{"id":28582,"date":"2025-01-07T05:30:29","date_gmt":"2025-01-07T10:30:29","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=28582"},"modified":"2024-12-13T11:39:52","modified_gmt":"2024-12-13T16:39:52","slug":"beating-on-king-crimson","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2025\/01\/07\/beating-on-king-crimson\/","title":{"rendered":"BEATing on King Crimson"},"content":{"rendered":"

New supergroup tour celebrates \u201880s era of groundbreaking progressive rock giants<\/strong><\/p>\n

Though they had been one of the most boundary-pushing and critically successful bands to come out of the British progressive rock movement, in 1975 and at the height of the popularity, King Crimson broke up. Mainstay Robert Fripp moved on to lower-profile projects, working on solo projects and with other groundbreaking artists like David Bowie and Peter Gabriel. It seemed that the King Crimson story was over.<\/p>\n

But as the 1980s dawned, the always unpredictable Fripp brought together a new group. Acclaimed drummer Bill Bruford \u2013 who years earlier had left Yes for the bigger challenge of King Crimson \u2013 returned. The other two spots in this new quartet would be filled for the first time by non-British musicians: American guitarist Adrian Belew and bassist\/Chapman Stick master Tony Levin. The new King Crimson sported a very different sound, combining elements of industrial, gamelan, art rock and dance rhythms, while maintaining an imposing progressive mentality. The group was a critical success, releasing three highly-regarded albums in the early 1980s: Discipline<\/i>, Beat<\/i> and Three of a Perfect Pair<\/i>.<\/p>\n

\"\"<\/p>\n

That lineup would be the longest-enduring in King Crimson\u2019s storied history, but it ceased activity in 1984. The group would reunite in yet other configurations three more times before its final dissolution in 2022; all four members of the \u201880s lineup would be involved in at various points and to varying degrees, with Fripp again the only constant. After release of a career-capping documentary about the group, King Crimson ended, this time likely forever. But the band\u2019s story still wasn\u2019t over.<\/p>\n

With the blessing and encouragement of Fripp \u2013 he even gave the project its name \u2013 BEAT came together earlier this year. With a specific mandate to play and reinterpret the music of that 1980s lineup, Belew assembled a new four-man group. Not a tribute but rather a celebration, BEAT re-introduces works from the band\u2019s 1980-84 repertoire for audiences old and new. Joining Belew and Levin are two musicians with heavyweight pedigrees all their own. Three-time Grammy winning guitarist Steve Vai is an acclaimed solo artist and a veteran of Frank Zappa\u2019s band. Drummer Danny Carey lays down the thunderous and complex beats for progressive metal band Tool. Together the four member of BEAT celebrate and interpret a specific era of King Crimson music.<\/p>\n

Thanks to the adventurousness of the musicians involved, BEAT is not a note-for-note re-creation of that music. \u201cWe\u2019re carving out our own territory as we tour,\u201d says Tony Levin. \u201cThe music has specific parts, but it has room for improvisation,\u201d he explains. \u201cSteve scrupulously learned all of Robert Fripp\u2019s parts, but he doesn’t have to play them all.\u201d Levin says that even when Vai plays the same notes Fripp did, he delivers them with his own feel, \u201cbring[ing] it to a different place.\u201d<\/p>\n

Levin takes a similar approach. On \u201cSleepless,\u201d an Adrian Belew composition that ranks among the most accessible of King Crimson tunes, Levin employs a radically different technique from what he did on the 1984 album and tour. \u201cI play it with Funk Fingers now,\u201d he explains, referring to a device he invented to combine the percussive qualities of drumming with the musical tonalities of bass guitar. \u201cThe song\u2019s introduction has nothing to do with the way we did it before,\u201d he says. And that attitude is at the foundation of BEAT. \u201cWhat excites me musically is to see where this material can go,\u201d says Levin.<\/p>\n

The interplay among the four virtuoso musicians \u2013 two with extensive immersion in King Crimson\u2019s catalog, and two who are longtime fans but have substantial bodies of work all their own \u2013 guarantees musical fireworks. And even when they\u2019re not improvising, all four have to remain on their toes in case real-time changes from one or more of them require instant adjustment in what another is doing.<\/p>\n

\u201cI thought I knew all the lyrics until [we did] the first couple of shows,\u201d Levin admits with a chuckle. \u201cThat\u2019s when I realized I\u2019m not singing the same words as Adrian is!\u201d He adds that Belew doesn\u2019t even sing or phrase his lyrics the same way every night. \u201cAnd it\u2019s my job to sing them the way he\u2019s singing, not the way he sang them on the record.\u201d<\/p>\n

The BEAT tour kicked off with a September date in San Jose. That show and many others quickly sold out; in response to overwhelming demand, the original run of 27 concerts was expanded to include 65 dates in all, including a return to San Jose near the end of the tour. Levin says that he had prior commitments that conflicted with the proposed additions to the tour, but he was able to make it all work. \u201cI was thrilled about that,\u201d he says. \u201cI get the sense that the people who come to the shows are really enjoying them, and that they think it\u2019s something special,\u201d he says. \u201cAs we do in the band.\u201d<\/p>\n

Levin has definite ideas as to why King Crimson\u2019s complex music resonates with listeners. \u201cMy wife has this expression: \u2018It\u2019s not a one-listen record,\u2019\u201d he explains. \u201cAnd that really describes King Crimson music. It takes some effort to get used to it, and the potential reward is bigger.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

New supergroup tour celebrates \u201880s era of groundbreaking progressive rock giants Though they had been one of the most boundary-pushing and critically successful bands to come out of the British […]<\/p>\n","protected":false},"author":1,"featured_media":28583,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41,44,56],"tags":[5566,1250,5348,2246,2249],"class_list":["post-28582","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","category-live-shows","category-prog","tag-beat","tag-king-crimson","tag-steve-vai","tag-tony-levin","tag-tool","cat-41-id","cat-44-id","cat-56-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/28582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=28582"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/28582\/revisions"}],"predecessor-version":[{"id":28584,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/28582\/revisions\/28584"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/28583"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=28582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=28582"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=28582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}