{"id":27311,"date":"2024-05-26T05:30:00","date_gmt":"2024-05-26T09:30:00","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=27311"},"modified":"2024-04-09T14:39:45","modified_gmt":"2024-04-09T18:39:45","slug":"take-five-david-gilmours-top-solo-turns","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2024\/05\/26\/take-five-david-gilmours-top-solo-turns\/","title":{"rendered":"Take Five: David Gilmour&#8217;s Top Solo Turns"},"content":{"rendered":"<p>David Gilmour joined Pink Floyd in 1968, initially as a second guitarist alongside band leader and childhood friend Syd Barrett. After Barrett left the group, Gilmour applied his own style of playing. His signature guitar sound and vocals would become a centerpiece of the group\u2019s appeal.<\/p>\n<p>Gilmour was a professional guitarist even before he joined Pink Floyd; recordings from his first group, Jokers Wild, recently became commercially available for the first time. And in the mid 1970s when Pink Floyd quietly went on a hiatus, he \u2013 like his three bandmates \u2013 released a solo album. And David Gilmour has continued his on-and-off solo career ever since; there are rumblings of a new album, possibly due this year.<\/p>\n<p>On the occasion of the 40th anniversary of his second album, 1984\u2019s <em>About Face<\/em>, here are five non-Pink Floyd tracks that demonstrate the versatility of David Gilmour.<\/p>\n<p><strong>\u201cThere\u2019s No Way Out of Here\u201d from <em>David Gilmour<\/em> (1978)<\/strong><br \/>\nEnlisting the aid of Foreigner bassist Rick Wills and former Jokers Wild bandmate Willie Wilson on drums, Gilmour\u2019s self-titled solo debut was a modest chart success. Released as a single, \u201cThere\u2019s No Way Out of Here\u201d was a cover of a song by Gilmour\u2019s friends and prot\u00e9g\u00e9s Unicorn, a highly regarded country-rock band. Gilmour\u2019s version is similar to the original, but his distinctive guitar work \u2013 and the female chorus vocal backing \u2013 help make the song his own.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XZ6PVz-r26Y?si=WU6w6nZD3rPoaEVa\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cLove on the Air\u201d from <em>About Face<\/em> (1984)<\/strong><br \/>\nWith its soaring arrangement, this Floydian ballad from Gilmour\u2019s second solo album is a songwriting collaboration between the guitarist and The Who\u2019s Pete Townshend. \u201cLove on the Air\u201d was released as a single in the UK. Highlights include Pino Palladino\u2019s memorable fretless bass work and elegiac piano from Steve Winwood.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/H0UG7oNz8kM?si=eNDuaxFUN3QFVWpS\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cThis Heaven\u201d from <em>On an Island<\/em> (2006)<\/strong><br \/>\nMore than two decades would pass between the release of <em>About Face<\/em> and its followup. But <em>On an Island<\/em> proved worth the wait; filled with an assortment of styles, the album showcased Gilmour\u2019s stylistic breadth like never before. Standout tracks are many, but the bluesy shuffle of \u201cThis Heaven\u201d is among the album\u2019s deep-cut gems.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EFFpRDlOzS0?si=2PTe88CkZHdTDXPK\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cFat Old Sun\u201d from <em>Live in Gdansk<\/em> (2008)<\/strong><br \/>\nDavid Gilmour has never been an especially prolific songwriter, apparently valuing quality over quantity. One of his earliest songs \u2013 for which he wrote both music and lyrics \u2013 is \u201cFat Old Sun.\u201d The lovely melody first appeared on Pink Floyd\u2019s <em>Atom Heart Mother<\/em> LP in 1970. An extended workout of the song was a highlight of that group\u2019s live concerts in the days before <em>The Dark Side of the Moon<\/em>. Nearly 30 years later, Gilmour added it back into his solo concert set; it appears on both<em> Live in Gdansk<\/em> and 2017\u2019s <em>Live in Pompeii<\/em>.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2yOVTF5gTXM?si=XpZVFJ4Q_P4ppKKl\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cThe Girl in the Yellow Dress\u201d from <em>Rattle That Lock<\/em> (2015)<\/strong><br \/>\nWho knew? David Gilmour is a credible jazz singer! He proves it on \u201cThe Girl in the Yellow Dress,\u201d a beautiful jazzy number on his most recent solo album to date. <em>Rattle That Lock<\/em>\u2019s deluxe version in fact features two versions of the song. The regular album version sports a sultry jazz combo arrangement with Jools Holland on piano; the second version finds Gilmour crooning in front of a full orchestra.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7PwQrEbEnrM?si=QoEmdWZkgzNwYQ24\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>David Gilmour joined Pink Floyd in 1968, initially as a second guitarist alongside band leader and childhood friend Syd Barrett. After Barrett left the group, Gilmour applied his own style [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":27312,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[27,62],"tags":[635,1705,3692],"class_list":["post-27311","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essay","category-rawk","tag-david-gilmour","tag-pink-floyd","tag-unicorn","cat-27-id","cat-62-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/27311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=27311"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/27311\/revisions"}],"predecessor-version":[{"id":27313,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/27311\/revisions\/27313"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/27312"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=27311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=27311"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=27311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}