{"id":26,"date":"2009-08-13T07:19:13","date_gmt":"2009-08-13T12:19:13","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=26"},"modified":"2009-08-13T07:19:13","modified_gmt":"2009-08-13T12:19:13","slug":"album-review-matthew-sweet-susanna-hoffs-under-the-covers-vol-2","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2009\/08\/13\/album-review-matthew-sweet-susanna-hoffs-under-the-covers-vol-2\/","title":{"rendered":"Album Review: Matthew Sweet &#038; Susanna Hoffs &#8211; Under the Covers, Vol. 2"},"content":{"rendered":"<p><strong>Matthew Sweet<\/strong> and <strong>Susanna Hoffs<\/strong> both have deserved reputations as excellent pop artists with impeccable taste in influences. Both came to commercial and artistic maturity in the 80s: Sweet as a solo artist, Hoffs fronting <strong>The Bangles<\/strong>. Both have hip cred with important musical scenes; The Bangles were part of the &#8220;Paisley Underground&#8221; movement in LA, and Sweet moved from Nebraska to Athens GA at that height of city&#8217;s musical renaissance (see: <strong>REM<\/strong>, <strong>Pylon<\/strong>, etc.).<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musoscribe.com\/images\/matthew_sweet_susanna_hoffs_under_covers_vol2.jpg\" alt=\"Matthew Sweet &amp; Susanna Hoffs - Under the Covers Vol. 2\" align=\"right\" height=\"178\" hspace=\"10\" vspace=\"10\" width=\"200\" \/> Neither artist has bowed much to the temptation to include covers on their regular albums (though it should be noted that The Bangles did winning versions of <strong>The Merry Go Round<\/strong>&#8216;s &#8220;Live&#8221; and the <strong>La De Das<\/strong>&#8216; &#8220;How Is the Air Up There&#8221;). It came as a surprise and a delight when Sweet and Hoffs &#8212; who had worked together as part of the Mike Myers-fronted <strong>Ming Tea<\/strong> in the <em>Austin Powers<\/em> films &#8212; joined together to record <em>Under the Covers Vol. 1<\/em> in 2006. Using the moniker Sid&#8217;n&#8217;Susie, the duo and friends turned out a fantastic collection of songs familiar to aficionados of the <em>Nuggets<\/em> compilations (and largely unknown to everyone else). The album was designed on some level as an attempt to rescue great pop songs from undeserved obscurity, but it still made a great listen. And the &#8220;Vol. 1&#8221; tag whetted listeners&#8217; appetites for a followup, though the artists were coy at the time. Let&#8217;s see if it sells, they (understandably) may have thought.<\/p>\n<p>Well, regardless, 2009 brings <em>Volume 2<\/em>. With an emphasis shifting slightly to later period (one we&#8217;ll call the proto-powerpop era), the album once again is chockablock full of pop goodness. There are stellar and near note-perfect covers of <strong>Big Star<\/strong>, the <strong>Raspberries<\/strong>, <strong>Mott The Hoople<\/strong> and two from rock&#8217;s renaissance man, <strong>Todd Rundgren<\/strong>.<\/p>\n<p>There are some country-rock and MOR-oriented tunes on the set that are fine enough, but those songs (covers of the <strong>Grateful Dead<\/strong>, <strong>Bread <\/strong>and the <strong>Stevie Nicks<\/strong>-era <strong>Fleetwood Mac<\/strong>) don&#8217;t evoke any particular nostalgia in this listener. That&#8217;s likely down to personal taste. But any collection that has the potential to turn a listener on to Big Star&#8217;s &#8220;Back of a Car&#8221; or <strong>John Lennon<\/strong>&#8216;s &#8220;Gimme Some Truth&#8221; is worthwhile. And few pop artists have the moxie to cover <strong>Yes<\/strong>&#8216; &#8220;I&#8217;ve Seen All Good People.&#8221;<\/p>\n<p>Ultimately <em>Under the Covers Vol. 2<\/em> is an enjoyable listen end to end, sort of a trip back to mid 70s FM radioland. Here&#8217;s hoping for a <em>Vol. 3<\/em>, but then they might start covering cool groups of the 80s. Like The Bangles. Hmm.<\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/bFI-4d9gPhA&#038;hl=en&#038;fs=1&#038;\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/bFI-4d9gPhA&#038;hl=en&#038;fs=1&#038;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Matthew Sweet and Susanna Hoffs both have deserved reputations as excellent pop artists with impeccable taste in influences. Both came to commercial and artistic maturity in the 80s: Sweet as [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[65],"tags":[],"class_list":["post-26","post","type-post","status-publish","format-standard","hentry","category-review","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=26"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=26"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=26"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=26"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}