{"id":24807,"date":"2023-02-21T05:30:12","date_gmt":"2023-02-21T10:30:12","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=24807"},"modified":"2023-02-21T04:21:19","modified_gmt":"2023-02-21T09:21:19","slug":"hundred-word-review-february-2023-part-two","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2023\/02\/21\/hundred-word-review-february-2023-part-two\/","title":{"rendered":"Hundred Word Reviews, February 2023 Part Two"},"content":{"rendered":"<p>More capsule reviews. All new releases. Get \u2018em while they\u2019re hot.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-24813\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/ward_white_iceream.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/ward_white_iceream.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/ward_white_iceream-300x300.jpg 300w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/ward_white_iceream-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Ward White \u2013 <i>Ice Cream Chords<\/i><\/b><br \/>\nWhen I reviewed Ward White\u2019s 2021 album <a href=\"http:\/\/blog.musoscribe.com\/index.php\/2021\/11\/30\/hundred-word-reviews-november-2021\/\"><i>The Tender Age<\/i><\/a>, I was struck by the ways in which it reminded me of David Bowie at his most accessible. Here we are in 2023, and White\u2019s latest feels very much a piece with that release. The qualities that made his last album a rewarding listen are all in ample supply once again. His interesting and relatable lyrics are set again catchy, intricate-yet-uncluttered arrangements, and a solid variety of sonic textures. If there\u2019s a musical touchstone, it might be The Cars. White doesn\u2019t sound just like them, but there\u2019s a shared sensibility.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-24811\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/gatekeepers.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/gatekeepers.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/gatekeepers-300x300.jpg 300w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/gatekeepers-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>The Gatekeepers \u2013 <i>The Gatekeepers<\/i><\/b><br \/>\nThis is a deeply strange project, but it\u2019s strange in a good way. Featuring performances by a dizzying array of outr\u00e9 artists (<a href=\"http:\/\/blog.musoscribe.com\/index.php\/tag\/the-residents\/\">The Residents<\/a>, to name but one of a couple dozen, <em>The Gatekeepers<\/em> is a conceptual work. The music is vocal-forward, and the instrumentation is dark and dissonant. There\u2019s a stagey feel to the songs, as expected of a thematically unified narrative work. Don\u2019t expect The Gatekeepers to show up on pop playlists, but if your tastes run toward the arty avant garde, this might just be your new favorite album. Poppier than The Residents, but then what isn\u2019t?<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-24810\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/nina_hagen_unity.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/nina_hagen_unity.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/nina_hagen_unity-300x300.jpg 300w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/nina_hagen_unity-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Nina Hagen \u2013 <i>Unity<\/i><\/b><br \/>\n<a href=\"http:\/\/blog.musoscribe.com\/index.php\/2022\/05\/12\/nina-hagen-ten-albums-that-changed-my-life\/\">Nina Hagen<\/a> is musical royalty. At a time when popular music was getting stale, she breathed life into the form. She scored hits in Europe, but never broke through here in the States like she ought have done. Her music hasn\u2019t moved toward the mainstream since those days, but the songs on her latest are both current-sounding and timeless. Here vocal work is as oddly idiosyncratic as ever, and her stature in the music world means that she enlists the collaboration of some notables: Lene Lovich, George Clinton and Dennis Kucinich (no, <i>really<\/i>) are among the guests on this dance-oriented set.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-24809\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/claire_hamill.jpg\" alt=\"\" width=\"350\" height=\"353\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/claire_hamill.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/claire_hamill-297x300.jpg 297w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/claire_hamill-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Claire Hamill \u2013 <i>A Pocket Full of Love Songs<\/i><\/b><br \/>\nHamill isn\u2019t a household name in the U.S., but chances are good you\u2019ve heard her: the singer-guitarist has lent her talents to albums by Steve Howe, Jon and Vangelis, Wishbone Ash and others. Her own recording career began in 1971. While she moved toward new age music in the \u201880s, <i>A Pocket Full of Love Songs<\/i> finds her on more familiar and tuneful territory. Her supremely beautiful vocals enhance the gently countrified original tunes, with a hint of English folk and heaps of tasteful musicianship throughout. The latter is provided primarily by producer-arranger-engineer Kevin Jones; the vibe is wonderfully organic.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-24812\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/underhill_covered.jpg\" alt=\"\" width=\"350\" height=\"316\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/underhill_covered.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2023\/02\/underhill_covered-300x271.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Eleanor Underhill \u2013 <i>Got it Covered<\/i><\/b><br \/>\nAsheville-based <a href=\"http:\/\/blog.musoscribe.com\/?s=underhill\">Underhill<\/a> is a justly revered artist with a strong ability to craft original lyrics and music. But on <i>Got It Covered<\/i>, the multi-instrumentalist applies her gifts in a different manner. Underhill reinvents sixteen songs from across the pop landscape, in the process making song by The Rolling Stones, Radiohead, Coldplay, Nina Simone and even Phish very much her own. In her hands, The Beatles\u2019 haunting \u201cEleanor Rigby\u201d rocks, even with banjo. Don Henley\u2019s \u201cThe Boys of Summer\u201d takes on a wholly different character. UB40\u2019s \u201cRed Red Wine\u201d sounds like it belongs on the <i>O Brother, Where Art Thou?<\/i> soundtrack.<\/p>\n<p>Much, much more to come!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>More capsule reviews. All new releases. Get \u2018em while they\u2019re hot. Ward White \u2013 Ice Cream Chords When I reviewed Ward White\u2019s 2021 album The Tender Age, I was struck [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":24810,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[7,3505,26,30,49,51,62,65],"tags":[5078,3638,4825,5077,4705],"class_list":["post-24807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avant-garde","category-dance","category-electronica","category-folk","category-new-release","category-pop","category-rawk","category-review","tag-claire-hamill","tag-eleanor-underhill","tag-nina-hagen","tag-the-gatekeepers","tag-ward-white","cat-7-id","cat-3505-id","cat-26-id","cat-30-id","cat-49-id","cat-51-id","cat-62-id","cat-65-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/24807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=24807"}],"version-history":[{"count":5,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/24807\/revisions"}],"predecessor-version":[{"id":25013,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/24807\/revisions\/25013"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/24810"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=24807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=24807"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=24807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}