{"id":12528,"date":"2017-04-06T05:30:47","date_gmt":"2017-04-06T09:30:47","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=12528"},"modified":"2017-03-22T12:12:01","modified_gmt":"2017-03-22T16:12:01","slug":"empire-strikes-brass-everyone-loves-a-parade","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2017\/04\/06\/empire-strikes-brass-everyone-loves-a-parade\/","title":{"rendered":"Empire Strikes Brass: Everyone Loves a Parade"},"content":{"rendered":"<p>Empire Strikes Brass managed quite a feat in its first five years as a group. The 10-plus-piece band\u00a0worked diligently on a grassroots level, playing benefits and street festivals, and became a household name in its hometown of Asheville without releasing an album. When the group finally entered the studio it recorded not one but two albums. Empire Strikes Brass will celebrate the release of the first of those \u2014 the aptly-named <em>Theme for a Celebration<\/em> \u2014 with a Saturday, Feb. 25, show at Isis Music Hall.<\/p>\n<p>The band came together in 2012 almost by accident, according to saxophonist <strong>Pauly Juhl<\/strong>. \u201cA friend&#8217;s sister was getting married,\u201d he recalls, \u201cand she wanted a New Orleans-style brass band for her rehearsal dinner. My friend asked me if I could put a group together, and said, \u2018Here&#8217;s a thousand bucks.\u2019<\/p>\n<p>\u201cI was like, \u2018I can make <em>anything<\/em> happen for $1,000,\u2019\u201d Juhl says with a laugh. He assembled a five-piece group, and the ostensible one-off gig was a success.<\/p>\n<p>\u201cWe were really inspired,\u201d Juhl says. \u201cSo we tried to get as many musicians as possible together, just to see what came of it.\u201d The initial plan was to play street marches, but when the musicians contacted their friends in Yo Mama&#8217;s Big Fat Booty Band, things quickly went to the next level.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12529\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/03\/empire_strikes_brass.jpg\" alt=\"\" width=\"500\" height=\"313\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/03\/empire_strikes_brass.jpg 500w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/03\/empire_strikes_brass-300x188.jpg 300w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2017\/03\/empire_strikes_brass-200x125.jpg 200w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>The Booty Band was finishing its set, at what would turn out to be the final Bele Chere Festival, in 2013. \u201cWe gathered in the middle of the crowd,\u201d Juhl remembers, \u201cand as soon as they finished, we fired up and paraded over to the Asheville Music Hall, taking the crowd with us.\u201d<\/p>\n<p>Around that time, another friend asked the all-brass band to play <em>his<\/em> wedding. \u201cHe asked if maybe we could add a guitar player, a keyboard player and some vocalists,\u201d Juhl says. In short order, Empire Strikes Brass evolved into its present configuration. \u201cWe had a marching band <em>and<\/em> a stage band, and we just kept going from there,\u201d says Juhl.<\/p>\n<p>For the next few years, Empire Strikes Brass put its energy into live performances, like Downtown After 5. \u201cWe like being involved with events, fundraisers and parties, rather than playing small venues and doing one thing at a time,\u201d Juhl says. He emphasizes that instead of club dates, Empire Strikes Brass often pursues gigs in front of larger crowds as part of multi-act events.<\/p>\n<p>Another way that ESB spreads goodwill \u2013 while promoting its brand \u2013 is via sit-ins. \u201cThere have been times when the name Empire Strikes Brass was represented at two different local venues at the same time,\u201d Juhl says. \u201cSome members over here and some over there, collaborating with different groups.<\/p>\n<p>&#8220;If we&#8217;re opening for somebody, we&#8217;re willing to get up on stage and play some tunes with them,\u201d says Juhl. \u201cAnd if someone&#8217;s opening for us, we make the whole evening as much of a collaborative effort as possible.&#8221;<\/p>\n<p>With all that activity \u2014 plus the fact that most of the busy musicians in Empire Strikes Brass play in at least one other project \u2014 the business of making an album didn&#8217;t become a priority until recently. That changed when the band&#8217;s membership \u2014 constantly in a state of flux \u2014 coalesced. \u201cWe settled on the lineup we have now a year or so ago,\u201d says trumpeter <strong>Alex Bradley<\/strong>. \u201cWith that out of the way, we could figure out what kind of sound we wanted when we started putting the album together.