{"id":171,"date":"2010-02-22T14:05:04","date_gmt":"2010-02-22T19:05:04","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=171"},"modified":"2022-06-05T15:26:56","modified_gmt":"2022-06-05T19:26:56","slug":"interview-henry-rollins","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2010\/02\/22\/interview-henry-rollins\/","title":{"rendered":"Bonus Interview: Henry Rollins"},"content":{"rendered":"<p><strong><em><span style=\"color: #ff0000;\">NOTE: The original interview is <a href=\"http:\/\/blog.musoscribe.com\/?p=187\">HERE<\/a>. Please read it first.<\/span><br \/>\n<\/em><\/strong><\/p>\n<p><em>Henry Rollins is currently bringing his <\/em>Frequent Flyer<em> spoken word tour to audiences in the USA, with dates in Australia and South Africa to follow. I spoke with him recently about the tour, and just turned in a piece that will run in the March 3 edition of <\/em>Mountain Xpress<em>,\u00a0 Asheville NC\u2019s local altweekly. Rollins is endlessly quotable, and since the <\/em>MtnX <em>feature was limited to 750 words, a lot of great material ended up on the proverbial cutting-room floor. What got left out was as good as what was left in. Here\u2019s the former. It&#8217;s perhaps a bit disjointed, but worthwhile nonetheless.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/henry_rollins_by_maura_lanahan.jpg\" alt=\"\" width=\"300\" height=\"450\" align=\"right\" hspace=\"10\" vspace=\"10\" \/>The early promoter of <strong>Henry Rollins<\/strong>\u2019 spoken word gigs &#8212; this was in the early 1980s &#8212; started booking longer gigs, first featuring Rollins opening for poets and briefly, and later with poets opening for him (&#8220;which they didn&#8217;t like,&#8221; Rollins notes wryly).<\/p>\n<p>Rollins always goes onstage &#8220;intellectually front-loaded,&#8221; because, &#8220;I don&#8217;t want you to wait for me to get it together. That&#8217;s not fair to you. Who wants to sit and listen to a guy figure it out?&#8221;<\/p>\n<p>With characteristic candor, Rollins explains that he&#8217;s &#8220;afraid of [the] audience. I don&#8217;t want to let them down; I fear their wrath.&#8221; People have trusted him with their evening, and he &#8220;take[s] that confidence very seriously, and with a real fear. So I do <em>not <\/em>screw around. That&#8217;s why I&#8217;m not high, and it&#8217;s why I&#8217;m not goofing off before the show. By 5pm, I&#8217;m in the venue, focusing for that eight o&#8217;clock show.&#8221; He concedes that &#8220;it&#8217;s a long day, and it&#8217;s pretty extreme. But it&#8217;s the [only] way to do twenty-six shows in twenty-eight days.&#8221;<\/p>\n<p>That high standard has always been a part of Rollins&#8217; makeup. In <strong>Black Flag<\/strong>, the group Rollins fronted from 1981 to 1986, &#8220;there was a high degree of professionalism, believe it or not; I know we looked a little nuts. But we wanted to deliver. We would rehearse for weeks before a tour. Same thing with the <strong>Rollins Band<\/strong>.&#8221;<\/p>\n<p>&#8220;Audiences can spot disingenuousness. They can tell when [you&#8217;re] tired, dialing it in. There&#8217;s a collective instinct. You can shut an audience down, and it starts with just one guy going, &#8216;aww&#8230;&#8217;\u201d<\/p>\n<p>&#8220;The way I [prepare for] the spoken-word shows is &#8212; and this will sound silly &#8212; I walk on the streets of wherever I am, and I talk to myself.&#8221; He rattles off his recent trip&#8217;s itinerary: Saudi Arabia, Indonesia, Brunei, Sri Lanka, Bangladesh, India, Nepal, China, Mali, Senegal. &#8220;I&#8217;d walk down the street fleshing out ideas about the first amendment, freedom of speech in other countries. And people look at you, a crazy mumbling white guy with a sunburn. Okay, fine: I&#8217;ve been laughed at by people since I was eight.\u201d<\/p>\n<p>&#8220;Thoughts are one thing. But if you&#8217;re gonna say things out loud for a living, this has turned out for me to be a very effective method of getting it together.&#8221; He reflects on the whole enterprise: &#8220;I don&#8217;t take many days off. I don&#8217;t want &#8217;em.&#8221; Admitting it&#8217;s &#8220;sort of an actor-y thing to say,&#8221; Rollins strives onstage to &#8220;stay in the moment&#8221; to avoid becoming &#8220;the thing with the string coming out of its chest. Otherwise, you&#8217;re just doing the act. And the act will falter with exhaustion and repetition.<\/p>\n<p>After a gig, Rollins is &#8220;intellectually drained.&#8221; He likens the spoken word gigs to &#8220;pushing eighty gallons of water out through a pinhole. By the time I&#8217;m getting on the bus, I&#8217;m sometimes literally trembling with exhaustion.\u201d<\/p>\n<p>Rollins is cagey about his next musical project, to commence this summer, post-tour. But it involves &#8220;two other guys, maybe three&#8221; with whom he&#8217;s never recorded before. He admits that &#8220;the &#8220;marquee value of these three or four people looks good on paper. What&#8217;s going to happen? I don&#8217;t know. At worst, we roll tape, have a few laughs. At best, we get an EP out of it. Who knows?&#8221;<\/p>\n<p><strong><em>NOTE: The original interview is <a href=\"http:\/\/blog.musoscribe.com\/?p=187\">HERE<\/a>.<\/em><\/strong><\/p>\n<p align=\"center\"><a class=\"body\" href=\"http:\/\/www.twitter.com\/the_musoscribe\">Follow \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" alt=\"\" width=\"18\" height=\"18\" border=\"0\" hspace=\"1\" vspace=\"0\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NOTE: The original interview is HERE. Please read it first. Henry Rollins is currently bringing his Frequent Flyer spoken word tour to audiences in the USA, with dates in Australia [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41],"tags":[],"class_list":["post-171","post","type-post","status-publish","format-standard","hentry","category-interview","cat-41-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=171"}],"version-history":[{"count":2,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/171\/revisions"}],"predecessor-version":[{"id":23099,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/171\/revisions\/23099"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=171"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}