{"id":30419,"date":"2026-02-18T05:30:26","date_gmt":"2026-02-18T10:30:26","guid":{"rendered":"https:\/\/blog.musoscribe.com\/?p=30419"},"modified":"2025-12-18T08:50:01","modified_gmt":"2025-12-18T13:50:01","slug":"take-five-great-covers-by-the-smithereens","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2026\/02\/18\/take-five-great-covers-by-the-smithereens\/","title":{"rendered":"Take Five: Great Covers by The Smithereens"},"content":{"rendered":"<p>The Smithereens are one of America&#8217;s great rock bands. With a deep sense of history and an understanding of what makes rock a vital force, the New Jersey band has made some of strongest music of its era. The Smithereens\u2019 signature sound draws from a well of inspiration that includes girl-groups of the pre-Beatles era and the uber-heavy proto-metal of Black Sabbath. Combining those disparate influences, the Smithereens have made a highly-regarded catalog of music, beginning in 1980 and continuing to this day.<\/p>\n<p>The group\u2019s primary songwriter was rhythm guitarist Pat DiNizio. Alogn with guitarist Jim Babjak, bassist Mike Mesaros and drummer Dennis Diken, he navigated the group through the \u201880s, \u201890s and into the 21st century. Original bassist Mesaros left in 2006 (though he returned for studio work a decade later), and DiNizio died in 2017. But the band continued to this day with a rotating superstar lineup of lead vocalists including Marshall Crenshaw, Gin Blossoms\u2019 Robin Wilson and John Cowsill.<\/p>\n<p>As fine and enduring as the Smithereens\u2019 original music is, the group\u2019s choice of covers reveals a great deal about their influences. The group has even re-created the first two American Beatles albums, with the songs done \u2018Reens style \u2013 but in honor of DiNizio \u2013 who would have turned 70 on October 12 \u2013 here\u2019s a selection of some of their best non-Beatles covers.<\/p>\n<p><strong>\u201cGirl Don\u2019t Tell Me\u201d from <em>Girls About Town<\/em> EP (1980)<\/strong><br \/>\nThe Smithereens\u2019 first release was arguably a concept EP, featuring four songs with titles that included the word \u201cgirl.\u201d Alongside three DiNizio originals, the EP includes \u201cGirl Don\u2019t Tell Me,\u201d a song Brian Wilson werote and recorded with the Beach Boys in 1965.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/S1xDwBxX8mw?si=VWo2ipLDx6bWaMWW\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cHand of Glory\u201d from <em>Especially for You<\/em> (1986)<\/strong><br \/>\nJimmy Silva is not a household name. But the songwriter was a beloved artist, friend to many in the business, and musical compatriot of Scott McCaughey (Young Fresh Fellows) and the Beau Brummels\u2019 Sal Valentino. Silva passed died of chicken pox in 1994, and years after his passing, an all-star roster of artists put together a tribute album, 2010\u2019s <em>Through a Faraway Window<\/em>. But the Smithereens recognized Silva\u2019s talent early: his \u201cHand of Glory\u201d featured as the only cover on their first album.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-YaUYgKTTPk?si=CGMLo9WAg_zTafkS\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cSomethin\u2019 Stupid\u201d \u2013 b-side of \u201cGet a Hold of My Heart\u201d (1992)<\/strong><br \/>\nThe Smithereens\u2019 eclectic artistic vision is one of the band\u2019s chief assets. Dennis Diken can (and does!) rhapsodize eloquently on the joys of Joe Meek and Gary Lewis. And even the sole recorded duet by father-and-daughter team Frank and Nancy Sinatra was fair game for the Smithereens, who recorded a lovely version and released it as a non-LP b-side. (It\u2019s also found on the essential <em>Attack of the Smithereens<\/em> compilation.)<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7hy3UrVVWu0?si=q02viivjj7wkpxLH\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cWell\u2026 Alright\u201d from <em>Live in Concert! Greatest Hits and More<\/em> (2008)<\/strong><br \/>\nBuddy Holly is perhaps an obvious influence on most any band of the rock era, but the Smithereens paid tribute to the rock pioneer with their reading of Holly\u2019s 1956 song. In the process, they honor Holly and truly make the song their own.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Vy9sGyc36zI?si=D_Jj13mf91Cv7bT9\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cEyesight to the Blind\u201d from <em>The Smithereens Play Tommy<\/em> (2009)<\/strong><br \/>\nThe Who crafted one of the great rock operas with 1969\u2019s double album <em>Tommy<\/em>. And they crafted one of the very best rock albums of the \u201870s with <em>Who\u2019s Next<\/em>. By the time of the latter, the band had developed a harder-edged, powerful sound. The Smithereens came up with a novel concept: What would <em>Tommy<\/em> sound if it had been recorded in the studio with the Who\u2019s \u201870s approach? The answer was <em>The Smithereens Play Tommy<\/em>. The original album had one cover, an inventive reading of Sonny Boy Williamson\u2019s \u201cEyesight to the Blind.\u201d The \u2018Reens rock it up.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/n4VaH2v4w3c?si=N4PyyvalmGsK1rE9\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Smithereens are one of America&#8217;s great rock bands. With a deep sense of history and an understanding of what makes rock a vital force, the New Jersey band has [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":25424,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[27],"tags":[1986],"class_list":["post-30419","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essay","tag-smithereens","cat-27-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/30419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=30419"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/30419\/revisions"}],"predecessor-version":[{"id":30420,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/30419\/revisions\/30420"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/25424"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=30419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=30419"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=30419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}