{"id":13402,"date":"2017-11-13T05:30:03","date_gmt":"2017-11-13T10:30:03","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=13402"},"modified":"2017-10-09T10:27:21","modified_gmt":"2017-10-09T14:27:21","slug":"war-50-years-on-still-making-friends","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2017\/11\/13\/war-50-years-on-still-making-friends\/","title":{"rendered":"War: 50 Years On, Still Making Friends"},"content":{"rendered":"<p>Multiracial American funk band War got its start backing British singer Eric Burdon, formerly of the Animals. \u201cSpill the Wine\u201d from 1970&#8217;s <i>Eric Burdon Declares \u201cWar\u201d<\/i> effectively captured the zeitgeist of the era: a brotherly-love hippie ethos that was as sexy as it was hopeful. Though the group parted ways with Burdon after two albums, War&#8217;s distinctive Latin-funk-soul vibe continued to reap dividends. Hits like \u201cThe Cisco Kid,\u201d \u201cWhy Can&#8217;t We Be Friends?\u201d and \u201cLow Rider\u201d only scratched the surface; War&#8217;s fifth release, <i>The World is a Ghetto<\/i> was 1973&#8217;s top-selling album.<\/p>\n<p>War&#8217;s impressive run of pop hits ended in the 1980s, but the group would continue to score singles on the R&amp;B charts well into the mid &#8217;90s. Inevitably, the classic lineup would splinter; today only keyboardist-vocalist Lonnie Jordan remains from the original group (though three other band members have been with War for at least fifteen years).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/10\/war.jpg\" alt=\"\" width=\"550\" height=\"269\" class=\"aligncenter size-full wp-image-13403\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/10\/war.jpg 550w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/10\/war-300x147.jpg 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/p>\n<p>The group has long exemplified peace and love in songs like \u201cWhy Can&#8217;t We Be Friends?\u201d Against that backdrop, the name War seems an odd choice. Jordan explains how it came about while the then-unnamed band was in Tokyo, with its manager at the time, Steve Gold. \u201cSteve was talking with a promoter; we were walking behind them in this alley,\u201d he recalls. \u201cWe all had our bell bottoms and afros, and I guess were kind of loud. So Steve turned around and looked at us and said, &#8216;Wow! You guys look like you just came off a battlefield!&#8217; And then the idea flashed in his head: War!\u201d<\/p>\n<p>Jordan says that at first, he and his band mates thought the name was too radical, especially in 1970 when the U.S. military was still deeply entrenched in the Vietnam conflict. \u201cBut Jerry knew \u2013 and we eventually realized \u2013 that the music we were creating had a lot to do with rebelling against war,\u201d he says. Jordan believes that with its music, the band was \u201cactually fighting a war <i>against<\/i> war.\u201d<\/p>\n<p>Today War bills itself as \u201cthe original Afro-Cuban jazz rock blues band.\u201d And while that&#8217;s an unwieldy label, it&#8217;s accurate. Jordan says that the band&#8217;s pan-cultural musical approach is central to its appeal. \u201cIt was definitely a part of our success to &#8216;the street,&#8217;\u201d he says, because War makes \u201cuniversal street music.\u201d<\/p>\n<p>Jordan admits that even in the anything-goes musical culture of the early &#8217;70s, a band casting such a wide musical net did face some challenges. \u201cIt did generate a problem as far as trying to get awards or anything like that,\u201d he says. \u201cBecause a lot of the people that were involved in award give-outs back in those days didn&#8217;t understand our category!\u201d<\/p>\n<p>But awards aren&#8217;t the way in which War measures its success. \u201cWe kept our fan base,\u201d Jordan says. And he&#8217;s proud that War&#8217;s legion of fans draws from many cultures. That means that even now \u2013 47 years after releasing its first record \u2013 War can entertain most any kind of audience. Jordan mentions sharing bills over the years with Little Feat and the Beach Boys. \u201cAnd then we can do a \u201cLow Rider\u201d show for a Latino audience, \u201cfollowed by a gig at a reggae festival!\u201d<\/p>\n<p>For Jordan, beholding the diversity of War&#8217;s audience is the most rewarding thing about playing in the band for all these years. He says he loves to see \u201cthose beautiful smiles, the old \u2013 not <i>too<\/i> old \u2013 blended in with the young, and they&#8217;re singing along to our music.\u201d He admits that sometimes the younger people in War&#8217;s audience aren&#8217;t as familiar with the band, so they look up the group on Google. \u201cAnd then they say, \u201cOh, that&#8217;s <i>them<\/i>!\u201d Jordan says with a laugh. <\/p>\n<p>And he insists that playing for audiences in 2017 isn&#8217;t all that different than it was in 1970. \u201cIt&#8217;s the same as it was back in the day,\u201d Jordan says, \u201cexcept that I&#8217;m having more fun than I did then. Because \u2013 I have to admit it \u2013 back then, I was high.\u201d As a result, he says, a lot of important things escaped his notice. \u201cI didn&#8217;t acknowledge the greatness that was around me. But now I do, and I feel blessed.\u201d <\/p>\n<p>After all these years, the secret to War&#8217;s longevity is simple: \u201cWe&#8217;re having fun with each other,\u201d Jordan says. \u201cAnd when our fans see us happy, then <i>they&#8217;re<\/i> happy. And that&#8217;s why I always say at the end of the show, &#8216;Thank you for being our rock and roll hall of fans.&#8217;\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Multiracial American funk band War got its start backing British singer Eric Burdon, formerly of the Animals. \u201cSpill the Wine\u201d from 1970&#8217;s Eric Burdon Declares \u201cWar\u201d effectively captured the zeitgeist [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13403,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[31,41,42,62],"tags":[3193],"class_list":["post-13402","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-funk","category-interview","category-jazz","category-rawk","tag-war","cat-31-id","cat-41-id","cat-42-id","cat-62-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=13402"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13402\/revisions"}],"predecessor-version":[{"id":13404,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13402\/revisions\/13404"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/13403"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=13402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=13402"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=13402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}