{"id":13370,"date":"2017-10-11T05:30:17","date_gmt":"2017-10-11T09:30:17","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=13370"},"modified":"2025-10-31T08:01:03","modified_gmt":"2025-10-31T12:01:03","slug":"marbin-flight-or-flight","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2017\/10\/11\/marbin-flight-or-flight\/","title":{"rendered":"Marbin: Fight or Flight"},"content":{"rendered":"<p>A cynic might say that the defining characteristic of jazz-rock fusion is that it pleases neither the jazz fan nor the rock aficionado. But after a few years playing together in <b>Marbin<\/b>, guitarist <b>Dani Rabin<\/b> and saxophonist Danny Markovitch found that they had become a fusion band. And the group&#8217;s success puts the lie to the idea that fusion can&#8217;t be both adventurous and accessible. In support of its sixth and latest release, <i>Goatman and the House of the Dead<\/i>, Marbin plays the Asheville Music Hall June 30.<\/p>\n<p>The Chicago-based band came together by chance. Markovitch and Rabin met in 2007 in Israel; Rabin had recently graduated from Berklee College of Music in Boston, and Markovitch had just finished Israeli military service. The two had been hired for a studio session with a drummer. \u201cBut the guy got food poisoning,\u201d and didn&#8217;t show up, Rabin recalls. With the studio already booked, Rabin and Markovitch decided to play and record without the drummer. The music they made together was mostly \u201cfree improvisation,\u201d Rabin says. The named the new project Marbin, based on a combination of their surnames.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13371\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/10\/marbin.jpg\" alt=\"\" width=\"550\" height=\"418\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/10\/marbin.jpg 550w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/10\/marbin-300x228.jpg 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/p>\n<p>Shortly after following some musical opportunities that took them to Chicago, the earliest lineup of the group fell apart. Now down to a duo, Rabin says he and Markovitch \u201cstarted doing our own thing; we kept writing together.\u201d Their self-titled debut album was released in 2009. Rabin describes that early effort as \u201clots of loops and texture, but not really fusion.\u201d<\/p>\n<p>The pair had some trouble adjusting to Chicago weather. \u201cIt was so cold, and we were sick of going out in the winter,\u201d Rabin says. \u201cSo we decided we were going to throw shows at home, and have the audience come to us.\u201d At one of those house concerts, a friend of a friend showed up. His name was Leonardo Pavkovic, owner of jazz\/progressive record label MoonJune, and then manager of legendary fusion guitarist Allan Holdsworth. Rabin recalls that Pavkovic loved their music, and wanted to release Marbin&#8217;s next album.<\/p>\n<p>But there was a catch. \u201cHe told us that in the States, you don&#8217;t have a chance if you don&#8217;t play with drums,\u201d Rabin says with a laugh. \u201cBecause people need to have this music banged into their heads.\u201d They took Pavkovic&#8217;s advice, adding a drummer and releasing <i>Breaking the Cycle<\/i> in 2011. In support of that release, Marbin started a full-time touring schedule. \u201c300 days a year,\u201d Rabin says. \u201cAnd we&#8217;re still doing that.\u201d<\/p>\n<p>Along the way, the band discovered that Pavkovic&#8217;s instincts about adding a drummer were spot-on. \u201cWe play at such an intensity and a volume that people have the choice of staying or running away,\u201d says Rabin. \u201cYou can&#8217;t have people there talking. You have to put them in a fight-or-flight mode.\u201d<\/p>\n<p>By the time Marbin released its third album, 2013&#8217;s <i>Last Chapter of Dreaming<\/i>, the band had become a four-piece, and the music had developed a distinctly jazz-rock fusion character. Rabin says that his electric guitar tone is off-putting to jazz purists. \u201cIt&#8217;s very saturated, and that comes from the rock side of things,\u201d he says. Rabin says that his guitar style and tone doesn&#8217;t please jazz fans who love Miles Davis. \u201cThey didn&#8217;t even like it\u201d when Davis played with guitarists like John McLaughlin, Rabin says.<\/p>\n<p>Besides, Rabin says, \u201cI don&#8217;t think there is such a thing as a jazz audience anymore.\u201d He characterizes Marbin&#8217;s fan base as an eclectic mix. \u201cWe have bikers, we have hippies. We have some jazz fusion people, prog people \u2026 really, a collection of everybody,\u201d he says.<\/p>\n<p>Rabin is nonplussed when asked how his and Markovitch&#8217;s Israeli identity manifests itself in Marbin&#8217;s music. \u201cIt might be a little Jew-y?\u201d he offers with a chuckle. \u201cThere&#8217;s probably a little bit more European stuff in there. We&#8217;re Israeli, but in all fairness my family was in Israel for [only] 50 years,\u201d he points out. \u201cBefore that, we took a 2000 year break in Europe.\u201d He says that he can&#8217;t control the outcome when he sits down to write a song. \u201cThere&#8217;s only one way to write music,\u201d Rabin says. \u201cYou&#8217;ve got to ask yourself, &#8216;What is good?&#8217; and then see what&#8217;s in there.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A cynic might say that the defining characteristic of jazz-rock fusion is that it pleases neither the jazz fan nor the rock aficionado. But after a few years playing together [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13371,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41,42,56],"tags":[1393],"class_list":["post-13370","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","category-jazz","category-prog","tag-marbin","cat-41-id","cat-42-id","cat-56-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=13370"}],"version-history":[{"count":2,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13370\/revisions"}],"predecessor-version":[{"id":30280,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13370\/revisions\/30280"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/13371"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=13370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=13370"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=13370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}