{"id":307,"date":"2010-08-17T05:50:45","date_gmt":"2010-08-17T10:50:45","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=307"},"modified":"2010-08-17T05:50:45","modified_gmt":"2010-08-17T10:50:45","slug":"dvd-review-gold-before-woodstock-beyond-reality","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2010\/08\/17\/dvd-review-gold-before-woodstock-beyond-reality\/","title":{"rendered":"DVD Review: Gold &#8211; Before Woodstock. Beyond Reality."},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/gold.jpg\" align=\"right\" height=\"306\" hspace=\"10\" vspace=\"10\" width=\"216\" \/>It&#8217;s hard to know exactly what to do with this film. Made in 1968  (but presumably re-titled later since Woodstock was in summer &#8217;69), the  theatrical feature <em>Gold: Before Woodstock. Beyond Reality.<\/em> is a mishmash. But that was sort of the intention.  Based on the thinnest of plots, the movie follows the exploits of a band  of stoned hippies as they make their way into a remote campground-sort  of thing.<\/p>\n<p>The movie is notable (assuming that it actually <em>is <\/em>notable) for two  things: its soundtrack and its star. The soundtrack includes  otherwise-unreleased material by the <strong>MC5<\/strong> plus songs from <strong>Rambin&#8217; Jack Elliot<\/strong> and <strong>Barry St. John<\/strong>.  None of it ranks among those artists&#8217; finest work, but it&#8217;s all  serviceable music that fits reasonably well with the mood of the film.  Said mood is, mostly: &#8220;completely stoned.&#8221; A couple tracks seem to work  especially well, so the filmmakers use them over and over. And over. The  soundtrack also includes (without crediting it as such) the <strong>Nice<\/strong>&#8216;s incendiary version of <strong>Bernstein<\/strong>&#8216;s <em>West Side Story<\/em> number &#8220;America.&#8221;<\/p>\n<p>The star of the film, to the extent that there is a star, is <strong>Del Close<\/strong>  (billed in the film, inexplicably, as Del Clos). A highly influential  force upon American improvisational theatre, Close mentored a long list  of well-known comic actors including most of the original casts of <em>Saturday Night Live, SCTV<\/em>  and other prominent names. During the period this film was made, Close  was, shall we say, pretty heavy into drugs. Not that you wouldn&#8217;t have  guessed watching the film. It&#8217;s not especially funny (actually it&#8217;s not  funny at all).<\/p>\n<p>The DVD trailers tacitly acknowledge that <em>Gold<\/em> is a difficult  film to classify: it&#8217;s variously described as a western, a nudie, a  musical, etc. It&#8217;s all of these and none of these. If anything, <em>Gold<\/em> loosely follows a form that Close and partner <strong>Charna Halpern<\/strong>  developed, known in the improv field as the &#8220;Harold&#8221;. According to this  story approach, disjointed situations all converge at the end. In <em>Gold<\/em>, this happens, but not in a particularly meaningful or satisfactory way.<\/p>\n<p>The approach to this movie seems to have been thus: let&#8217;s arrive at this  place out in the woods and see what kind of props we find. Oh, look: a  bulldozer. We can use that. Over there&#8217;s some barbed wire. Cool; that&#8217;ll  work for something.<\/p>\n<p>Step two was to take some drugs. Step two was likely repeated several  times before proceeding to step three, removal of clothing. Step four  involved &#8220;blocking&#8221; some basic scenes, something along the lines of, &#8220;he  comes up, and then, um, you talk to him about some stuff.&#8221; Step five  was comprised of firing up the cameras and filming the improvised scene.  There was no step six (i.e. &#8220;re-shoot until it makes sense.&#8221;)<\/p>\n<p>Nearly every scene has a first-take feel to it. Sometimes the camera  operators realize they haven&#8217;t focused, so they do so halfway through  the scene. No matter, man: that&#8217;ll look groovy. Every two or three  minutes the &#8220;story&#8221; scenes cut away to another scene, usually one with  naked girls rubbing mud on each others&#8217; breasts. Lots of giggling,  slapping, tickling and playful running away ensues.<\/p>\n<p><em>Gold<\/em> is harmless enough. It&#8217;s as good as any example of the result of a bunch of merry pranksters (as opposed to <strong>Merry Pranksters<\/strong>)  heading off to the country with a bunch of drugs and some cameras and  unexposed film. Don&#8217;t hurt yourself trying to make sense of the plot,  such as it is. Enjoy the period costumes, especially the <strong>Charlatans<\/strong>-like  Wild West garb the hippies wear before they all disrobe and jump in the  pond for the first of a dozen swims. Don&#8217;t try to understand why  there&#8217;s a mod starlet type chic, or why she is having sex with the  &#8220;mayor&#8221; minutes after these strangers on a train meet. And certainly,  don&#8217;t try to comprehend why a murder takes place. It&#8217;s all  just&#8230;groovy.<\/p>\n<p><em>Gold<\/em> isn&#8217;t a film you&#8217;ll likely want to watch again and again,  but as an example of the curious convergence of the na\u00efve and the  decadent, it&#8217;s worth a furtive look.<\/p>\n<p><center><\/p>\n<p style=\"font-size: 9px\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\" class=\"body\">Follow &#8220;the_musoscribe&#8221; on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" valign=\"middle\" border=\"0\" height=\"18\" hspace=\"1\" vspace=\"0\" width=\"18\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n<p style=\"font-size: 9px\"> DISCLOSURE OF MATERIAL CONNECTION:<br \/>\n<a href=\"http:\/\/cmp.ly\/1\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/cmply_1.png\" alt=\"I have a material connection because I received a sample or review copy, or an item of nominal value that I can keep for consideration in preparing to write this content. I was\/am expected to return this item after my review.\" border=\"0\" \/><\/a><\/p>\n<p><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s hard to know exactly what to do with this film. Made in 1968 (but presumably re-titled later since Woodstock was in summer &#8217;69), the theatrical feature Gold: Before Woodstock. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[25,65],"tags":[],"class_list":["post-307","post","type-post","status-publish","format-standard","hentry","category-dvd","category-review","cat-25-id","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/307","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=307"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/307\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=307"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=307"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}