One of rock\u2019s most beloved groups, the Kinks went through several distinct phases during their original run, 1963-96. Their earliest albums and singles carved out an r&b-flavored sound that would influence garage- and punk rock. In the late \u201860s they made thematically unified albums with a distinctly British character. Their late \u201870s \u201carena rock\u201d era saw the Kinks become a stadium attraction, proving that a \u201860s band could age gracefully while creating catchy and compelling music.<\/p>\n
But an overlooked period of the Kinks\u2019 work is the music they made in the early 1970s. Sprawling and ambitious, that period is referred to by critics and fans alike as the Kinks\u2019 theatrical period. While the core four-man lineup remained, the Davies brothers expanded the band to include extra singers, brass players and more. Involved and densely-plotted conceptual albums were the order of the day, and equally over-the-top live shows were created to promote the new music. That period did little for the Kinks\u2019 commercial fortunes, but some great songs came out of the period.<\/p>\n
In celebration of the 40th anniversary of the release of one of those records, 1974\u2019s Preservation Act 2<\/em>, here\u2019s a look at five overlooked gems from the Kinks\u2019 theatrical phase. (By the way, rumors persist that Ray and Dave Davies have finally agreed to reactivate the group for the 21st century; we shall see.)<\/p>\n \u201cCelluloid Heroes\u201d from Everybody\u2019s in Show-Biz<\/em> (1972)<\/strong>
\nA hybrid album in the mold of Pink Floyd\u2019s Ummagumma<\/em>, the Kinks\u2019 11th album featured an LP of studio tracks and second record documenting highlights from the band\u2019s two-night run in March \u201872 at New York City\u2019s Carnegie Hall. Ray Davies\u2019 sentimental side is showcased on this song, a bittersweet look at fame. It would be one of many Ray Davies songs exploring a similar theme. \u201cCelluloid Heroes\u201d is also a highlight of the Kinks\u2019 1980 double-live set, One for the Road<\/em>; the band arguably bettered the arrangement.<\/p>\n