Albert Mangelsdorff<\/strong><\/a> original called \u201cSound-Koller\u201d and \u201cCome Back to Sorrento\u201d showcase a much more self-assured Hipp and much improved production and fidelity. Hipp displays subtlety, poise and inventiveness here, and shares the spotlight with her band (including Mangelsdorff on trombone).<\/p>\nTwo years later Hipp was back in the studio to cut four more numbers; the upgrade in audio quality here is stunning, and finally worthy of the 180-gram treatment Jazzhaus gives it on this new release. With a band that now includes the lyrical interplay between guitarist Attila Zoller<\/strong> (her then-fiancee, though they never married), Mangelsdorff and Joki Freund<\/strong> on sax, Hipp truly comes into her own; these tracks, especially \u201cDaily Double\u201d sound little like her work of a mere thirty months earlier. Hipp’s playing is at once assured and lyrical; her commanding right-hand work on \u201cIndian Summer\u201d is a delight. She takes it soft and sensitive on \u201cEverything Happens to Me,\u201d during which she carries the melody on piano through the entire song. Her final recording in Germany \u2013 she abruptly left for New York mere weeks after this date, never to return \u2013 is a spirited reading of Freund’s \u201cSerpentine,\u201d during which each player takes his\/her turn in the spotlight.<\/p>\nUp to now, Jutta Hipp’s entire recorded output totaled four and half LPs worth of material; with this new release \u2013 likely clearing the unreleased archives for good \u2013 an important addition to both her catalog and that of jazz in general has been made.<\/p>\n","protected":false},"excerpt":{"rendered":"
Had the life and career of Jutta Hipp not happened, pop culture might have had to fabricate them. Hers is such a unique, compelling, mystifying and ultimately frustrating story that […]<\/p>\n","protected":false},"author":1,"featured_media":10746,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[40,42,49,65],"tags":[1113,1223],"class_list":["post-3727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-instrumental","category-jazz","category-new-release","category-review","tag-jazzhaus","tag-jutta-hipp","cat-40-id","cat-42-id","cat-49-id","cat-65-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/3727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=3727"}],"version-history":[{"count":5,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/3727\/revisions"}],"predecessor-version":[{"id":28996,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/3727\/revisions\/28996"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/10746"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=3727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=3727"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=3727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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