{"id":26466,"date":"2023-12-17T05:30:15","date_gmt":"2023-12-17T10:30:15","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=26466"},"modified":"2023-11-14T08:35:13","modified_gmt":"2023-11-14T13:35:13","slug":"take-five-david-bowies-pin-ups","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2023\/12\/17\/take-five-david-bowies-pin-ups\/","title":{"rendered":"Take Five: David Bowie\u2019s Pin Ups"},"content":{"rendered":"<p>By late 1973 David Bowie was at the top of his game. Riding high on the success of a string of albums \u2013 1971\u2019s <em>Hunky Dory<\/em>, 1972\u2019s <em>The Rise and Fall of Ziggy Stardust and the Spiders from Mars<\/em> and <em>Aladdin Sane<\/em> (released in April \u201873) \u2013 Bowie seemed incapable of making a misstep. His tours in support of the aforementioned albums had helped catapult him into the highest echelons of the rock world; he now stood aside greats like The Who, Rolling Stones, Elton John and Led Zeppelin in terms of both commercial and critical success.<\/p>\n<p>So what did he do? He went on a busman\u2019s holiday and cut <em>Pin Ups<\/em>, an album\u2019s worth of covers. Such a move was popular among artists of that era: both Bryan Ferry and John Lennon would release similar collections of oldies. Bowie went one better, though, by selecting songs that \u2013 especially in the U.S. \u2013 hadn\u2019t all been smash hits in their original versions. His thinking may have been to pay tribute to some of his influences, giving them a bit of exposure and perhaps opening their music up to Bowie\u2019s own fan base. Here are the original recordings of five tunes David Bowie covered in 1973. <em>Pin Ups<\/em> was released October 19 some fifty years ago.<\/p>\n<p><strong>\u201cRosalyn\u201d by The Pretty Things<\/strong><br \/>\nThe Pretty Things are one of the groups often cited as examples of excellent British acts who weren\u2019t able to find success during the so-called \u201cBritish Invasion\u201d of the U.S. (In England they call it the beat era.) Formed when former Rolling Stones bassist Dick Taylor quit that group and switched back to guitar, the Pretty Things sounded a bit like the Stones, only harder, tougher. The band\u2019s debut single released in May 1964, \u201cRosalyn\u201d almost made it into the Top 40, peaking at #41. The band would later gain notability as one of the first to make a rock opera, 1968\u2019s <em>S.F. Sorrow<\/em>.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/yUmtwq5F_tU?si=Oau_D6E6_isjyfIl\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cEverything\u2019s Alright\u201d by The Mojos<\/strong><br \/>\nLiverpool\u2019s The Mojos enjoyed a brief time in the spotlight. The band\u2019s raucous second single, \u201cEverything&#8217;s Alright\u201d soared to the #9 spot on the UK singles chart in 1964, but subsequent singles each sold less than the one before. Between \u201863 and \u201868 The Mojos would release eight singles and an EP, but no albums. The group would break up and reform multiple times before finally calling it a day in 1968.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/o8tMGdUrpLw?si=_V_rY6TT5vbbCy6V\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cSee Emily Play\u201d by Pink Floyd<\/strong><br \/>\nMore than five years before they broke through with the juggernaut <em>The Dark Side of the Moon<\/em>, Pink Floyd was a psychedelic foursome led by mercurial composer and guitarist Syd Barrett. His songs about scarecrows, bikes, cats and cross-dressers were unlike anything else coming out of British recording studios at the time. \u201cSee Emily Play\u201d was the group\u2019s second single, and reached the top 10 on the UK charts.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7c0EDM-Yu9o?si=FyP8_VAoiFg211GK\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cSorrow\u201d by The Merseys<\/strong><br \/>\nOriginally known as The Merseybeats, this foursome from Liverpool was a fixture of the legendary Cavern Club. They scored a number of hit singles in the UK and Europe. When those played out, they re-formed as The Merseys, covering a song originally cut by The McCoys, a group led by Rick Zehringer (later Derringer). The Merseys\u2019 version soared to #4 in the UK in 1966. Bowie wasn\u2019t the only famous fan of the tune: The song is quoted \u2013 words and melody \u2013 on The Beatles\u2019 \u201cIt\u2019s All Too Much,\u201d a George Harrison composition featured on 1968\u2019s <em>Yellow Submarine<\/em>.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Z63gnR7WQio?si=Bd10JFho7xgYuPqN\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cLet\u2019s Spend the Night Together\u201d by The Rolling Stones<\/strong><br \/>\nBowie may have been inspired in part to make <em>Pin Ups<\/em> after recording this Rolling Stones classic for <em>Aladdin Sane<\/em>. The original was released as a single in 1967; when the Stones performed it on Ed Sullivan\u2019s variety program, he made them change the lyrics to the tamer \u201clet\u2019s spend some <em>time<\/em> together.\u201d The song was only a minor hit. Six years later, Bowie\u2019s speedy glam version put the sass and sex back into the song.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lNNyU4KD5SI?si=dEbXF_ILXs49xgOb\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By late 1973 David Bowie was at the top of his game. Riding high on the success of a string of albums \u2013 1971\u2019s Hunky Dory, 1972\u2019s The Rise and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":26467,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[27],"tags":[633],"class_list":["post-26466","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essay","tag-david-bowie","cat-27-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=26466"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26466\/revisions"}],"predecessor-version":[{"id":26468,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26466\/revisions\/26468"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/26467"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=26466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=26466"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=26466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}