{"id":179,"date":"2010-03-04T04:52:33","date_gmt":"2010-03-04T09:52:33","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=179"},"modified":"2010-03-04T04:52:33","modified_gmt":"2010-03-04T09:52:33","slug":"dvd-review-blank-generation","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2010\/03\/04\/dvd-review-blank-generation\/","title":{"rendered":"DVD Review: Blank Generation"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musoscribe.com\/images\/blank_generation.jpg\" align=\"right\" height=\"305\" hspace=\"10\" vspace=\"10\" width=\"216\" \/><strong>Johny Lydon<\/strong> (n\u00e9e <strong>Rotten<\/strong>) used to end <strong>Sex Pistols<\/strong> concerts by sneering this question to the crowd: &#8220;Ever feel like you&#8217;ve been cheated?&#8221;<\/p>\n<p><em>You<\/em> might, if you spend eighty minutes watching the 1980 film <em>Blank Generation<\/em>, starring <strong>Richard Hell<\/strong>. One individual who&#8217;s in a position to have authority on the subject calls <em>Blank Generation<\/em> a &#8220;misbegotten&#8221; enterprise, and describes director <strong>Uli Lommel<\/strong> as an opportunistic, talentless hack of the lowest order.<\/p>\n<p>The film starts future French superstar <strong>Carole Bouquet<\/strong>; she&#8217;s quite stunningly beautiful (and the film is beautifully shot) but she&#8217;s as wooden as a cigar store Indian. There&#8217;s virtually no chemistry between her and any of the film&#8217;s other actors. In fact, only two onscreen actors come off well in the film. <strong>Andy Warhol<\/strong> &#8212; who&#8217;s billed prominently in the feature despite being onscreen for a mere three-minute scene &#8212; &#8220;comports himself well&#8221; in the words of that aforementioned authority. Punk musician (and non-actor) Richard Hell, as the star of the film, actually exudes more realism, more authenticity, than all of the other players combined.<\/p>\n<p>What&#8217;s amusing is that the authority to whom I&#8217;ve referred is none other than Hell himself. The DVD release of this pretentious claptrap of a film includes as its bonus material an up-close conversation with Hell, in which he relates his horrible experience of being associated with this monstrosity of a motion picture.<\/p>\n<p>But wait! His disarming and candid demeanor is quite entertaining to behold as he mercilessly deconstructs the film, picking apart scenes as &#8220;stupid&#8221; and pointing out (correctly) that the film is completely disjointed, artificial, and full of scenes that represent little more than ideas (as opposed to fully-thought out story lines). More than once he marvels at a clip from the film, commenting, &#8220;What the f**k was <em>that<\/em>?&#8221;<\/p>\n<p>One central scene in the film revolves around Hell&#8217;s character Billy riding in his car with Bouquet&#8217;s Nada (heavy-handed symbolism in the naming, much?) toward the beach. They argue whether or not to go, and ultimately <em>don&#8217;t decide<\/em>. In the commentary Hell observes that this lack of being able to decide whether to go to the beach, well, that&#8217;s how Lommel tells us viewers that Billy and Nada are &#8220;blank.&#8221; What is meant to be heavy and revelatory is instead silly and laughable.<\/p>\n<p>The thing is, because Hell is discussing this particular film, viewers must see the movie to follow and fully appreciate what he&#8217;s talking about. &#8220;Part of my shame is that my name is among the screenwriters,&#8221; Hell admits wryly in the 2009 interview. So while the Hell interview is well worth seeing, the price of admission is: watching the damn film first.<\/p>\n<p>All that said, <em>Blank Generation<\/em> is not without its redeeming features (but it is, in Hell&#8217;s words, &#8220;irredeemable&#8221; overall). As he points out, it&#8217;s well shot (but badly edited). It does present some real shots of 1978 NYC (though they&#8217;re couched in ludicrous dialogue and action). And the film does capture Hell onstage at CBGBs with his band the <strong>Voidoids<\/strong> (featuring ace guitarist <strong>Robert Quine<\/strong>, drummer Marc Bell [later known as <strong>Marky Ramone<\/strong>] and guitarist <strong>Ivan Julian<\/strong>). Though even <em>that <\/em>is botched by the director: the song &#8220;Blank Generation&#8221; is heard in its entirety more than four times.<\/p>\n<p>See the film so you can appreciate Hell&#8217;s interview. Truly, that interview is reason enough to buy this DVD.<\/p>\n<p><center><\/p>\n<p style=\"font-size: 9px\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\" class=\"body\">Follow &#8220;the_musoscribe&#8221; on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" valign=\"middle\" border=\"0\" height=\"18\" hspace=\"1\" vspace=\"0\" width=\"18\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n<p style=\"font-size: 9px\"> DISCLOSURE OF MATERIAL CONNECTION:<br \/>\n<a href=\"http:\/\/cmp.ly\/1\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/cmply_1.png\" alt=\"I have a material connection because I received a sample or review copy, or an item of nominal value that I can keep for consideration in preparing to write this content. I was\/am expected to return this item after my review.\" border=\"0\" \/><\/a><\/p>\n<p><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Johny Lydon (n\u00e9e Rotten) used to end Sex Pistols concerts by sneering this question to the crowd: &#8220;Ever feel like you&#8217;ve been cheated?&#8221; You might, if you spend eighty minutes [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[25,65],"tags":[],"class_list":["post-179","post","type-post","status-publish","format-standard","hentry","category-dvd","category-review","cat-25-id","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=179"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/179\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=179"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}