{"id":25282,"date":"2023-05-22T05:30:45","date_gmt":"2023-05-22T09:30:45","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=25282"},"modified":"2023-05-16T09:41:36","modified_gmt":"2023-05-16T13:41:36","slug":"take-5-eric-woolfson","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2023\/05\/22\/take-5-eric-woolfson\/","title":{"rendered":"Take 5: Eric Woolfson"},"content":{"rendered":"<p>One of the great studio-only aggregations of the 1970s and early \u201880s was the Alan Parsons Project. Producer\/musician\/songwriter Parsons didn\u2019t act alone, though; along with a core group of musicians (including members of the pop group Pilot), he worked closely with songwriting partner Eric Woolfson. In the group&#8217;s later years, Woolfson would take a greater role on lead vocals. That\u2019s him you hear singing \u201cTime,\u201d \u201cDon\u2019t Answer Me\u201d and \u201cEye in the Sky,\u201d all among the outfit\u2019s biggest hits.<\/p>\n<p>Parsons\u2019 project would ultimately prove too limiting to contain all of Woolfson\u2019s creative ideas. So across the year he embarked on a thriving \u2013 if lesser-known career beyond the confines of the Project, one that explored his love of musical theater. Woolfson passed away in 2009; he would have celebrated his 78th birthday on March 18. Here are five Eric Woolfson solo tunes you should know.<\/p>\n<p><strong>\u201cSan Tokay\u201d (single, 1971)<\/strong><br \/>\nBefore launching the APP with Parsons, Woolfson cut a non-charting single with members of quirky art-pop group 10cc. The song features an opening that sounds very much out of its time, but the track soon develops into a style that hints at some of the musical values to be explored by the Alan Parsons Project beginning with its 1976 debut, <em>Tales of Mystery and Imagination<\/em>.<br \/>\n<iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xPSmUkVxMBY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cNo One Can Love You Better Than Me\u201d from <em>Freudiana<\/em> (1990)<\/strong><br \/>\nAfter the APP\u2019s Gaudi, Parsons and Woolfson began work on a new work, based in part on the life and work of Sigmund Freud. The project developed into a musical theatre production, but litigation between the duo and theatrical producer Brian Brolly caused delays, and ultimately the recordings were released to little fanfare. The production featured several singers, and on this track, all of them \u2013 Kiki Dee, Gary Howard, Marti Webb and Woolfson \u2013 played a role.<br \/>\n<iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bZz85TqojrI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cGreen Light Means Danger\u201d from <em>Gambler: Das Geheimnis der Karen<\/em> (1997)<\/strong><br \/>\nEric Woolfson would continue working in the musical theatre idiom with this late \u201890s project based on songs he had written for the Alan Parsons Project album <em>The Turn of a Friendly Card<\/em>. Inspired by a Fyodor Dostoyevsky novel, the work was presented by a German cast, featured on this release. Long out of print, the CD is an expensive and sought-after rarity.<br \/>\n<iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/J7t1WfkcsF8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cAngel of the Odd\u201d from <em>Poe: More Tales of Mystery and Imagination<\/em> (2003)<\/strong><br \/>\nFor this early 2000s project. Woolfson returned to subject matter first explored on the debut Alan Parsons album release a quarter-century before. Poe\u2019s short stories provided inspiration for 10 new songs designed to follow on from the seven on the debut APP album. Though not a Project project, the album featured many APP-like textures, and \u2013 like many Project albums \u2013 was highlighted by an atmospheric, evocative instrumental number.<br \/>\n<iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0dHkD4MnMr0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cTrain to Wuxi\u201d from <em>The Alan Parsons Project That Never Was<\/em> (2009)<\/strong><br \/>\nA standout track from Eric Woolfson\u2019s final release prior to his passing at age 64, this collection of songs features material that had been written for various Alan Parsons Project releases. In each case, the song would be rejected or recast into something different. The original arrangements \u2013 often far more pop-leaning than the mildly progressive APP catalog \u2013 are featured on this record. On \u201cTrain to Wuxi,\u201d Woolfson takes the only recorded electric guitar solo of his career.<br \/>\n<iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BPEK04zDwS8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the great studio-only aggregations of the 1970s and early \u201880s was the Alan Parsons Project. Producer\/musician\/songwriter Parsons didn\u2019t act alone, though; along with a core group of musicians [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":25283,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[27],"tags":[4217,4218,5144],"class_list":["post-25282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essay","tag-alan-parsons","tag-alan-parsons-project","tag-eric-woolfson","cat-27-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/25282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=25282"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/25282\/revisions"}],"predecessor-version":[{"id":25284,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/25282\/revisions\/25284"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/25283"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=25282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=25282"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=25282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}