{"id":11527,"date":"2016-09-26T05:30:03","date_gmt":"2016-09-26T09:30:03","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=11527"},"modified":"2016-09-26T07:34:34","modified_gmt":"2016-09-26T11:34:34","slug":"yo-la-tengo-is-still-murdering-the-classics","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2016\/09\/26\/yo-la-tengo-is-still-murdering-the-classics\/","title":{"rendered":"Yo La Tengo is Still &#8220;Murdering the Classics&#8221;"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-11528\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2016\/09\/yo_la_tengo.jpg\" alt=\"yo_la_tengo\" width=\"500\" height=\"375\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2016\/09\/yo_la_tengo.jpg 500w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2016\/09\/yo_la_tengo-300x225.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>Hoboken, N.J.-based indie-rock band <strong>Yo La Tengo<\/strong> has long been recognized as much for their selection of cover songs as for their original material. Their sonic approach can recall anything from the dark psychedelia of the <strong>Velvet Underground<\/strong> to sweet, chiming pop. But on their latest album, 2015&#8217;s <i>Stuff Like That There<\/i>, the group chose to showcase songs by other artists in a manner that sometimes approaches folk, or even what used to be called \u201ceasy listening.\u201d<\/p>\n<p>Guitarist <strong>Ira Kaplan<\/strong> describes <i>Stuff Like That There<\/i> as \u201ca sequel of sorts\u201d to Yo La Tengo&#8217;s 1990 album, <i>Fakebook<\/i>. \u201cThe format of <i>Fakebook<\/i> was essentially a mix of cover songs and a couple of new songs, with a couple of revisions of some of our older songs.\u201d With <i>Stuff Like That There<\/i> , the group \u201cput some of the same ideas to work [to] see how it was similar and how it was different.\u201d The original <i>Fakebook<\/i> project \u201cis why [electric bassist] <strong>James<\/strong> [<strong>McNew<\/strong>] learned how to play upright bass, because [The <strong>Schramms<\/strong>&#8216;] <strong>Al Greller<\/strong> played it on that record.\u201d<\/p>\n<p><i>Stuff Like That There<\/i> gives the Yo La Tengo treatment to classics like <strong>Hank Williams<\/strong>&#8216; \u201cI&#8217;m So Lonesome I Could Cry\u201d as well as relative obscurities \u2013 a YLT specialty \u2013 like \u201cButchie&#8217;s Tune,\u201d a deep album cut from the <strong>Lovin&#8217; Spoonful<\/strong>&#8216;s 1966 LP, <i>Daydream<\/i> . Even when they&#8217;re reinventing the songs of others \u2013 and despite album titles like <i>Yo La Tengo is Murdering the Classics<\/i> \u2013 Kaplan insists they&#8217;re never making fun of the songs. \u201cI don&#8217;t think there&#8217;s anything irreverent about the stuff on <i>Murdering the Classics<\/i> ,\u201d he says.<\/p>\n<p>\u201cThere are a lot of ways to enjoy something,\u201d Kaplan explains, citing the example of their 2006 cover of <strong>Yes<\/strong>&#8216; \u201cRoundabout.\u201d \u201cWhile we might not enjoy the song in the sense of wanting to listen to it today, we still enjoy the idea of the song that you don\u2019t even particularly like having wormed its way into your brain.\u201d <i>Murdering the Classics<\/i> is a compilation of songs the band performed on a call-in request program on WFMU radio, so the band had to create impromptu versions of songs they hardly knew how to play. \u201cIn some pretentious way,\u201d he chuckles, \u201cthere\u2019s something really serious about those WFMU shows which \u2013 hopefully \u2013 is expressed in a funny way.\u201d<\/p>\n<p><iframe loading=\"lazy\" style=\"float: left; padding: 10px; width: 120px; height: 240px;\" src=\"\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822&amp;OneJS=1&amp;Operation=GetAdHtml&amp;MarketPlace=US&amp;source=ss&amp;ref=as_ss_li_til&amp;ad_type=product_link&amp;tracking_id=musoscribe-20&amp;marketplace=amazon&amp;region=US&amp;placement=B00YQIFWVY&amp;asins=B00YQIFWVY&amp;linkId=231c29f79788f5e4432a211adfa9ecd7&amp;show_border=true&amp;link_opens_in_new_window=true\" width=\"300\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p>Kaplan gives his perspective on Yo La Tengo&#8217;s collective love of cover songs. \u201cI always liked seeing other bands do covers. A big part of going to see the bands at CBGB in the early days was that all those bands covered <strong>Patti Smith<\/strong>, <strong>Television<\/strong> and the <strong>Talking Heads<\/strong>. And it was something I liked. It just seemed like the kind of bands I liked going to see was the kind of band we wanted to be.