{"id":13727,"date":"2017-12-17T05:30:15","date_gmt":"2017-12-17T10:30:15","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=13727"},"modified":"2017-11-30T08:47:58","modified_gmt":"2017-11-30T13:47:58","slug":"hundred-word-reviews-for-december-2017-reissues-compilations","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2017\/12\/17\/hundred-word-reviews-for-december-2017-reissues-compilations\/","title":{"rendered":"Hundred-word Reviews for December 2017: Reissues\/Compilations"},"content":{"rendered":"<p>Today I take quick looks \u2013 in the form of 100-word reviews \u2013 at ten newly-reissued and\/or compiled releases. There&#8217;s something for everyone \u2013 and lots for me \u2013 in this stack of discs.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13753\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/bell_cosmos.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/bell_cosmos.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/bell_cosmos-150x150.jpg 150w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/bell_cosmos-300x300.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Chris Bell \u2013 <\/b><i><b>I Am the Cosmos<\/b><\/i><i> <\/i>(Omnivore Recordings)<br \/>\nIn one sense, it&#8217;s beyond bizarre that the work of Chris Bell and Big Star has gotten the attention it has in recent years. It&#8217;s certainly well-deserved; this music should have gotten a wide hearing when it was new. In any event though Bell&#8217;s only solo album has been reissued before, this Omnivore 2CD set includes a number of previously-unheard tracks. This one&#8217;s a definitive release, and with it we&#8217;re (probably?) at the end of the line for unearthing Big Star-related material. Or then again, are we? Only Omnivore head honcho Cheryl Pawelski knows for sure. Either way, major kudos.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13752\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/looking_forward.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/looking_forward.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/looking_forward-150x150.jpg 150w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/looking_forward-300x300.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Various \u2013 <\/b><i><b>Looking Forward: The Roots of Big Star<\/b><\/i> (Omnivore Recordings)<br \/>\nThen again, there&#8217;s this. Actually, both this and the Bell title above are available on vinyl as part of a complete Chris Bell set (almost certainly out of stock by the time you read this). This set collects early material that often hints at the directions Bell, Alex Chilton and their associates would follow in the years that would follow. Most of these tracks have previously been available on scattered releases, but it&#8217;s nice having them all together. And damned if Omnivore hasn&#8217;t managed to dig up a few never-heard cuts as well. Alec Palao&#8217;s liner notes are excellent, too.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13751\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/gentlegiant_3piece.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/gentlegiant_3piece.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/gentlegiant_3piece-150x150.jpg 150w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/gentlegiant_3piece-300x300.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Gentle Giant \u2013 <\/b><i><b>Three Piece Suite<\/b><\/i> (Alucard)<br \/>\nThis is a somewhat curious release. Alucard \u2013 the Gentle Giant guys&#8217; own label \u2013 has released some excellent reissued\/remastered\/remixed versions of the prog legends&#8217; classic album, featuring deft work by progressive music&#8217;s modern-day hero Steven Wilson. This new set repackages some of that in various ways. The CD features Wilson remixes and cherry-picks tracks from the group&#8217;s first three albums (the elf-titled debut, <i>Acquiring the Taste<\/i> and <i>Three Friends<\/i>). The Blu-ray serves up the same, adding demo versions, instrumental remixes and original mixes in high-definition stereo. There&#8217;s enough new-to-us material here to make it essential, but for diehards only.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13750\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/rain_parade.jpg\" alt=\"\" width=\"350\" height=\"348\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/rain_parade.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/rain_parade-150x150.jpg 150w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/rain_parade-300x298.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>The Rain Parade \u2013 <\/b><i><b>Emergency Third Rail Power Trip \/ Explosions in the Glass Palace<\/b><\/i> (Real Gone Music)<br \/>\nRain Parade was part of the 1980s \u201cPaisley Underground\u201d scene in Los Angeles. And while the group&#8217;s album and EP titles were a bit misleading (there are no explosions; the music is laid-back trippy, only occasionally rocking hard), there&#8217;s no denying the quality of Rain Parade&#8217;s music. \u201cLook at Merri\u201d has a deceptively primitive electric guitar solo, but I for one find it transcendent. And \u201cKaledescope\u201d distills everything that was special about &#8217;60s psych, recasting it in a manner that appealed to &#8217;80s listeners. Ripe for rediscovery, this. My pal Pat Thomas does an ace job on the liner notes.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13748\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/artpepper5.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/artpepper5.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/artpepper5-150x150.jpg 150w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/artpepper5-300x300.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Art Pepper \u2013 <\/b><i><b>West Coast Sessions ! Vol. 5: Jack Sheldon<\/b><\/i> (Omnivore Recordings)<br \/>\nWorking closely with the jazz great&#8217;s widow Laurie Pepper, Omnivore has been releasing a steady stream of Art Pepper albums, all originally released under different titles (and credited to other artists) and available only overseas. Fans of &#8217;50s and &#8217;60s jazz are sure to love these titles, even though they were mostly recorded much later than that (1980, actually). This set with trumpeter Jack Sheldon as the putative head is excellent, uptempo West Coast jazz. Listen in particular to pianist Milcho Leviev&#8217;s work throughout the seven-tune set. This Omnivore release includes four bonus tracks, one previously unissued in any form.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13747\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/artpepper6.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/artpepper6.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/artpepper6-150x150.jpg 150w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/artpepper6-300x300.