{"id":13317,"date":"2017-09-30T05:30:38","date_gmt":"2017-09-30T09:30:38","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=13317"},"modified":"2017-09-27T10:31:16","modified_gmt":"2017-09-27T14:31:16","slug":"eric-johnson-a-man-and-his-guitar","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2017\/09\/30\/eric-johnson-a-man-and-his-guitar\/","title":{"rendered":"Eric Johnson: A Man and His Guitar"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13318\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/09\/ericjohnson2.jpg\" alt=\"\" width=\"350\" height=\"525\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/09\/ericjohnson2.jpg 350w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/09\/ericjohnson2-200x300.jpg 200w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Guitarist Eric Johnson made his name as an electric guitarist; his work on early albums like 1986&#8217;s <i>Tones<\/i> and <i>Ah Via Musicom<\/i> (from 1990) established him as one of the best and most respected guitar soloists of his generation. But the Texas-born musician has always been about more than the electric guitar. His love of \u2013 and dazzling facility on \u2013 the acoustic guitar is showcased on <i>EJ<\/i>, his ninth and most recent studio release. Johnson is currently touring in support of that album, and his shows feature only him, an acoustic guitar, and a piano.<\/p>\n<p>Johnson acknowledges that there are obvious similarities between electric and acoustic guitars. But he says that when he picks up an acoustic, \u201cmy approach is pretty different than how I approach the electric guitar.\u201d His goal on the acoustic instrument is to \u201corchestrate to where it&#8217;s as much a complete musical picture as it can be.\u201d<\/p>\n<p>Early after his breakout success, Johnson earned a reputation as a meticulous and painstaking perfectionist; there have routinely been five- and six-year gaps between his album releases. But the straightforward and unadorned aesthetic of <i>EJ<\/i> \u2013 a man and his guitar, with an occasional spot of piano \u2013 meant that the sessions went much more quickly than Johnson&#8217;s customary way of working. \u201cThere was very little &#8216;production&#8217; involved,\u201d Johnson explains. \u201cIt was just a matter of me getting the take.\u201d The sessions \u2013 scheduled in between the guitarist&#8217;s other activities and commitments \u2013 were completed over the course of five or six months.<\/p>\n<p>And the more streamlined process of <i>EJ<\/i> just might point the way toward Johnson&#8217;s future. He says he had been getting bored with the modern way of making records, using ProTools and assembling the songs note by note. \u201cIt was becoming a dead-end street to me,\u201d he says. \u201cI started thinking, &#8216;You know, I just want more life \u2013 more heart and more soulfulness \u2013 in what I do.&#8217;\u201d<\/p>\n<p>Even relatively simple studio techniques like overdubbing are conspicuous in their absence on <i>EJ<\/i>. The only overdubbing on the album is on tracks where Johnson plays both guitar and piano. \u201cOf course I did do that duet with Doyle Dykes, &#8216;The World is Waiting for the Sunrise,&#8217;\u201d Johnson points out. \u201cBut [otherwise] it&#8217;s just solo guitar.\u201d<\/p>\n<p>Longtime fans who treasure Johnson&#8217;s melodic shredding on tunes like the Grammy Award-winning \u201cCliffs of Dover\u201d may have to adjust their thinking a bit to appreciate the non-electric nature of his current album and supporting tour. And Johnson admits the the audiences and venues he&#8217;s playing on the solo dates are smaller than on his electric tours. \u201cIt&#8217;s a switch,\u201d he concedes. \u201cAnd it&#8217;s up to me to grow it and stick with it.\u201d But he believes he&#8217;s gaining new live concert fans in the process. \u201cI&#8217;m getting a lot of people that, actually, I would not get on an electric date,\u201d he says.<\/p>\n<p>The shows in support of <i>EJ<\/i> aren&#8217;t all new material; Johnson digs into his back catalog and has developed solo acoustic arrangements of some of his best-loved songs. \u201cThere are a couple songs off <i>Ah Via Musicom<\/i> I do,\u201d he says. The set includes tunes from <i>Tones<\/i>, too, and even one from the guitarist&#8217;s 1978 debut album, <i>Seven Worlds<\/i>. \u201cI do a couple of Simon &amp; Garfunkel tunes,\u201d Johnson says, \u201cand I do some stuff that I want to try to record on a Volume 2 acoustic record.\u201d He says that he has already written enough new material for that as-yet-unrecorded album.<\/p>\n<p>Johnson stresses that he hasn&#8217;t forsaken the electric guitar for good. He believes that he&#8217;s learning a lot about his chosen instrument as he plays the acoustic dates, and that what he learns can inform his future work, whether it&#8217;s plugged-in or not. \u201cThere&#8217;s a lot of stuff I can take with me back to the electric guitar,\u201d he says.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guitarist Eric Johnson made his name as an electric guitarist; his work on early albums like 1986&#8217;s Tones and Ah Via Musicom (from 1990) established him as one of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13318,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41,62],"tags":[788],"class_list":["post-13317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","category-rawk","tag-eric-johnson","cat-41-id","cat-62-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=13317"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13317\/revisions"}],"predecessor-version":[{"id":13319,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/13317\/revisions\/13319"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/13318"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=13317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=13317"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=13317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}