{"id":3759,"date":"2013-03-21T05:11:57","date_gmt":"2013-03-21T09:11:57","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=3759"},"modified":"2013-03-21T05:11:57","modified_gmt":"2013-03-21T09:11:57","slug":"the-felix-cavaliere-interview-part-4","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2013\/03\/21\/the-felix-cavaliere-interview-part-4\/","title":{"rendered":"The Felix Cavaliere Interview, Part 4"},"content":{"rendered":"<p>Conclusion, continued from <a href=\"http:\/\/blog.musoscribe.com\/?p=3756\">Part Three<\/a>&#8230;<\/p>\n<p><span style=\"color: #0000ff;\"><strong>Bill Kopp:<\/strong> I have to admit that \u2013 like a lot of people \u2013 I don&#8217;t actually own, and haven&#8217;t even heard the late-period Rascals albums <em>Peaceful World<\/em> [1971] and <em>The Island of Real<\/em> [1972]. What I have read about them, mostly in critical-reassessment-type reviews, is that they&#8217;re not at all like the earlier Rascals material, but that they&#8217;re underrated. It seems as if they might be seen as transitional albums, bridging from the Rascals of old to your solo career. How do you view those albums? Where do you see them fitting?<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/musoscribe.com\/images\/rascals08.jpg\" alt=\"\" width=\"280\" height=\"280\" hspace=\"20\" vspace=\"20\" \/><\/p>\n<p><strong>FC:<\/strong> I think that&#8217;s very well-put. The freedom we had, it sort of hit us in the face. And we got a <em>little<\/em> too carried away with some of the arrangements. <em>Really<\/em> lettin&#8217; it out, man. But what I did&#8230;what we tried to do was&#8230;the group had split up. It was a really sad occurrence, because Dino was my partner, co-writer, my voice, the real Rascal. When Dino left, the whole thing got shifted to a kind of different entity. A different creation. We thought, \u201cThis is more of a business now.\u201d Especially being on Columbia, [The Rascals left Atlantic for Columbia after their final LP for the former, 1971&#8217;s <em>Search and Nearness.<\/em> \u2013 bk] which was all business.<\/p>\n<p><strong>Gene<\/strong> [<strong>Cornish<\/strong>] &#8230;a very very very strange circumstance of how we lost him from the group. Dino, really, at that time, did not want him to be around. Because he wasn&#8217;t pulling his weight. He had kind of let his guitar playing down. So it was down to just Dino and myself. So to supplement the band, I went out and had auditions. And I found some <em>great<\/em> people. I mean, oh my god. <strong>Buzzy Feiten<\/strong> on guitar, who is a legend. He was all strung out, though, so that was a problem. He was not on this planet very strongly. But he could play. We also had <strong>Bob Popwell<\/strong>, who ultimately went with the Jazz Crusaders, and was really good. He&#8217;s living down here [Nashville], and he&#8217;s a preacher now.<\/p>\n<p>And instead of trying to emulate the male vocals part of it, I went and got females. How in the hell was that the best idea&#8230;I probably shouldn&#8217;t have done that. But anyway, we had all that freedom.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"http:\/\/musoscribe.com\/images\/rascals09.jpg\" alt=\"\" width=\"280\" height=\"280\" hspace=\"20\" vspace=\"20\" \/><\/p>\n<p>But we didn&#8217;t have Arif, now. That was a loss. A big loss. So I had to totally arrange things, get down to a different place. And I really pushed it toward a jazz world. Like what Santana was doing, like <strong>Chick Corea<\/strong>. I wanted to go that way. And when I pushed it, it freaked people out. Because there was also a lot of spirituality on the record. There was a lot of &#8230;maybe it was overdone. And at the time, we didn&#8217;t recognize where the line was, this imaginary line that we hadn&#8217;t discovered. We went from too-hip to too-square. We should have pulled it more to the center.<\/p>\n<p>But that album \u2013 <em>The Island of Real<\/em> \u2013 in Japan, it was a smash! There was an opportunity [in Japan] when CDs first came out, to make any album that was analog into a CD. And they actually manufactured a CD of <em>Peaceful World<\/em>. Immaculate quality. It never really sold that well [<em>Billboard<\/em> #122 \u2013 bk], but it was a really good band, and I really think that album did us justice.<\/p>\n<p>But many albums don&#8217;t make it, you know. <em>The Island of Real<\/em> [<em>Billboard<\/em> #180 \u2013 bk] wasn&#8217;t marketed well.