todd rundgren Archive

Todd Rundgren’s ‘No World Order” at 25

Todd Rundgren has long made a career out of alternatively (and sometimes simultaneously) confounding and delighting his most ardent fans. Resolutely following his muse wherever it takes him, Rundgren is remarkably unbound from commercial considerations; he makes the music he wants to make, how and when he chooses. The result is a body of work

A Look Back at the Tubes’ ‘Remote Control’

The Tubes were among the most outrageous of 1970s rock groups. With an impressively muscular and underrated instrumental foundation, the group – or at least lead singer Fee Waybill – acted out the band’s bizarre tunes live onstage. Songs like “White Punks on Dope,” “Don’t Touch Me There” and “Mondo Bondage” were clever to begin

Utopia’s Adventures Continue (Part Four)

Continued from Part Three… Redux ’92: Live in Japan (1993) Six years after disbanding, Utopia surprised most onlookers by regrouping for a run of concerts in Japan. The shows were well-received, and a live recording was released on compact disc and video the following year. “I look at that video,” Sulton says, “and I think,

Utopia’s Adventures Continue (Part Three)

Continued from Part Two… Utopia (1982) Meanwhile, Rundgren, Wilcox and Powell had continued without Sulton, adding bassist Doug Howard as they began work on a new album for Network Records. The new-wave flavored Utopia featured some of the band’s strongest songwriting to date. “It was a very collaborative period,” says Wilcox. Once Sulton came back

Utopia’s Adventures Continue (Part Two)

Continued from Part One… Ra (1977) The most durable Utopia lineup now in place, the band made a concerted effort toward internal democracy. Or at least as much of a democracy as possible when the group included Rundgren, a star with his own separate record contract. “It was as democratic as any marriage is democratic,”

Utopia’s Adventures Continue (Part One)

In 2018, one of the unlikeliest reunions in rock history became a reality. Todd Rundgren’s Utopia – or at least three-fourths of its 1980s lineup – came back together for a two-month tour, one that would survey the band’s musical journey from a groundbreaking progressive ensemble to a more conventional (yet distinctive) melodic rock band.

Album Mini-review: Todd Rundgren — An Evening with Todd Rundgren

File next to: Brian Wilson, Paul McCartney, Joe Jackson Rundgren has always been the most restless, resourceful and unpredictable of artists. It was two decades ago that he warned his days of releasing albums were over. That didn’t turn out to be the case. And he’s never made a secret of his general disdain of

Todd Rundgren Looks Over His Shoulder, Part Two

Continued from Part One… Bill Kopp: At certain points in your career, you’ve made it seem as if writing a hit is the easiest thing in the world for you, but at the same time you’ve made it clear that doing so isn’t something you find very interesting. What part or parts of the creative

Todd Rundgren Looks Over His Shoulder, Part One

Todd Rundgren‘s professional musical career began in the 1960s when he was guitarist for a Who-influenced Philadelphia group called Nazz. That group never found widespread commercial success, though one of their singles (the original version of Rundgren’s “Hello It’s Me”) was a hit in some markets. By the dawn of the 1970s, Rundgren had embarked

Album Review: Todd Rundgren & Utopia — Disco Jets

Todd Rundgren has long been known for being, as the expression goes, ahead of the curve. His experiments, forays, and even innovations in computer and video technology are well-documented. The same holds true for his pioneering work with artist-to-peer networks, the too-ahead-of-its-time PatroNet service of the mid 1990s. And of course Rundgren has always been