\u201d<\/p>\n<p>Moreover, sorting out musical parts for a recording session involving 10 or more people is inherently complicated. \u201cThe band was in a state of organization, trying to get that many horn players together,\u201d says <strong>Debrissa McKinney<\/strong> (vocals, saxophone). \u201cSo \u2026 it took awhile.\u201d<\/p>\n<p>The cost of recording so many musicians was a challenge, too. So in August 2016 Empire Strikes Brass initiated a Kickstarter campaign. The band&#8217;s goal was to raise $15,000 in 90 days. \u201cThat&#8217;s a lot of money,\u201d Juhl readily admits. Initially he thought, \u201cWow. I don&#8217;t know, guys. Are we asking for too much?\u201d<\/p>\n<p>But the band was ambitious, and thanks to the group&#8217;s dedicated fan base, the campaign exceeded its goals. Plans called for two albums to be made using the Kickstarter proceeds. <em>Theme for a Celebration<\/em> was officially released on Feb. 3; the second album \u2014 a collaboration with DJ Push\/Pull \u2014 is complete and is tentatively scheduled for release in March.<\/p>\n<p>Band members <strong>Lenny Pettinelli<\/strong> (vocals, keyboards) and <strong>JP Furnas<\/strong> (Sousaphone, bass, Moog synthesizer) produced the sessions with <strong>Julian Dreyer<\/strong> at Echo Mountain Recording. While <em>Theme for a Celebration<\/em> is a brass band showcase, Empire Strikes Brass&#8217; instrumental lineup allows the album to make successful forays into funk, Southern rock and even hip-hop. Guest artists <strong>Philo Reitzel<\/strong> and <strong>Austin Haynes<\/strong> lend their rapping talents to \u201cThe Knocker.\u201d<\/p>\n<p>\u201cWe recorded a lot of the horn work live in the church room at Echo Mountain,\u201d McKinney says. \u201cWe went in for the feel.\u201d The band, as featured on <em>Theme for a Celebration<\/em>, also includes <strong>Kyle Snuffer<\/strong> on trombone, guitarist\/vocalist <strong>Kelly Hannah<\/strong>, <strong>Sean Donnelly<\/strong> on keyboards and vocals, trumpeter <strong>Jerome Widenhouse<\/strong>, <strong>Henry Westmoreland<\/strong> (Sousaphone, trumpet) and drummer<strong> Nik Hope<\/strong>. DJ Push\/Pull appears on select live dates, and the group&#8217;s current tour features guest guitarist <strong>Andrew Scotchie<\/strong>.<\/p>\n<p>\u201cWe were learning a lot about how to work together in the studio for the first time,\u201d says Juhl. Empire Strikes Brass is well-equipped to build on its collective knowledge in the future: \u201cNow we understand even more about what it takes for us to go to the studio and lay down an album.\u201d<\/p>\n<p>As successful as the studio sessions were, at its core, Empire Strikes Brass remains a live act. At festivals, it&#8217;s not uncommon for the collective to lead listeners on a late-night parade. \u201cPeople always have a lot of fun at those,\u201d says McKinney. \u201cThey get to feel up close with the musicians. And for us, it&#8217;s one more way to feel connected with the people who we&#8217;re playing for.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Empire Strikes Brass managed quite a feat in its first five years as a group. The 10-plus-piece band\u00a0worked diligently on a grassroots level, playing benefits and street festivals, and became [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12529,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[31,42,49,51],"tags":[237,3024],"class_list":["post-12528","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-funk","category-jazz","category-new-release","category-pop","tag-asheville","tag-empire-strikes-brass","cat-31-id","cat-42-id","cat-49-id","cat-51-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/12528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=12528"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/12528\/revisions"}],"predecessor-version":[{"id":12530,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/12528\/revisions\/12530"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/12529"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=12528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=12528"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=12528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}