{"id":12592,"date":"2017-04-20T05:30:37","date_gmt":"2017-04-20T09:30:37","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=12592"},"modified":"2017-04-19T17:50:45","modified_gmt":"2017-04-19T21:50:45","slug":"alejandro-escovedo-continues-his-musical-exploration","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2017\/04\/20\/alejandro-escovedo-continues-his-musical-exploration\/","title":{"rendered":"Alejandro Escovedo Continues His Musical Exploration"},"content":{"rendered":"<p>Throughout the course of his long and musically varied career, Alejandro Escovedo has explored many musical forms: punk, country, rock and more. In 1998 influential music magazine <i>No Depression<\/i> named him its Artist of the Decade. And while his recent string of albums featured him working closely with celebrated producer Tony Visconti, for 2016&#8217;s <i>Burn Something Beautiful<\/i>, Escovedo did what he&#8217;s done countless time in his career: changed direction.<\/p>\n<p>\u201cTony&#8217;s the kind of producer that inspires you to go beyond your own kind of self-imposed limitations,\u201d Escovedo says. \u201cHe finds something in you that you really didn&#8217;t know even existed, and he nourishes that.\u201d Still, after three albums with Visconti, Escovedo hooked up with some new collaborators: Scott McCaughey (Young Fresh Fellows, Minus 5) and former R.E.M. guitarist Peter Buck.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12595\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/04\/alejandro_escovedo.jpg\" alt=\"\" width=\"500\" height=\"334\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/04\/alejandro_escovedo.jpg 500w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/04\/alejandro_escovedo-300x200.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>Both Buck and McCaughley \u2013 as well as band members Kurt Bloch (Fastbacks) and John Moen (the Decemberists) \u2013 live in the Pacific Northwest; that region&#8217;s enduring reputation for hard-edged rocking informs <i>Burn Something Beautiful<\/i>. \u201cI don&#8217;t think I could have made this record in any other location than in Portland, Oregon with those guys,\u201d Escovedo says. \u201cThey brought that Northwestern fuzziness and distortion, in-your-face guitars, and an adventurous spirit that I love very much.\u201d<\/p>\n<p>The studio band is touring, too, so concertgoers can expect that razor-wire rocking vibe live onstage as well. \u201cI have rocked in bands before,\u201d Escovedo says, \u201cbut I don&#8217;t think I&#8217;ve made a record [as] raw and visceral since Buick MacKane\u201d (<i>The Pawn Shop Years, <\/i>1997).<\/p>\n<p>But there&#8217;s more to the new record than just hard rock. Escovedo believes that <i>Burn Something Beautiful<\/i> \u201cdefines everything I&#8217;ve ever loved about rock and roll. I can hear Mott the Hoople in it; I can hear Bowie. I can hear Brian Eno. I can hear all the things that I&#8217;ve always loved.\u201d He says that Buck and McCaughey \u2013 with whom he co-produced and co-wrote all of the songs \u2013 \u201care very good at helping me exploit those areas without over-producing; they don&#8217;t get in the way of the song.\u201d<\/p>\n<p>Health scares, a major hurricane and relocation from his longtime home of Austin, Texas all left their marks on Escovedo, whose emotionally straightforward work has always tackled personal and universal issues. There&#8217;s more than a hint of resignation and regret in a tune like \u201cFarewell to the Good Times,\u201d but the new album is generally upbeat.<\/p>\n<p>And while <i>Burn Something Beautiful<\/i> isn&#8217;t overtly political, the issues of the day are never far from Escovedo&#8217;s thoughts. He mentions two songs from his catalog \u2013 both co-writes with Chuck Prophet \u2013 that he says \u201capply to what&#8217;s going on today. There&#8217;s one called &#8216;Can&#8217;t Make Me Run,&#8217; and another, &#8216;Sally Was a Cop.&#8217;\u201d Both songs deal with the United States&#8217; border with Mexico, as do \u201cWave\u201d and \u201cBallad of the Sun and the Moon,\u201d songs about Escovedo&#8217;s father crossing that border many years ago.<\/p>\n<p>Escovedo also cites a 2000 stage play with which he was involved, <i>By the Hand of the Father<\/i>. \u201cIt&#8217;s the story of five different men who were born at the turn of the century in Mexico,\u201d he says. \u201cAnd it chronicles their journey across the border, all the jobs that they had to do in order to survive, and the families that they created and established in different parts of the southwest.\u201d The play is notable as the first theatrical work broadcast on the customarily concert-focused <i>Austin City Limits<\/i>.<\/p>\n<p>\u201cI&#8217;d like to bring that play back now,\u201d Escovedo says, \u201cin order to address the immigration problem that&#8217;s happening as a result of having a fascist as the President.\u201d His creation of original music for that play and his approach to song lyrics \u2013 on 15 solo albums and various collaborations \u2013 illustrate his love of storytelling. \u201cI love narrative,\u201d he says, \u201cand I like musical exploration.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Throughout the course of his long and musically varied career, Alejandro Escovedo has explored many musical forms: punk, country, rock and more. In 1998 influential music magazine No Depression named [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12595,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41,49,62],"tags":[155],"class_list":["post-12592","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","category-new-release","category-rawk","tag-alejandro-escovedo","cat-41-id","cat-49-id","cat-62-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/12592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=12592"}],"version-history":[{"count":3,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/12592\/revisions"}],"predecessor-version":[{"id":12596,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/12592\/revisions\/12596"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/12595"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=12592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=12592"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=12592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}