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Art Pepper \u2013 <\/b><i><b>West Coast Sessions ! Vol. 6: Shelly Manne<\/b><\/i> (Omnivore Recordings)<br \/>\nOriginally released in 1981 under the title <i>Hollywood Jam<\/i>, this set was credited to drummer Shelly Manne \u201cand his Hollywood Allstars.\u201d Like the above set, it sounds nothing at all like the prevailing lite-jazz of the &#8217;80s, and for that we must be thankful. The sextet positively swings and blows on six tunes (plus an alternate take of \u201cI&#8217;m Getting Sentimental Over You\u201d). Monty Budwig&#8217;s upright bass is wonderfully kinetic, and Manne is in top form as well. As you&#8217;d expect\/demand, everyone here shines. I have no idea how many of these uncredited-as-leader sets Art Pepper did; keep &#8217;em coming.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13749\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/golliwogs.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/golliwogs.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/golliwogs-150x150.jpg 150w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/golliwogs-300x300.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>The Golliwogs \u2013 <\/b><i><b>Fight Fire<\/b><\/i> (Craft Recordings)<br \/>\nAs serious fans of Creedence Clearwater Revival will doubtless know, CCR was originally fronted not by guitarist John Foegerty, but by his brother Tom. Then known as Golliwogs, the group was kitted out in ridiculous outfits that would put Sonny Bono to shame. And while hints of the CCR \u201csound\u201d that would eventually emerge can be heard on these 23(!) tunes, the songs display the band&#8217;s grittier side. John Fogerty&#8217;s songwriting is still developing, but the oft-overlooked virtues of the band&#8217;s superb rhythm section (childhood and lifelong friends Doug Clifford and Stu Cook) is on full display. A must-have collection.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13746\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/jerry_yester.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/jerry_yester.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/jerry_yester-150x150.jpg 150w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/jerry_yester-300x300.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Jerry Yester \u2013 <\/b><i><b>Pass Your Light Around<\/b><\/i> (Omnivore Recordings)<br \/>\nCurrent appearances in news headlines notwithstanding, Jerry Yester is noteworthy in pop music of the 1960s and &#8217;70s. A late-period member of the Lovin&#8217; Spoonful, he was key to some successful recording made by Tim Buckley, and was half of the duo that made the peerless <i>Farewell Aldebaran<\/i>. This set collects 15 previously-unreleased tracks that show Yester had more good musical ideas than he had outlets for. His brand of country rock \u2013 as on the irresistibly charming \u201cMy Dusty Darling\u201d is a kind of poppier rethink of Poco, and he does a credible Beach Boys pastiche on \u201cBrooklyn Girl.\u201d<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13745\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/maze_armageddon.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/maze_armageddon.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/maze_armageddon-150x150.jpg 150w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/maze_armageddon-300x300.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>The Maze \u2013 <\/b><i><b>Armageddon<\/b><\/i> (Sundazed)<br \/>\nOriginal vinyl copies of this fuzz-drenched acid rock record change hands for no less than $95, and three labels have seen fit to reissue this 1969 disc. Sundazed is the newest and the one to get, as it&#8217;s official\/legit. The music is sometimes suffused with a downer vibe, echoing the darker side of psychedelia: mournful organs and whatnot. Stylistically the Maze are halfway between the Doors and C.A. Quintet, with a dose (!) of Blue Cheer. The record&#8217;s occasional pop moments (\u201cHappiness\u201d) seem a little out of place, but \u201cWhispering Shadows\u201d sounds like the best Iron Butterfly tune never released.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13744\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/nhodd_childrn.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/nhodd_childrn.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/nhodd_childrn-150x150.jpg 150w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/11\/nhodd_childrn-300x300.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Neighb&#8217;rhood Childr&#8217;n \u2013 <\/b><i><b>Neighb&#8217;rhood Childr&#8217;n<\/b><\/i> (Sundazed)<br \/>\nAnnoying spelling and oddly familiar typeface notwithstanding, this obscurity from 1968 is as fine a previously-unknown release as you&#8217;re likely to discover. Other than Jefferson Airplane hard-rocking gorups with women were a rarity in that era, but Dyan Hoffman is more than qualified; her icy vocals are top-notch, and her keyboard work on the record is just right, especially the hypnotic trilling on \u201cLong Years in Space.\u201d There&#8217;s a hall-of-mirrors ambience throughout, evocative of horror films and sci-fi, but it&#8217;s really a down-to-earth collection of fine songs. This is quite possibly one of the best unknown recordings of its era.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today I take quick looks \u2013 in the form of 100-word reviews \u2013 at ten newly-reissued and\/or compiled releases. There&#8217;s something for everyone \u2013 and lots for me \u2013 in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13744,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[19,33,42,56,57,62,64,65],"tags":[232,307,519,893,3282,2886,3280,2864,2548,1796,2086,3281],"class_list":["post-13727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-compilation","category-garage","category-jazz","category-prog","category-psych","category-rawk","category-reissue","category-review","tag-art-pepper","tag-big-star","tag-chris-bell","tag-gentle-giant","tag-golliwogs","tag-jerry-yester","tag-neighbrhood-childrn","tag-onmivore-recordings","tag-rain-parade","tag-real-gone-music","tag-sundazed","tag-the-maze","cat-19-id","cat-33-id","cat-42-id","cat-56-id","cat-57-id","cat-62-id","cat-64-id","cat-65-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=13727"}],"version-history":[{"count":3,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13727\/revisions"}],"predecessor-version":[{"id":13755,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13727\/revisions\/13755"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/13744"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=13727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=13727"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=13727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}