{"id":14999,"date":"2018-08-04T05:30:18","date_gmt":"2018-08-04T09:30:18","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=14999"},"modified":"2018-08-01T16:44:06","modified_gmt":"2018-08-01T20:44:06","slug":"album-review-randal-branham-simple","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2018\/08\/04\/album-review-randal-branham-simple\/","title":{"rendered":"Album Review: Randal Branham &#8211; Simple"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-15000\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2018\/08\/randal_branham_simple.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2018\/08\/randal_branham_simple.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2018\/08\/randal_branham_simple-150x150.jpg 150w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2018\/08\/randal_branham_simple-300x300.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Piano players have an uphill battle when trying to place themselves at the center of a rock band (I say this as a keyboard player myself). When it works \u2013 Ben Folds, Elton John \u2013 it can be fantastic. When it doesn&#8217;t work (and for once I\u2019ll avoid naming names), it\u2019s insipid and even gruesome.<\/p>\n<p>More often than not, it works for Randal Branham. I suspect part of the reason is that he understands the rhythm and blues underpinning that \u2013 when properly applied \u2013 can give rock its energy. A song like \u201cSimple to Extreme,\u201d the opening cut on his new album <i>Simple<\/i>, uses a relatively conventional chord structure \u2013 one that would work just fine without piano \u2013 and then adds kinetic, Professor Longhair-styled keyboard figures that run through the entire song.<\/p>\n<p>Unfortunately, Branham largely abandons this approach after the first track.<\/p>\n<p>On <i>Simple<\/i>, Branham employs many keyboard textures; the judicious use of synthesizers on \u201cWonderful\u201d provides a nice bed for this mid-tempo romantic ballad in a vaguely Maroon 5 style. And the keyboardist does a creditable job of changing up the keyboard sounds and styles on each of the albums 13 tracks (I don\u2019t count bonus\u201d remixes as part of albums; this one has two). The tiniest hint of Autotune seems to rear its head in the production, but at least it\u2019s used in the way its developers originally intended.<\/p>\n<p>Those who squirm at heartfelt vocal-and-piano balladry may want to skip over tracks like \u201cMan to Man.\u201d But for those who give it a spin, the tune offers up a positive and welcome sentiment. But as <em>Simple<\/em> unfolds, it reveals itself to be far heavier on the balladry than the uptempo content. On tracks like \u201cYour shining Love,\u201d the artist seems to be trying to write anthems; those who just came for a good time might find the messaging a bit on the heavy side.<\/p>\n<p>When the uptempo cuts do show up, they\u2019re presented in sharp relief. \u201cGo Out\u201d is a dance floor tune in the mold of Fitz &amp; the Tantrums, but that damn Autotune rears its head once again. And a spoken-word interlude threatens to destroy the vibe.<\/p>\n<p>In the end, <i>Simple<\/i> seems to be unsure of exactly what it is: a dance-pop collection, a ballad album, or something else. Eclecticism is a quality to be celebrated, but unity of purpose is, too. The net result is that \u2013 depending on their tastes \u2013 most listeners are likely to dig about half of the tunes on this album, and not care at all for the other half.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Piano players have an uphill battle when trying to place themselves at the center of a rock band (I say this as a keyboard player myself). When it works \u2013 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15000,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[49,51,65],"tags":[3519],"class_list":["post-14999","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-release","category-pop","category-review","tag-randal-branham","cat-49-id","cat-51-id","cat-65-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/14999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=14999"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/14999\/revisions"}],"predecessor-version":[{"id":15001,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/14999\/revisions\/15001"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/15000"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=14999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=14999"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=14999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}