{"id":10930,"date":"2016-06-10T05:30:04","date_gmt":"2016-06-10T09:30:04","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=10930"},"modified":"2016-06-07T12:06:45","modified_gmt":"2016-06-07T16:06:45","slug":"the-bo-keys-todays-new-school-of-old-school-part-2","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2016\/06\/10\/the-bo-keys-todays-new-school-of-old-school-part-2\/","title":{"rendered":"The Bo-Keys: Today\u2019s New School of Old-school (Part 2)"},"content":{"rendered":"<p><i>Continued from <a href=\"http:\/\/blog.musoscribe.com\/index.php\/2016\/06\/09\/the-bo-keys-todays-new-school-of-old-school-part-1\/\">Part One<\/a>&#8230;<\/i><\/p>\n<p><b>Bo-Keys <\/b>producer\/bandleader <b>Scott Bomar<\/b> says that the bulk of the work on <i>Heartaches by the Number<\/i> took the form of pre-production. \u201cI spent well over a year compiling songs \u2013 covers and originals \u2013 for the record,\u201d Bomar says. The result is a rich collection of weepers: crying-in-your-beer tunes, all given a soulful Bo-Keys reading that places them smack between country &amp; western and Memphis soul. \u201cI had close to 75 songs under consideration,\u201d he says. Bomar worked closely with <b>Percy Wiggins<\/b> to select the 10 songs with which the vocalist would be most comfortable.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2016\/06\/bo-keys.jpg\" alt=\"bo-keys\" width=\"500\" height=\"250\" class=\"aligncenter size-full wp-image-10931\" srcset=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2016\/06\/bo-keys.jpg 500w, http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2016\/06\/bo-keys-300x150.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p><i>Heartaches by the Numbers<\/i>&#8216; country-soul aesthetic was baked into the concept from its conception. \u201cIt&#8217;s essentially The Bo-Keys&#8217; take on country music,\u201d Bomar explains. \u201cI&#8217;ve always loved old country; I grew up with it.\u201d Bomar notes that people sometimes ask, \u201c&#8217;What&#8217;s the &#8216;Memphis sound?&#8217; To me \u2013 and I&#8217;ve lived here my entire life \u2013 it&#8217;s <i>all<\/i> the musical influences that happen here. You have blues, soul and gospel, but you also have country.\u201d He recalls listening to local AM radio in the late 1970s: \u201cI would hear &#8216;Soul Finger&#8217; by <b>The Bar-kays<\/b>, and the next thing I&#8217;d hear might be <a href=\"http:\/\/blog.musoscribe.com\/index.php\/2014\/10\/14\/book-review-the-next-elvis\/\"><b>Elvis<\/b><\/a>, or<b> Charlie Rich<\/b>, or <a href=\"http:\/\/blog.musoscribe.com\/index.php\/2011\/12\/09\/book-review-jerry-lee-lewis-lost-and-found\/\"><b>Jerry Lee Lewis<\/b><\/a>.\u201d He notes that jukeboxes in Memphis bars have \u201cGreen Onions\u201d alongside 45s by <i>George Jones<\/i>. And <i>Heartaches by the Numbers<\/i> is a successful effort that combines those various flavors into a modern-day Memphis soul stew (as it were).<\/p>\n<p>In narrowing the choices to 10 songs, some great tunes went by the wayside. But Bomar covered the bases he wanted to cover. \u201cI wanted to have a <b>Merle Haggard<\/b> song and a <b>Willie Nelson song<\/b>,\u201d he says. \u201c I wanted to hit certain artists; we got close, but we didn&#8217;t get to everybody we wanted. Maybe we&#8217;ll have to do another record!\u201d<\/p>\n<p><iframe style=\"float: left; padding: 10px; width:120px;height:240px;\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" frameborder=\"0\" src=\"\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822&#038;OneJS=1&#038;Operation=GetAdHtml&#038;MarketPlace=US&#038;source=ss&#038;ref=as_ss_li_til&#038;ad_type=product_link&#038;tracking_id=musoscribe-20&#038;marketplace=amazon&#038;region=US&#038;placement=B01C8RA11A&#038;asins=B01C8RA11A&#038;linkId=30d94f50b321098cc3454d2a9e21741b&#038;show_border=true&#038;link_opens_in_new_window=true\"><\/iframe><\/p>\n<p>The Bo-Keys have a live show scheduled mere days from now (June 16 at Memphis&#8217; Levitt Shell on Overton Park); at present, that&#8217;s the only live date on the group&#8217;s schedule. \u201cWe&#8217;re going to do as much as we can,\u201d Bomar says. Some of the group members are veteran musicians well into their 70s: Wiggins, <b>Howard Grimes<\/b>, and <b>Archie \u201cHubby\u201d Turner<\/b>. But touring isn&#8217;t necessarily practical even for the younger members of the band. \u201cEven we&#8217;re not very younger any more,\u201d Bomar chuckles. \u201cEven I don&#8217;t always have the energy to do some of the stuff we used to do.