{"id":28063,"date":"2024-09-03T05:30:06","date_gmt":"2024-09-03T09:30:06","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=28063"},"modified":"2024-08-27T10:31:13","modified_gmt":"2024-08-27T14:31:13","slug":"samantha-fish-good-music-is-good-music-part-2-of-2","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2024\/09\/03\/samantha-fish-good-music-is-good-music-part-2-of-2\/","title":{"rendered":"Samantha Fish: Good Music is Good Music (Part 2 of 2)"},"content":{"rendered":"<p><i><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-28068\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2024\/09\/samantha_fish24b.jpg\" alt=\"\" width=\"350\" height=\"438\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2024\/09\/samantha_fish24b.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2024\/09\/samantha_fish24b-240x300.jpg 240w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Continued from <a href=\"http:\/\/blog.musoscribe.com\/index.php\/2024\/09\/02\/samantha-fish-good-music-is-good-music-part-1-of-2\/\">Part One<\/a>&#8230;<\/i><\/p>\n<p><b>How did you first connect with Jesse Dayton?<\/b><\/p>\n<p>I met Jesse twelve years ago when I grew up in Kansas City. I would go to this club called Knuckleheads all the time. Literally every day of the week I&#8217;d be in there, just like trying to soak up what was going on. They had local talent, but they also had people coming in from all over the country. It was a touring spot and Jesse was one of the artists who frequented there. He came in a couple times a year and people just loved him. So I knew about him from then, and then I kept up with him like everybody keeps up, through social media.<\/p>\n<p>And I became a fan of his hustle, to be honest. He has his really diverse solo career that he&#8217;s been nurturing for years and years. He&#8217;s backed up so many amazing legendary musicians, and that&#8217;s pretty incredible. And then he&#8217;s got his foot in the rock world with John Doe and with Danzig; I always thought that was really cool. And then he&#8217;s a cinema buff and he was in the Rob Zombie movies. He&#8217;s written books; the dude just has got a lot going on. So I knew he was fearless, but it didn&#8217;t come up to have him on this record until January of 2022.<\/p>\n<p>My manager and I had been talking about this project for a long time, this idea to do a collaborative record, something rock and roll. But we didn&#8217;t know who the other person would be. But when Jesse came through New Orleans in January 2022, it was like a lightbulb moment. He&#8217;d be perfect because he&#8217;s fearless. And he was open to it.<\/p>\n<p><b>From the beginning, you&#8217;ve always been kind of a hero in the blues idiom, and yet you&#8217;re more successful than most blues artists in not letting yourself get painted into a corner, as a strictly blues artist. Has that been something that you have done consciously? <\/b><\/p>\n<p>I think if you have a lot in you \u2013 and most artists do \u2013 you want to be all over the place. And it&#8217;s really hard to streamline and focus on a sound. But you also don&#8217;t want that to be your defining thing forever, because you want to have that freedom to shift, and to make art that moves, that you get excited about. I think people really are quick to want to tell you, \u201cThis is your sound. This is what you are.\u201d It&#8217;s not really a conscious pushback; I&#8217;ve just naturally been making music that feels right for me, that I can get excited about.<\/p>\n<p>If you can really create something and take it all the way through execution-wise, you&#8217;re living in the moment. I&#8217;m not doing it consciously; it&#8217;s just where I&#8217;m at. And that&#8217;s when you&#8217;re making the most honest music, and that&#8217;s when people resonate with it, hopefully.<\/p>\n<p>It used to hurt my feelings when people would say, \u201cI preferred <i>this<\/i> record, or this band or this era.\u201d But that&#8217;s okay. That&#8217;s all right for people to appreciate your past work or, have a favorite time period, and that&#8217;s fine. People move and change. I&#8217;m changing. They&#8217;re changing, too. It&#8217;s okay.<\/p>\n<p><b>Some of the press materials for the tour note that you&#8217;re going to be playing songs from throughout your catalog. Does that mean that you&#8217;ll introduce material you haven&#8217;t done in a while, maybe even songs that you&#8217;ve never played live? <\/b><\/p>\n<p>Yeah, we&#8217;ll be adding in more stuff. We just wrapped up the <i>Death Wish<\/i> tour, so now it&#8217;s like putting together a new show. It&#8217;s the first time in my career that I haven&#8217;t had a new record to focus on in putting a tour together. It&#8217;s fun to go back and reimagine older material. I&#8217;m excited to take on that challenge of going back and connecting with the older material and trying to bring it into 2024 and where I&#8217;m at now. It&#8217;ll be a nice way to spend the year, while I&#8217;m gearing up for the next thing.<\/p>\n<p><b>What appeals to you most about playing live? <\/b><\/p>\n<p>The feeling that you get. When you really connect with an audience and they&#8217;re right there with you, there&#8217;s this thing that happens. It&#8217;s a beautiful thing, and it&#8217;s universal. It happens all over the world, people&#8217;s appreciation for music. I could go play to a crowd where English is not the default language, but we still have the same feeling and the same experience with each other.<\/p>\n<p>I still feel great on stage. I still feel that excitement. I&#8217;m trying so hard to do something. And when you can actually pull it off, it\u2019s a really cool feeling. I don&#8217;t know how to describe it, other than it&#8217;s like being on a roller coaster.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Continued from Part One&#8230; How did you first connect with Jesse Dayton? I met Jesse twelve years ago when I grew up in Kansas City. I would go to this [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":28068,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[9,41],"tags":[3067],"class_list":["post-28063","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blues","category-interview","tag-samantha-fish","cat-9-id","cat-41-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/28063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=28063"}],"version-history":[{"count":2,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/28063\/revisions"}],"predecessor-version":[{"id":28069,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/28063\/revisions\/28069"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/28068"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=28063"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=28063"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=28063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}