{"id":145,"date":"2010-01-20T05:14:22","date_gmt":"2010-01-20T10:14:22","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=145"},"modified":"2020-01-20T22:20:30","modified_gmt":"2020-01-21T03:20:30","slug":"album-review-the-orange-peels-2020","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2010\/01\/20\/album-review-the-orange-peels-2020\/","title":{"rendered":"Album Review: The Orange Peels &#8211; 2020"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-18195\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2010\/01\/orangepeels_2020a.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2010\/01\/orangepeels_2020a.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2010\/01\/orangepeels_2020a-300x300.jpg 300w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2010\/01\/orangepeels_2020a-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>&#8220;Happy listening.&#8221;<\/p>\n<p>That was the message handwritten on a post-it from <strong>The Orange Peels<\/strong>&#8216; Allen Clapp. Owing to a slight mix-up in messaging, I ended up receiving a copy of the group&#8217;s new album <em>2020<\/em> directly from the band. In any event, Clapp&#8217;s sentiment couldn&#8217;t be more apt; in fact that two-word phrase is a near-perfect summation of the audio experience that is The Orange Peels&#8217; <em>2020<\/em>. As close to a perfect example of 21st century pop (in the best sense of that word), <em>2020<\/em> is a varied, charming effort that brings together some of the finest pop traditions.<\/p>\n<p>And in doing so, <em>2020<\/em> sounds little like the work of an indie band from California. The five-piece is based in the aptly-named Sunnyvale &#8212; the perfect name of a town that hosts creators of such upbeat, fun and catchy music. (In fact, Sunnyvale is situated near the south end of San Francisco Bay.)<\/p>\n<p>Possessing a good amount of that precious indie cred, The Orange Peels have released a few albums of their particular brand of pop (<em>2020<\/em> is their fourth). But&#8230;don&#8217;t tell the kids it&#8217;s pop. Let them go right on thinking it&#8217;s indie rock. Because it is, really. The music of The Orange Peels&#8217; <em>2020<\/em> draws unabashedly from some of the highest quality influences. Yet they pick and choose their touchstones, so one can&#8217;t easily peg The Orange Peels as slavish followers of a particular style or trend. Yes, you&#8217;ll hear <a href=\"http:\/\/blog.musoscribe.com\/?p=54\">Mellotron<\/a> string parts, electric sitars, hand claps, those kinds of things. But you&#8217;ll also be treated to an early 80s alterna-vibe and guitars that in turn soar and crunch.<\/p>\n<p>Charting a rockier path than labelmates <strong>Papas Fritas<\/strong>, The Orange Peels do in fact rock, but they sweeten the mix with impossibly catchy hooks &#8212; you older folks, think of the Raspberries as a group with a similar approach (but not a similar sound).<\/p>\n<p>The disc opens with &#8220;We&#8217;re Gonna Make It.&#8221; The tune starts out something like the <strong>La&#8217;s<\/strong> transcendent &#8220;There She Goes&#8221; but quickly shifts gears into a <strong>Cars<\/strong>-like, stuttering, staccato arrangement and lead guitar figure. String synth and harmonies imbue the song with a sunny ambience. &#8220;Seaside Holiday&#8221; is bouncy and melodic like the best early 80s Britpop.<\/p>\n<p>In &#8220;Shining Like Stars,&#8221; a loud and charmingly skewed guitar riff forms a central musical motif. Though built on a musical foundation reminiscent of <strong>Blondie<\/strong>&#8216;s &#8220;One Way or Another,&#8221; the song &#8212; destined for hit status in a just world &#8212; is as wholly original as pop gets.<\/p>\n<p>Despite an opening figure that may conjure memories of <strong>England Dan &amp; John Ford Coley<\/strong>&#8216;s 1976 MOR hit &#8220;I&#8217;d Really Love to See You Tonight&#8221; the song &#8220;Birds of a Feather&#8221; primarily features that 1967 pop sound so loved by the makers of iPhone commercials. In fact, the gorgeous &#8220;Birds of a Feather&#8221; would fit perfectly on the<strong> Zombies<\/strong>&#8216; <em>Odessey and Oracle<\/em> (sic), a pop classic from, well, 1968.<\/p>\n<p>But don&#8217;t start thinking that The Orange Peels are stuck on some sixties trip. On the lovely &#8220;Jane Lane&#8221; the band delivers a lush pop vibe familiar to fans of <strong>Prefab Sprout<\/strong>&#8216;s 1985 classic &#8220;When Love Breaks Down.&#8221; Yet &#8220;Jane Lane&#8221; serves up an even stronger melody and a welcome harder edge than McAloon&#8217;s group.<\/p>\n<p>The groups mixes it up as well. The midtempo dream-pop of &#8220;Emily Has Told Me Why&#8221; features a guitar riff straight out of <strong>Queen<\/strong> by way of <strong>Jellyfish<\/strong>. &#8220;Charmed Life&#8221; &#8212; featuring vocals by drummer\/multi-instrumentalist Bob Vickers &#8212; has hints of skiffle and pub rock; in fact the tune wouldn&#8217;t be out of place on <a href=\"http:\/\/www.musoscribe.com\/blast_from_the_past\/nick_lowe_jesus_of_cool.shtml\"><strong>Nick Lowe<\/strong>&#8216;s <em>Jesus of Cool<\/em><\/a>, a late 70s <strong>Kinks <\/strong>album or a late 80s <strong>Jazz Butcher<\/strong> album.<\/p>\n<p>And that&#8217;s merely six of <em>2020<\/em>&#8216;s ten tunes. The remaining four are every bit as delightful. Throughout the album, The Orange Peels navigate the narrow path between sugary pop and hooky riff-rock. Despite its being released at the tail-end of December 2009, the album made this reviewer&#8217;s <a href=\"http:\/\/blog.musoscribe.com\/?p=127\">list of top albums<\/a> of that year.<\/p>\n<p>It&#8217;s clear to see that <em>2020<\/em> is the best of both pop and rock worlds. As Allen Clapp says, happy listening.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Happy listening.&#8221; That was the message handwritten on a post-it from The Orange Peels&#8216; Allen Clapp. Owing to a slight mix-up in messaging, I ended up receiving a copy of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[51,65],"tags":[1626],"class_list":["post-145","post","type-post","status-publish","format-standard","hentry","category-pop","category-review","tag-orange-peels","cat-51-id","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=145"}],"version-history":[{"count":2,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/145\/revisions"}],"predecessor-version":[{"id":18196,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/145\/revisions\/18196"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=145"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}