{"id":12741,"date":"2017-05-22T05:30:58","date_gmt":"2017-05-22T09:30:58","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=12741"},"modified":"2017-05-22T07:22:00","modified_gmt":"2017-05-22T11:22:00","slug":"the-zombies-a-half-century-odessey","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2017\/05\/22\/the-zombies-a-half-century-odessey\/","title":{"rendered":"The Zombies: A Half-century ‘Odessey’"},"content":{"rendered":"

During 1967’s so-called Summer of Love, the Zombies began recording what would be their defining work, the critically-acclaimed album Odessey and Oracle<\/i> [sic]. But on its release, the record performed disappointingly on the charts in America as well as in the band’s native England. \u201cWhen we recorded it, there was no commercial success with this album at all,\u201d recalls vocalist Colin Blunstone. The Zombies would soon break up, having never toured in support of the album.<\/p>\n

That could have been the end of the story for the Zombies. Its two leading members \u2013 Blunstone and keyboardist Rod Argent \u2013 would go on to successful solo careers, while the band’s other members followed their own (sometimes non-musical) paths. But all remained on good terms; unlike many other rock groups, the Zombies didn’t dissolve in acrimony.<\/p>\n

\"\"<\/p>\n

The seeds of a reunion were planted 17 years ago, says Argent. \u201cColin and I got back together around the year 2000, but we only ever meant to do half a dozen gigs for fun.\u201d But those shows in Great Britain were successful, and momentum began to build. The next step was to try an American tour.<\/p>\n

That would initially prove more of an uphill climb. While they drew large and enthusiastic crowds in New York City and Los Angeles, Argent says that \u201cas soon as we got outside of the posts, we played for just handfuls of people. But we built that up, same as we did in the U.K.\u201d Songs from Odessey and Oracle<\/i> \u2013 especially \u201cTime of the Season,\u201d a hit single more than a year after its 1968 release \u2013 were among the most popular in the reactivated group’s set.<\/p>\n

During that time, the group had resumed using the Zombies name, but the band was Argent and Blunstone plus newer members (including Jim Rodford, a longtime member of Argent’s eponymous 1970s group and and a long-term member of the Kinks). The Zombies’ original bassist Chris White was a frequent attendee at the shows in England. Argent recalls what White said to him after a 2008 show. \u201cDo you realize that we broke up when we had never, ever played that material from start to finish? Why don’t we do it, because it’s 40 years since the release of the album.\u201d<\/p>\n

Argent and Blunstone agreed, and contacted the band’s other surviving original member, drummer Hugh Grundy (guitarist Paul Atkinson passed away in 2004). Grundy quickly agreed to participate in a live performance of Odessey and Oracle<\/i>. But Argent set the standard quite high: \u201cIt would be great,\u201d he told his band mates, \u201cbut only if we reproduce every single note that’s on the original album.\u201d O&O<\/i> is a richly layered, multi-tracked album on a par with the Beach Boys’ Pet Sounds<\/i> and the Beatles’ Sgt. Pepper<\/i>, two other landmark mid-1960s records.<\/p>\n

Modern technology would make Argent’s goal possible. With a small coterie of auxiliary musicians (including White’s wife Viv on vocals, and Darian Sahanaja from Brian Wilson’s band), the Zombies prepared for the show. \u201cWe had a couple of rehearsals around the piano, and we had two days production rehearsal with Darian and everyone,\u201d Argent recalls, \u201cand that was it.\u201d The show at Shepherd’s Bush in London was a rousing success, and the performance was released on DVD.<\/p>\n

After that show, the current-day lineup of the Zombies resumed recording and touring; in 2015 the band released the critically-favored Still Got That Hunger<\/i>. But with the 50th<\/sup> anniversary of the making of Odessey and Oracle<\/i> approaching in 2017, the original lineup decided to reunite once more. \u201cBut this will probably be the last time,\u201d says Blunstone. \u201cI think there’s a uniqueness and a specialness about this album, and we don\u2019t want to lose that by keep playing it.\u201d<\/p>\n

Each show is split in two: for the first half, the ’60s lineup performs Odessey and Oracle<\/i> start to finish. After a break, Argent and Blunstone return with the current-day band to play the Zombies’ other hits and newer material.<\/p>\n

For his part, Blunstone \u2013 who at age 71 still has as strong and clear a voice as ever \u2013 is having the time of his life. \u201cNeither Rod nor I thought that we would be playing live at this time in our lives,\u201d he says with a smile. And even as complete performances of Odessey and Oracle<\/i> will end, the Zombies will continue. \u201cWe’re going to be working intensely this year with the tour,\u201d Argent says, \u201cbut we look forward to doing another album.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

During 1967’s so-called Summer of Love, the Zombies began recording what would be their defining work, the critically-acclaimed album Odessey and Oracle [sic]. But on its release, the record performed […]<\/p>\n","protected":false},"author":1,"featured_media":12742,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41,51,62],"tags":[562,1872,2430],"class_list":["post-12741","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","category-pop","category-rawk","tag-colin-blunstone","tag-rod-argent","tag-zombies","cat-41-id","cat-51-id","cat-62-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/12741","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=12741"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/12741\/revisions"}],"predecessor-version":[{"id":12743,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/12741\/revisions\/12743"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/12742"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=12741"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=12741"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=12741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}