{"id":25253,"date":"2023-05-13T05:30:14","date_gmt":"2023-05-13T09:30:14","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=25253"},"modified":"2023-05-12T13:50:55","modified_gmt":"2023-05-12T17:50:55","slug":"hundred-word-reviews-may-2023-part-2","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2023\/05\/13\/hundred-word-reviews-may-2023-part-2\/","title":{"rendered":"Hundred Word Reviews, May 2023 Part 2"},"content":{"rendered":"<p>Hey hey \u2013 it\u2019s time for some more succinct surveys of superb sounds. Hundred-word stylee. Here we go.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-25258\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/ransom_perfect_crimes.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/ransom_perfect_crimes.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/ransom_perfect_crimes-300x300.jpg 300w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/ransom_perfect_crimes-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><b>Ransom and the Subset \u2013 <i>Perfect Crimes<\/i><\/b><br \/>\nIt\u2019s been nearly a decade since I reviewed music by RanDair Porter\u2019s Seattle-based project, Ransom and the Subset. In Late 2014 I called <i>No <\/i><i>T<\/i><i>ime to Lose<\/i> <a href=\"http:\/\/blog.musoscribe.com\/index.php\/2014\/11\/14\/november-hundred-word-reviews-part-5\/\">\u201cgreat stuff.\u201d<\/a> I don\u2019t know what he\u2019s been up to in the interim, but whatever it is hasn\u2019t diminished his skills. On the contrary: these Owsley-ish songs are as strong as ever, with indelible and razor-sharp hooks, crystalline production, intelligent songwriting and high melodic quotient. It rocks, too, balancing oomph and ear-candy approaches for a winning combination. I cold tell you about the great guest players, but Porter himself makes this set essential.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-25255\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/ron_sexsmith.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/ron_sexsmith.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/ron_sexsmith-300x300.jpg 300w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/ron_sexsmith-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><b>Ron Sexsmith \u2013 <i>The Vivian Line<\/i><\/b><br \/>\nSuperb songwriting is no easy achievement. Some can write lyrics that resonate with listeners. Others can craft a sharp melody; others still know how to put together a compelling arrangement. Combining two of those virtues results in something special; checking all three boxes is as rare as it is remarkable. Canadian Ron Sexsmith falls into that last category. He\u2019s often namechecked by fellow songwriters, and by in-the-know critics. Me, I somehow missed his work for a long time. <i>The Vivian Line<\/i> is as good an entry point as any into his defiantly unclassifiable body of work. Don\u2019t miss this one.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-25257\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/roy_mcgrath.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/roy_mcgrath.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/roy_mcgrath-300x300.jpg 300w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/roy_mcgrath-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><b>Roy McGrath \u2013 <i>Menjunje<\/i><\/b><br \/>\nAt its best, Afro-Caribbean jazz is emotionally resonant, tuneful in the extreme and musically adventurous. This album grew out of a Chicago live event paying tribute to \u201cEl Topo\u201d (Antonio Caban Vale). Roy McGrath sextet was a central component of that event. Augmenting that outfit with two Puerto Rico-based players of note (Eduardo Zayas on piano, drummer Efrain Martinez), McGrath cut this collection of El Topo classics and originals in a similar vein. The music is fun, alluring and impeccably arranged, with the soloists blowing atop a foundation that\u2019ll get the most resolute armchair listener up and on their feet.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-25254\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/black_watch_future.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/black_watch_future.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/black_watch_future-300x300.jpg 300w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/black_watch_future-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><b>The Black Watch \u2013 <i>Future Strangers<\/i><\/b><br \/>\nI\u2019ve <a href=\"http:\/\/blog.musoscribe.com\/?s=%22black+watch%22\">remarked before<\/a> (and likely more than once) upon the prolific nature of John Andrew Fredrick. I\u2019m completely at a loss to understand how he has time to eat, sleep or anything else; the frenetic pace at which he releases new music form The Black Watch is astounding. And unlike some other staggeringly prolific artists (no naming manes), Fredrick has yet to display a dip in the quality of his output. The relentlessly tuneful alternarock of \u201cWe Know Nothing\u201d is enhanced by the flutey Mellotron and squalling lead guitar. That\u2019s just the first track, and the greatness never lets up.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-25256\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/pterous.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/pterous.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/pterous-300x300.jpg 300w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/05\/pterous-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><b>Dren McDonald \u2013 <i>Pterous<\/i><\/b><br \/>\nAt times, I\u2019m a pushover for idiosyncratic artists: give me something unexpected, something that either (a) you haven\u2019t done before or (b) nobody\u2019s done before. To wit: Just about a year ago I was fascinated by <a href=\"http:\/\/blog.musoscribe.com\/index.php\/2022\/05\/24\/hundred-word-reviews-for-may-2022-part-1\/\">Polyhedren<\/a>, an atypically accessible avant garde project. Polyhedren\u2019s prime mover is Dren McDonald, and he\u2019s back with a solo release. It\u2019s inspired by the work of Steve Reich, but I also hear the kind of mindset that informed Robert Fripp\u2019s League of Crafty Guitarists. The instrumentals are hypnotic and alluring, passionate and placid, lush and layered. Word is, there\u2019s a Dolby Atmos version, too.<\/p>\n<p>More tomorrow.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hey hey \u2013 it\u2019s time for some more succinct surveys of superb sounds. Hundred-word stylee. Here we go. Ransom and the Subset \u2013 Perfect Crimes It\u2019s been nearly a decade [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":25258,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[40,42,49,55,62,65],"tags":[5133,4835,1786,5034,5134],"class_list":["post-25253","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-instrumental","category-jazz","category-new-release","category-powerpop","category-rawk","category-review","tag-black-watch","tag-dren-mcdonald","tag-ransom-and-the-subset","tag-ron-sexsmith","tag-roy-mcgrath","cat-40-id","cat-42-id","cat-49-id","cat-55-id","cat-62-id","cat-65-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/25253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=25253"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/25253\/revisions"}],"predecessor-version":[{"id":25259,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/25253\/revisions\/25259"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/25258"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=25253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=25253"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=25253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}