{"id":13938,"date":"2018-01-15T05:30:32","date_gmt":"2018-01-15T10:30:32","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=13938"},"modified":"2018-01-15T06:38:50","modified_gmt":"2018-01-15T11:38:50","slug":"chris-cains-effortless-blues","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2018\/01\/15\/chris-cains-effortless-blues\/","title":{"rendered":"Chris Cain&#8217;s Effortless Blues"},"content":{"rendered":"<p>Modern-day bluesman Chris Cain grew up in San Jose, but his roots are in Tennessee. \u201cMy dad grew up in Memphis,\u201d he says. Cain has his own distinct musical style, but he readily admits to some of his influences. \u201cMy dad had a lot of really good records. B.B. King and Albert King; that kind of style was what I heard a lot in my house. When I was a teenager, he took me to see Albert King. And we <i>always<\/i> saw B.B. King.\u201d<\/p>\n<p>But as solid as those influences are, Cain&#8217;s music covers wider territory. One of the strongest tracks on <i>Chris Cain<\/i> \u2013 his 12<sup>th<\/sup> album \u2013 is the soulful \u201cTelltale Signs.\u201d It&#8217;s clearly the work of a man with a deep appreciation for the work of Ray Charles. \u201cWe saw him a bunch of times, too,\u201d Cain says. \u201cAnd even as a kid, I knew that was amazing stuff. I always loved the intimacy that Ray would have on those early records, where it\u2019s just almost like he\u2019s whispering in your ear.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13939\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2018\/01\/chris_cain.jpg\" alt=\"\" width=\"550\" height=\"367\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2018\/01\/chris_cain.jpg 550w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2018\/01\/chris_cain-300x200.jpg 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/p>\n<p>Cain originally hadn&#8217;t even planned to include \u201cTelltale Signs\u201d on the album. \u201cI was just at home, doing a kind of a love letter to my dad. It wasn\u2019t gonna be a record, and it was just stuff that I knew that he would dig.\u201d As a result of that approach, <i>Chris Cain<\/i> has an effortless feel. Recorded at San Jose&#8217;s famed Greaseland Studios, the album was recorded in a mere two days. \u201cWe just played each song, and that was the take,\u201d Cain says. \u201cIt was very easy and comfortable.\u201d<\/p>\n<p>Greaseland is run by producers Jim Pugh and Christoffer \u201cKid\u201d Anderson, both of whom play on Cain&#8217;s latest album. And Cain credits their involvement as a key to the album&#8217;s high quality. \u201cThe psychology of recording stuff is one where if you start thinking about what you\u2019re getting ready to record, people can stiffen up,\u201d he says. \u201cBut they make it relaxed. Kid gets it [recorded] without your thinking about it long enough to get stiff!\u201d<\/p>\n<p>The setup at Greaseland is nothing like a typical studio. \u201cIt\u2019s very loose,\u201d Cain says. \u201cThe grand piano\u2019s in the kitchen, and then there\u2019s Larry Taylor with his bass standing right there. The drums are in the living room. I just dug the whole thing; it&#8217;s something I\u2019ll never forget. I told them, &#8216;Just change the name to Funland,&#8217; because man, it\u2019s a gas.\u201d<\/p>\n<p>Cain had a method for knowing when a song was ready for inclusion on the album. \u201cI would gauge it by Kid&#8217;s and Jimmy&#8217;s reaction. If they reacted a certain way, I\u2019d say, &#8216;Oh, this is good.&#8217;\u201d And once the album&#8217;s ten songs were cut, Cain didn&#8217;t want to leave. \u201cI wanted to stay there and record for two <i>more<\/i> days,\u201d he says. \u201cKid would come out with these beautiful vintage guitars and say, &#8216;Here, use this one on this track.&#8217;\u201d<\/p>\n<p>As a multiple Grammy award winner, Jim Pugh has a long and esteemed musical career of his own. In 2014 he launched a nonprofit organization, the Little Village Foundation, dedicated to \u201cbring music from next door to the world.\u201d The Foundation&#8217;s label has released more than a dozen albums from as many artists; Cain&#8217;s is just the latest. Pugh nurtures the artists; \u201che\u2019s a beautiful cat,\u201d Cain says. \u201cHe seemed to really care about what I was playing, and he\u2019s done that with a lot of musicians around here.\u201d<\/p>\n<p>Thanks in part to the efforts of the Little Village Foundation, San Jose has earned a reputation as something of a blues mecca. But Cain points out that the blues isn&#8217;t something new to local musicians and fans. \u201cThey&#8217;ve always had a blues scene going on over near San Jose State, at a place called Ricardo&#8217;s.\u201d He notes that blues harpist Gary Smith has been a popular fixture on the local scene since the 1960s.<\/p>\n<p>Cain also mentions a nearly-forgotten player from the late 1950s. \u201cWhen I was a little kid, there was a San Jose blues guy, a cat named Nick Dusart. My dad used to go see him at a club somewhere. I want to try to find out some stuff about him. Because there was a local blues cat even back then, you know?\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Modern-day bluesman Chris Cain grew up in San Jose, but his roots are in Tennessee. \u201cMy dad grew up in Memphis,\u201d he says. Cain has his own distinct musical style, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13939,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[9,41,49],"tags":[3310],"class_list":["post-13938","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blues","category-interview","category-new-release","tag-chris-cain","cat-9-id","cat-41-id","cat-49-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=13938"}],"version-history":[{"count":2,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13938\/revisions"}],"predecessor-version":[{"id":13942,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13938\/revisions\/13942"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/13939"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=13938"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=13938"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=13938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}