{"id":25351,"date":"2023-05-25T05:30:40","date_gmt":"2023-05-25T09:30:40","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=25351"},"modified":"2023-05-25T08:02:23","modified_gmt":"2023-05-25T12:02:23","slug":"album-review-ga-20-live-at-loveland","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2023\/05\/25\/album-review-ga-20-live-at-loveland\/","title":{"rendered":"Album Review: GA-20 \u2013 Live in Loveland"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-25326\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/ga-20_loveland.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/ga-20_loveland.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/ga-20_loveland-300x300.jpg 300w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/ga-20_loveland-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Even when their studio work is superb, some artists are simply best experienced live. So it is with GA-20, the two-guitars-and-drummer trio. Their most recent studio effort, 2022\u2019s <a href=\"http:\/\/blog.musoscribe.com\/index.php\/2023\/01\/17\/album-review-ga-20-crackdown\/\"><i>Crackdown<\/i><\/a> is an absolutely cracking release, using Hound Dog Taylor-styled bluesology as a starting point for something that\u2019s rooted in tradition but wholly modern. But experiencing those songs (and the band\u2019s earlier material) live and in person brings with it a visceral feel that even the best studio recording cannot fully capture.<\/p>\n<p>But a live album, well, that\u2019s another thing entirely. When it\u2019s well recorded \u2013 and when the artist is on fire \u2013 then the potential exists to have things both ways. Case in point: The Who\u2019s <i>Live at Leeds<\/i>, a barn burner of the highest order. I\u2019ve seen GA-20 live onstage, so for me the bar is quite high when it comes to the idea of a live recording of their music. And <i>Live in Loveland<\/i> gets it very, very right.<\/p>\n<p>I will admit to some initial trepidation about the group when I first heard about them. In this quarter, bass-less bands are met with well-founded skepticism: the bottom end simply isn\u2019t there. Rock or blues trios have it hard enough when it comes to live settings: listen to the way that the metaphorical air is sucked out of the arrangement when Cream\u2019s Eric Clapton switches to lead; even the thunderous rhythm section of Ginger Baker and Jack Bruce can\u2019t adequately fill that space. Try all that <em>without<\/em> a bass and you\u2019re likely asking for trouble.<\/p>\n<p>But there are no such concerns where guitarists Pat Faherty and <a href=\"http:\/\/blog.musoscribe.com\/index.php\/2023\/01\/18\/qa-matt-stubbs-of-ga-20\/\">Matthew Stubbs<\/a> are involved. They tear things up, and even the most discerning listener won\u2019t miss the bass guitar. The frequencies are there. The two guitarists know how to craft a powerful arrangement that feels like more than two guitars and a drummer.<\/p>\n<p>A fussy approach wouldn\u2019t suit GA-20, not at all. And <i>Live in Loveland<\/i> isn\u2019t fussy. As the sleeve notes, the set was recorded directly onto \u00bc\u201d analog tape. What they played is what you\u2019ll hear. And as fantastic as <i>Crackdown<\/i> is, for new listeners, this live album is the perfect entry point into the world of GA-20. Unless, that is, you have an opportunity to witness them in person. If so, do that first, and stop by the merch table on the way out for a copy of the essential <i>Live in Loveland<\/i>. It\u2019s one of the best live albums this listener has ever encountered, and I\u2019ve heard a few.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Even when their studio work is superb, some artists are simply best experienced live. So it is with GA-20, the two-guitars-and-drummer trio. Their most recent studio effort, 2022\u2019s Crackdown is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":25326,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[9,49,62,65],"tags":[4932],"class_list":["post-25351","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blues","category-new-release","category-rawk","category-review","tag-ga-20","cat-9-id","cat-49-id","cat-62-id","cat-65-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/25351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=25351"}],"version-history":[{"count":4,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/25351\/revisions"}],"predecessor-version":[{"id":25403,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/25351\/revisions\/25403"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/25326"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=25351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=25351"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=25351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}