{"id":26459,"date":"2023-12-10T05:30:22","date_gmt":"2023-12-10T10:30:22","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=26459"},"modified":"2023-11-13T13:08:36","modified_gmt":"2023-11-13T18:08:36","slug":"elton-john-beyond-the-yellow-brick-road","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2023\/12\/10\/elton-john-beyond-the-yellow-brick-road\/","title":{"rendered":"Elton John: Beyond the \u2018Yellow Brick Road\u2019"},"content":{"rendered":"<p>Elton John released his landmark double album\u00a0 on October 5, 1973: fifty years ago. Elton&#8217;s seventh album, the blockbuster LP was stuffed to the brim with top-quality songs, all from the pen of Elton John (music) and Bernie Taupin (lyrics). The pair churned out the songs \u2013 20 of which are featured on the album \u2013 in a matter of weeks.<\/p>\n<p><em>Goodbye Yellow Brick Road<\/em> would go multi-platinum in four countries (Australia, United Kingdom, U.S. and New Zealand) and would spawn no less than four hit singles. \u201cSaturday Night&#8217;s Alright for Fighting,\u201d the album&#8217;s title track, \u201cBennie and the Jets\u201d and \u201cCandle in the Wind\u201d all soared into the UK Top 40, and all but the last of those reached the upper number in the U.S. charts as well. (\u201cCandle in the Wind\u201d would eventually become a hit Stateside when Elton re-recorded it in 1987 as a tribute to Princess Diana.)<\/p>\n<p>But Elton\u2019s and Bernie&#8217;s prolific nature was so remarkable that during the period in which they were writing for <em>Goodbye Yellow Brick Road<\/em>, the duo came up with several more songs. Left off the album, three of those would be released as b-sides to singles form the album. The other two holiday-themed tunes would form two sides of a November 1973 single. Here are five relative obscurities from Elton John&#8217;s creatively fertile <em>Goodbye Yellow Brick Road<\/em> era.<\/p>\n<p><strong>\u201cJack Rabbit\u201d<\/strong><br \/>\nWhen MCA Records released a single of \u201cSaturday Night\u2019s Alright for Fighting\u201d \u2013 the first single off <em>Goodbye Yellow Brick Road<\/em> \u2013 they placed not one but two songs on the flip. The first, \u201cJack Rabbit\u201d is a bouncy slice of pop country, similar to (but more upbeat than) many of the songs on the similarly-themed <em>Tumbleweed Connection<\/em> album from 1970. The non-LP track would eventually resurface on an expanded CD version of 1973\u2019s <em>Don\u2019t Shoot Me, I\u2019m Only the Piano Player<\/em>, released in 1995. \u201cJack Rabbit\u201d also played over the ending credits of the 2017 action film <em>Kingsman: The Golden Circle<\/em>.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/6zea0zMHEL8?si=iq_dv8pFeikV5vY2\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cWhenever You&#8217;re Ready (We\u2019ll Go Steady Again)\u201d<\/strong><br \/>\nThe second song on the b-side of the \u201cSaturday Night\u2019s Alright for Fighting\u201d showcases Elton\u2019s rollicking barroom piano style, with a vintage rock \u2018n\u2019 roll character. As strong a tune as anything on <em>Goodbye Yellow Brick Road<\/em>, the exuberant \u201cWhenever You\u2019re Ready\u201d underscores the fact that Elton and Bernie were at the top of their game in \u201873. Like \u201cJack Rabbit,\u201d The song appeared as a bonus track on the <em>Don\u2019t Shoot Me<\/em> deluxe CD in 1995 as well as the 30th Anniversary release of <em>GYBR<\/em> in 2003.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3BVeCDhGbrg?si=9HbxvDQ6pTgGJGRm\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cScrew You (Young Man&#8217;s Blues)\u201d<\/strong><br \/>\nA lyrical and thematic cousin to Harry Nilsson\u2019s 1972 \u201cYou\u2019re Breakin\u2019 My Heart,\u201d \u201cScrew You\u201d adopts a similar perspective. The ensemble playing and excellent production and arrangement that were hallmarks of <em>Goodbye Yellow Brick Road<\/em> are all in evidence here as well.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v9h7j_IVSIQ?si=_vkhC81Evl3RMxgL\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cStep Into Christmas\u201d<\/strong><br \/>\nPointedly arranged and produce to evoke memories of Phil Spector\u2019s early \u201860s productions, \u201cStep into Christmas\u201d was written to become a holiday standard. It largely succeeded, charting in the U.K. twice (1973 and 2019), earning Double Platinum status. The song was successful stateside as well, reaching #1 spot on the <em>Billboard<\/em> Christmas singles chart. The tune has appeared on many compilations over the years.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IbRtGMm96F8?si=LQKRLJRjtarYuPIY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cHo Ho Ho (Who&#8217;d Be a Turkey at Christmas)\u201d<\/strong><br \/>\nWith a spare arrangement slightly reminiscent of \u201cBennie and the Jets,\u201d this b-side is designed to have a jolly, informal feeling, with lots of chatter in the background and massed munchkin-esque chorus vocals. A somewhat slight tune, it nonetheless helps make the point that Elton John and Bernie Taupin could create charming tunes without even breaking a sweat.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Ac97CJQhx5E?si=-_EBTXNEWu-ewjIq\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Elton John released his landmark double album\u00a0 on October 5, 1973: fifty years ago. Elton&#8217;s seventh album, the blockbuster LP was stuffed to the brim with top-quality songs, all from [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16358,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[27],"tags":[3774],"class_list":["post-26459","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essay","tag-elton-john","cat-27-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=26459"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26459\/revisions"}],"predecessor-version":[{"id":26460,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26459\/revisions\/26460"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/16358"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=26459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=26459"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=26459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}