{"id":14843,"date":"2018-07-11T05:30:40","date_gmt":"2018-07-11T09:30:40","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=14843"},"modified":"2018-07-12T07:07:32","modified_gmt":"2018-07-12T11:07:32","slug":"paul-williams-someday-and-today-part-2","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2018\/07\/11\/paul-williams-someday-and-today-part-2\/","title":{"rendered":"Paul Williams: \u201cSomeday\u201d and Today (Part 2)"},"content":{"rendered":"

\"\"Continued from Part One<\/a>…<\/em><\/p>\n

He quotes some of his best-known lyrical phrases to illustrate his point (seemingly, Paul Williams has a preternatural ability to remember the words to the countless tunes he’s penned). \u201cFor a guy to be singing about ‘That\u2019s enough for me,’ or, ‘Pleasure makes me cry,’ or, ‘I won\u2019t last a day without you’ \u2013 which is not really a healthy thought when you think about it \u2013 is a kind of a self-therapy process,\u201d he says. \u201cThat, for me, was the immediate reward: dealing with what I was feeling, and getting it out. The big surprise was that people responded to it.\u201d<\/p>\n

And that heart-not-head quality to Williams’ writing \u2013 embracing sentimentality over cleverness \u2013 would be a key to his success, both in his own work and in songs eventually covered by other artists. \u201cI didn\u2019t have the ability \u2013 music education or music chops \u2013 to write really sophisticated music,\u201d he says, adding that he doesn’t believe that has changed. \u201cBut it was something I kept trying<\/i> to do. Jimmy Webb said to me, ‘Because you have no training, you went places that you shouldn\u2019t have gone and wouldn\u2019t have gone. But for some reason, you made it work.’\u201d<\/p>\n

In most every conversation about his music, Williams makes a point of highlighting the contributions of frequent collaborator Roger Nichols. \u201cMy ‘music school’ was Roger,\u201d he says. \u201cWhen he and I began writing, almost everything we wrote was recorded. It was on albums, b-sides, and eventually A-sides. And eventually, because of the nice people that recorded these songs, we had our share of hits. But what people don\u2019t know is that I also got a music education.\u201d<\/p>\n

What Williams also got, he emphasizes, was \u201ca friendship that has not faded in the least.\u201d Though he and Nichols would eventually go their separate ways career-wise, the bond they formed as songwriting partners remains solid. Working with Nichols, Williams says he received \u201cexposure to a level of craftsmanship that went comfortably hand in hand with creative genius.\u201d<\/p>\n

And while Williams self-effacingly waves away comparisons to Parks, Nilsson, Newman and the like, he doesn’t mind being mentioned among those names. He knew those songwriters as people as well as professionals. Williams relates a story from the very early 1970s.<\/p>\n

\u201cI loved Aerial Ballet <\/i>and Pandemonium Shadow Show<\/i>,\u201d he says. \u201cWhen I met Harry, I was going on and on about how brilliant he was. And he went, ‘No, no, no, no, no. I wanna show you real writing, real<\/i> songwriting.’ He took me out of the room, pulled out his albums and played everything that Randy [Newman] had ever written and recorded.\u201d<\/p>\n

Though perhaps it wasn’t viewed as such at the time of its 1970 release, Someday Man<\/i> can also be seen as part of the then-nascent singer-songwriting movement that included Laura Nyro, Carole King and James Taylor. But Williams chuckles at that suggestion, too. \u201cI think I was a little more greedy,\u201d he says. \u201cThere\u2019s such a nobility to that whole Laurel Canyon crowd. I couldn\u2019t really look myself in the mirror if I compared myself with that group, because part of me was also trying to write hit songs!\u201d<\/p>\n

He acknowledges that his commercial strategy didn’t exactly succeed. \u201cEvery time I tried<\/i> to write a hit song, it didn’t work!\u201d Understanding that more often than not his success came through others interpreting his work, he says, \u201cThere was not a direct line between me and the audience as there was for Jackson Browne or Carole King. I think as soon as Carole started recording, bingo<\/i>. It was a direct line from Carole\u2019s heart to the hearts of her audience.\u201d For Williams, making that connection would follow a more circuitous route, through Three Dog Night, Karen Carpenter and others.<\/p>\n

Rather than counting himself among the art-pop artists of his era or the singer-songwriters, Williams sees himself part of a longer tradition of songwriting. Particularly with regard to his work with Nichols, he views his work as \u201can interesting throwback combination of writing contemporary music that had some sort of a harmonic, emotional connection to the songs of the Great American Songbook.\u201d As a young boy growing up first in Omaha, Nebraska and then (after his father died in an auto accident) in Long Beach, California, Williams loved the music of Rodgers and Hart, Cole Porter. He recalls that \u201cwhen everyone was listening to the birth of rock ‘n’ roll, in junior high and high school I was listening to Gordon Jenkins\u2019 Manhattan Tower<\/i>. I was always an oddball.\u201d<\/p>\n

Nichols’ and Williams’ shared love of that romantic kind of songwriting is manifest on the ten-song Someday Man<\/i>. The pace at which the pair worked on the album was quite fast. And it followed a rhythm the two had developed when writing songs to sell to other artists. \u201cWhen Roger and I would finish [writing] a song, we\u2019d go right into the studio and cut the demo,\u201d he says. \u201cAnd more often than not, Roger would have me sing the songs.\u201d<\/p>\n

These days, Williams is fit and healthy; during one of the conversations upon which this feature is based, he was doing his daily two-to-four-mile morning run, and he spoke of recently removing sugar and white flour from his diet. And he quit drink and drugs in 1990. But back in the heady days of Someday Man<\/i>, he indulged in the usual vices.<\/p>\n

And in retrospect, Williams acknowledges that such activities had their advantages. \u201cI like a little of what alcohol and cigarettes did to my voice,\u201d he says. \u201cI think that there\u2019s a vulnerability in the vocals. And Roger heard something that I didn\u2019t.\u201d It would be Nichols who would encourage Williams to put together The Holy Mackerel and record an album for Reprise, the label run by Frank Sinatra. The Holy Mackerel<\/i> included songs written by other group members alongside tunes by Williams and Nichols.<\/p>\n

Click here to continue<\/a>…<\/p>\n","protected":false},"excerpt":{"rendered":"

Continued from Part One… He quotes some of his best-known lyrical phrases to illustrate his point (seemingly, Paul Williams has a preternatural ability to remember the words to the countless […]<\/p>\n","protected":false},"author":1,"featured_media":14844,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41,51,64,73],"tags":[1670],"class_list":["post-14843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","category-pop","category-reissue","category-vinyl","tag-paul-williams","cat-41-id","cat-51-id","cat-64-id","cat-73-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/14843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=14843"}],"version-history":[{"count":2,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/14843\/revisions"}],"predecessor-version":[{"id":14857,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/14843\/revisions\/14857"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/14844"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=14843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=14843"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=14843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}