{"id":11396,"date":"2016-08-31T05:30:34","date_gmt":"2016-08-31T09:30:34","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=11396"},"modified":"2016-08-30T22:55:54","modified_gmt":"2016-08-31T02:55:54","slug":"peter-frampton-somethins-still-happening","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2016\/08\/31\/peter-frampton-somethins-still-happening\/","title":{"rendered":"Peter Frampton: Somethin&#8217;s (Still) Happening"},"content":{"rendered":"<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11398\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2016\/08\/peter_frampton_acoustic.jpg\" alt=\"peter_frampton_acoustic\" width=\"300\" height=\"548\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2016\/08\/peter_frampton_acoustic.jpg 300w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2016\/08\/peter_frampton_acoustic-164x300.jpg 164w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Peter Frampton<\/strong> has decades of experience dealing with misconceptions. The rock star responsible for the massively popular 1976 double LP <i>Frampton Comes Alive<\/i> has long since come to terms with the fact that his biggest success was both a blessing and a curse. He laughs heartily and says, \u201cI love it when people say, &#8216;Yeah, I bought your first album&#8230;&#8217; There are always going to be those.\u201d<\/p>\n<p>In reality, Frampton had been a successful musician for more than a decade before that \u201cfirst\u201d (actually his <i>fifth<\/i>) solo album exploded on the charts. A schoolmate and friend of David Jones (later Bowie), Frampton scored several Top 10 hit singles in his native England with his band the <strong>Herd<\/strong>. He left that band in 1968 to form <strong>Humble Pie<\/strong> with <strong>Steve Marriott<\/strong>; Humble Pie was a transatlantic success.<\/p>\n<p>Frampton had gone solo by the time their biggest hit, the live <i>Rockin&#8217; the Fillmore<\/i>, was released. He began that solo career in earnest, enlisting the help of some of the friends he had made during his parallel career as a session guitarist. <strong>Ringo Starr<\/strong> and <strong>Billy Preston<\/strong> were just some of the players on Frampton&#8217;s early albums.<\/p>\n<p>But those first four albums sold only modestly, and were discovered only belatedly by fans after the success of <i>Frampton Comes Alive<\/i>. Even now, people are still discovering the guitarist&#8217;s deep catalog (18 albums and counting). \u201cI have to say that the younger generation that are coming along are the ones who are bringing me second- or third-hand copies of [1973&#8217;s] <i>Frampton&#8217;s Camel<\/i> to sign,\u201d Frampton says. \u201cIt&#8217;s a very nice feeling.\u201d<\/p>\n<p>It&#8217;s also gratifying for Frampton to be taken seriously as a musician. The lead guitar spot on <strong>David Bowie<\/strong>&#8216;s 1987 Glass Spider tour reintroduced Frampton&#8217;s guitar skills to an audience that may have looked upon him as a mere pop star. Bowie \u201cknew what had happened to me,\u201d Frampton says. \u201c<i>Frampton Comes Alive<\/i> had its good and its bad sides: it highlighted me as a performer \u2013 the face, the album, the music and everything \u2013 but definitely, the guitar playing and musicianship were overshadowed.\u201d<\/p>\n<p>Frampton&#8217;s latest album, <i>Acoustic Classics<\/i>, helps keep the focus on his guitar playing. Stripped of arena-rock filigree, the album&#8217;s tracks \u2013 hit songs, favorites pre-dating <i>Frampton Comes Alive<\/i> and a new tune \u2013 explore the textures of Frampton&#8217;s acoustic guitar and voice. Yes, there&#8217;s even some talk-box on an acoustic reading of \u201cShow Me the Way,\u201d but elsewhere the album displays Frampton&#8217;s fascination with the guitar styles of jazz heroes.<\/p>\n<p>Frampton counts gypsy jazz guitarist <strong>Django Reinhardt<\/strong> as one of his biggest influences. He says that his playing leans into jazz a bit \u201cbecause it&#8217;s a challenge! It&#8217;s so difficult. I call myself &#8216;a-lick-a-day Frampton.&#8217; If I can pick up one of Django&#8217;s licks every day, I&#8217;m a better player.\u201d<\/p>\n<p>Those influences helped shape Frampton&#8217;s style even back in his days with the Herd. \u201c&#8217;I&#8217;ve always been a jazz and blues fan,\u201d he says. \u201cIn the late sixties, everybody and their uncle was trying to sound and look like Eric Clapton; when I realized that, I decided to go a different way. So I&#8217;m not a jazz player, but I&#8217;m jazz-influenced.\u201d<\/p>\n<p>These days Frampton doesn&#8217;t feel the pressure of pop stardom. \u201cIt used to bother me, and then when I got the Grammy [Best Pop Instrumental Album, 2007] for <i>Fingerprints<\/i>, I thought, &#8216;Oh \u2026 good.&#8217; Because I didn&#8217;t sing a note on that record!\u201d He admits that the occasional fan has expectations of him based on music made 40 years ago by a man of only 26. \u201cIt&#8217;s still an ongoing thing, but I feel that \u2026 well, there&#8217;s nothing to look at anymore,\u201d he chuckles. \u201cThey&#8217;re not coming to concerts for my looks.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Peter Frampton has decades of experience dealing with misconceptions. The rock star responsible for the massively popular 1976 double LP Frampton Comes Alive has long since come to terms with [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":11399,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41,62],"tags":[1691],"class_list":["post-11396","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","category-rawk","tag-peter-frampton","cat-41-id","cat-62-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/11396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=11396"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/11396\/revisions"}],"predecessor-version":[{"id":11400,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/11396\/revisions\/11400"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/11399"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=11396"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=11396"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=11396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}