small faces Archive
02 Jan 2015
Those We Lost in 2014
The older we baby boomers get, the more that our pop culture heroes pass away before us. As my good friend (and highly regarded behind-the-scenes music biz guy) Cary Baker recently wrote, “The only takeaway is to closely monitor your own health (and that of those you love), get out and enjoy life, and make
26 Dec 2014
Best of 2014: Interviews
As much as I enjoy discovering new music – both live and on physical recorded media – my favorite part of this Musoscribe gig is engaging interviews. I’ve been at it of many years, but every year find new and fascinating conversations with musicians whose work I admire. 2014 was no exception: every one of
05 Sep 2014
Album Review: The Small Faces — There Are But Four Small Faces
History has a way of playing tricks on us. How many of us American fans of Beach Boys music remember that Pet Sounds was – upon its original release – considered something of a commercial failure? The album’s subsequent elevation into the Pantheon of great albums has caused us to forget that inconvenient bit of
21 Feb 2014
Here Come the Small Faces, Part Three
Continued from Part Two… Ian McLagan relates an amusing story, one that illustrates his old band’s far-reaching influence. “When working on The Small Faces DVD a few years ago, I was doing an interview with Rob Bowman, the guy who wrote the definitive book on Stax Records [Soulsville, U.S.A.: The Story of Stax Records]. We
20 Feb 2014
Here Come the Small Faces, Part Two
Continued from Part One… Kenney Jones believes that The Small Faces‘ four-way collaborative process affected the songs to a large degree. “A lot of ideas…if I was saying something, it might affect what they’d do. Steve [Marriott] or Ronnie [Lane] might come up with a hook based on what I’d said.” Ian McLagan recalls the
19 Feb 2014
Here Come the Small Faces, Part One
The 1960s were a staggeringly fertile period for pop music. And – thanks in no small part to the success of The Beatles – a disproportionate (though completely deserved) share of that music came out of the British Isles. Still, owing to any number of factors, several British artists of consistently high quality failed to