\u201d<\/p>\n<p>The band did a three-night residency at Antone&#8217;s in Austin TX last spring, and most of the Bo-Keys are busy with other musical activities as well. \u201cOur horn players play with <b>Gregg Allman<\/b>; I&#8217;m pretty busy with the studio. And Joe Restivo is probably the top &#8216;call&#8217; guitar player in Memphis; he probably works every night, if not two gigs a night in Memphis when we&#8217;re not on the road.\u201d<\/p>\n<p>Bomar is happy with the way <i>Heartaches by the Number<\/i> turned out; he cites the group&#8217;s reading of \u201cSet Me Free\u201d and the Merle Haggard cover as the tracks closest to his sonic goal. \u201cPercy and I worked up the songs with me on acoustic guitar,\u201d he says. \u201cBut when we brought the songs in to the rest of the band, they all had different ideas. Particularly Howard Grimes and Archie Turner; they kept saying, &#8216;We gotta funk this up!&#8217; So that&#8217;s what we did.\u201d The final product reflects the combined character of the multi-generational group.<\/p>\n<p><iframe style=\"float: right; padding: 10px; width:120px;height:240px;\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" frameborder=\"0\" src=\"\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822&#038;OneJS=1&#038;Operation=GetAdHtml&#038;MarketPlace=US&#038;source=ss&#038;ref=as_ss_li_til&#038;ad_type=product_link&#038;tracking_id=musoscribe-20&#038;marketplace=amazon&#038;region=US&#038;placement=B01D4QIK12&#038;asins=B01D4QIK12&#038;linkId=2926bdf3337de501d6fd068825afa5f7&#038;show_border=true&#038;link_opens_in_new_window=true\"><\/iframe><\/p>\n<p>The country-soul focus of <i>Heartaches by the Number<\/i> displays a particular set of The Bo-Keys&#8217; skills, but it only represents one side of the group. \u201cWe started off as an instrumental band,\u201d Bomar notes. \u201cWhen we did <i>Got to Get Back!<\/i>, [2011], that was us starting to put in vocal material; we started to think about songwriting a little more.\u201d the new album continues that trend of learning from their influences. \u201cYou can take a Willie Nelson song and record it in any genre,\u201d Bomar says. \u201cWhen you study those great songwriters, you can do anything with their songs.\u201d He characterizes <i>Heartaches by the Number<\/i> as the group&#8217;s \u201cexploration into classic songwriting.\u201d<\/p>\n<p>Scott Bomar has a deep appreciation for the involvement of the older members of the group. \u201cPlaying with Percy and Howard and Archie&#8230;.it&#8217;s like a history lesson every time,\u201d he says. \u201cWhen Howard Grimes came to the band, he immediately understood what we were trying to do.\u201d Fans of classic country and classic soul who give a listen to <i>Heartaches by the Number<\/i> (available now on CD and digital from Omnivore Recordings, and on vinyl from Electraphonic Recording) will understand, too.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Continued from Part One&#8230; Bo-Keys producer\/bandleader Scott Bomar says that the bulk of the work on Heartaches by the Number took the form of pre-production. \u201cI spent well over a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10931,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[20,41,49,69],"tags":[2719,1622,2720],"class_list":["post-10930","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-country","category-interview","category-new-release","category-soul","tag-bo-keys","tag-omnivore-recordings","tag-scott-bomar","cat-20-id","cat-41-id","cat-49-id","cat-69-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/10930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=10930"}],"version-history":[{"count":1,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/10930\/revisions"}],"predecessor-version":[{"id":10932,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/10930\/revisions\/10932"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/10931"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=10930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=10930"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=10930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}