ginger Baker&#8217;s Airforce sounds like any other group, it&#8217;s got to be <strong>Colosseum<\/strong>. But that jazz-rock group never had African percussion worked into the mix. Ghanan percussionist <strong>Speedy Acquaye<\/strong> added a world-beat sensibility to the Airforce sound; a strong case can be made that Ginger Baker really spearheaded the world music movement. There&#8217;s no denying that he was ahead of his time in the integration of western and African musical styles. The Airforce experience had a profound effect on his own musical direction: he would soon move to Lagos, Nigeria. But that&#8217;s another story.<\/p>\n<p>The performances on <em>Live 1970<\/em> are amazing. The sound is superb, and the visual quality is stunning for a TV film from forty years ago, especially one most people didn&#8217;t know still existed. The songs go on and on &#8212; the opening number (three songs in succession, really) runs nearly 22 minutes &#8212; but they never get boring. Hypnotic, yes. A highlight of the set (one of many) is &#8220;12 Gates of the City&#8221; (from the second Airforce LP) featuring Bond on lead vocals. &#8220;Early in the Morning&#8221; is the only song performed that had appeared on the first album; there the lead vocal duties were Steve Winwood&#8217;s. Here it&#8217;s Ashman and Stewart, giving the song a wholly different flavor.<\/p>\n<p>Don&#8217;t be misled when you see the cover art: it may lead you to think that <em>Live 1970<\/em> is a video document of the first album, itself a live performance at London&#8217;s Albert Hall. It is not that: as I&#8217;ve pointed out, neither the song list nor the band lineup shares much with that show. But it&#8217;s still quite essential. Fans of any of Baker&#8217;s work will enjoy this: Baker is shown playing with what could almost be termed subtlety, even though he still bashes the hell out of the well-worn skins. Anyone curious about the earliest examples of musical genre cross-fertilization and hybridization will benefit from a viewing of <em>Live 1970<\/em>. Jazz fans who dig loose playing will enjoy this, too. In short, anyone with a musically open mind should give <em>Ginger Baker&#8217;s Airforce &#8211; Live 1970<\/em> a look.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I must admit I was thrilled and filled with anticipation when I recently learned of this DVD&#8217;s existence. Ginger Baker &#8212; then late of Blind Faith, and before that Cream [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":17668,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[25,65],"tags":[],"class_list":["post-388","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dvd","category-review","cat-25-id","cat-65-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=388"}],"version-history":[{"count":2,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/388\/revisions"}],"predecessor-version":[{"id":17670,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/388\/revisions\/17670"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/17668"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=388"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}