<\/p>\n<p><span style=\"color: #0000ff;\"><strong>BK:<\/strong> sometimes a record is ahead or behind its time. A certain sound falls in or out of favor. There&#8217;s a lot of luck involved.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/musoscribe.com\/images\/rascals10.jpg\" alt=\"\" width=\"280\" height=\"275\" hspace=\"20\" vspace=\"20\" \/><\/p>\n<p><strong>FC: <\/strong>Absolutely. I hear that word so much. You have to be at the right place at the right time. If it happens once in your life, you&#8217;re very fortunate.<\/p>\n<p><span style=\"color: #0000ff;\"><strong>BK:<\/strong> After many, many years not playing together, the original Rascals foursome has reunited. Can you tell me a little about the events that led up to that initial reunion, the April 2010 Tribeca Grill gig in New York?<\/span><\/p>\n<p><strong>FC: <\/strong>Well, I can only tell you from my point of view. It&#8217;s an interesting thing, how it happened. One of my children \u2013 and when I say \u201cchildren,\u201d I&#8217;m talking about adults, of course \u2013 developed breast cancer. I found out about this becoming a serious thing, and then <em>three days later<\/em> I got a call from <strong>Stevie Van Zandt<\/strong> asking me to take part in a Rascals reunion for a cancer benefit [for Kristen Ann Carr].<\/p>\n<p><span style=\"color: #0000ff;\"><strong>BK: <\/strong>Wow&#8230;<\/span><\/p>\n<p><strong>FC:<\/strong> Yeah. I know. And I said, \u201cThere&#8217;s no way I&#8217;m gonna say no to this.\u201d And the benefit&#8230;how can I say this&#8230;I met so many wonderful people there. <strong>Bruce Springsteen<\/strong>. Some of the best contacts, the best musicians in the United States of America. <strong>Paul Shaffer<\/strong> played, <strong>Bob Clearmountain<\/strong> ran sound. So there was no way I wasn&#8217;t gonna do that.<\/p>\n<p><span style=\"color: #0000ff;\"><strong>BK:<\/strong> So between the four of you, did any fence-mending occur at that show?<\/span><\/p>\n<p><strong>FC:<\/strong> I think so. Especially in the case of Gene. Gene had been extremely ill; he&#8217;s a survivor. He had some really serious health issues over the last five years [prior to that show]. We&#8217;re very fortunate that he&#8217;s here; he&#8217;s had two heart bypasses, colon cancer&#8230;oh my god.<\/p>\n<p>He&#8217;s taken a completely new lease on life. He&#8217;s a completely changed individual; he&#8217;s so thankful. And he&#8217;s got the same desire that most musicians have: he loves to play, and looks for any excuse to do it.<\/p>\n<p>I think that show was a good thing for everyone. We rehearsed for three days; after all those years, we only had three days to put a whole show together, to play for an hour. And it was tedious; it took a lot out of me.<\/p>\n<p>If you know anything about all the aggravation that&#8217;s gone on between us all these years, none of that mattered. And hopefully, the end of this story will be as good as the beginning.<\/p>\n<p><span style=\"color: #0000ff;\"><strong>BK:<\/strong> Last question. How would you like The Rascals to be remembered?<\/span><\/p>\n<p><strong>FC:<\/strong> You mentioned earlier that when you saw us play, people in the audience had tears of joy. That&#8217;s how: tears of joy.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\">Follow \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" alt=\"\" width=\"18\" height=\"18\" border=\"0\" hspace=\"1\" vspace=\"0\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conclusion, continued from Part Three&#8230; Bill Kopp: I have to admit that \u2013 like a lot of people \u2013 I don&#8217;t actually own, and haven&#8217;t even heard the late-period Rascals [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41,51],"tags":[821,1788,2419],"class_list":["post-3759","post","type-post","status-publish","format-standard","hentry","category-interview","category-pop","tag-felix-cavaliere","tag-rascals","tag-young-rascals","cat-41-id","cat-51-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/3759","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=3759"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/3759\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=3759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=3759"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=3759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}