\u201d<\/p>\n<p>Yo La Tengo is clearly not content to make album after album in the same style. But Kaplan isn&#8217;t comfortable with characterizing the group as musically restless. \u201cI don\u2019t think it&#8217;s something we\u2019ve really examined that much. We like doing different things.\u201d That means that someone who sees them onstage on one tour might have a completely different experience at their next show.<\/p>\n<p>Kaplan recalls something that happened in 1990, when the group was touring in support of <i>Fakebook<\/i> while opening for the <strong>Sundays<\/strong>. \u201cWe did quite a few shows that year with upright bass, doing songs in <i>Fakebook<\/i> style.\u201d A couple weeks after one of those shows, Yo La Tengo played a much more rocking, electric set at New York City&#8217;s famed CBGB.<\/p>\n<p>\u201cSomebody came up to me, and he was staring at me kind of borderline rudely,\u201d Kaplan recalls. \u201cI didn\u2019t know who the person was; I didn\u2019t know what was going on. And this person just said really slowly, &#8216;Did <i>you<\/i> open for the Sundays?&#8217; I told him, &#8216;Yeah, that was us.&#8217; And it seemed almost unimaginable to him that it could be the same people! It even relates back to the thing I said about humor: it\u2019s just a reflection that most people\u2019s personalities aren&#8217;t one thing all the time. And we just like being ourselves.\u201d<\/p>\n<p>While some things have changed in the 30-plus years since Yo La Tengo released their debut LP, <i>Ride the Tiger<\/i> , Kaplan believes that many things remain the same. \u201cIf you could go back 20 years and take a picture of yourself, you\u2019ll think, &#8216;Oh my god! I was so young!&#8217; You live day by day, and I think it\u2019s startling to be thrust back into that time the way photos can do. But I don\u2019t think I\u2019m that in touch with how certain things felt. I think time has wiped those memories, or even changed those memories.\u201d He sums up by saying, \u201cIn a broad sense, we are just trying to make the best records we can.\u201d<\/p>\n<p>The current run of concert dates isn&#8217;t really in support of <i>Stuff Like That There<\/i> , which was released in August of last year. So the core trio \u2013 Kaplan, McNew and drummer <strong>Georgia Hubley<\/strong> (who&#8217;s also Kaplan&#8217;s wife) \u2013 will be characteristically unpredictable. \u201cWe&#8217;ll do some of the songs from <i>Stuff Like That There<\/i> ,\u201d Kaplan promises, \u201cbut there will be other songs that we&#8217;ll be pulling out.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hoboken, N.J.-based indie-rock band Yo La Tengo has long been recognized as much for their selection of cover songs as for their original material. Their sonic approach can recall anything [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":11528,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41,51,62],"tags":[2845],"class_list":["post-11527","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","category-pop","category-rawk","tag-yo-la-tengo","cat-41-id","cat-51-id","cat-62-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/11527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=11527"}],"version-history":[{"count":4,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/11527\/revisions"}],"predecessor-version":[{"id":11533,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/11527\/revisions\/11533"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/11528"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=11527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=11527"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=11527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}