real gone music Archive

Hundred-word Reviews for September 2016, Part 5

My week-long barrage of brief reviews wraps up with these last five. Look for more soon. Professor Longhair – Live in Chicago In 1976, New Orleans legend Professor Longhair played at the University of Chicago Folk Festival. This high-quality recording documents that show, and the acoustic piano is captured wonderfully. The nuances of Longhair’s work

The Edgar (W)interview, Part 2

Continued from Part One … Dan Hartman was also an original member of The Edgar Winter Group; he was with the band 1972-75. Winter says that “Dan was the first person I enlisted for The Edgar Winter Group. It was a huge talent search; I listened to hundreds of demo tapes to choose talented people

The Edgar (W)interview, Part 1

Edgar Winter was one of the most popular rock artists of the 1970s. From his solo debut – 1970’s Entrance – through his first album of the next decade (Standing on Rock, 1981), Winter crafted catchy and intriguing music that folded in the many styles of music that had influenced him. From gritty rhythm and

Current and Coming Attractions, Spring 2016

I’ve been a busy boy lately, and not just as pertains to this blog. I’ve placed features in the Colorado Springs Independent; in addition to the weekly “Sound Advice” column I share with fellow critic Loring Wirbel, I write features for that altweekly. Those appear here two weeks after they run on and in

Hundred-word Reviews for February 2016, Part 5

This latest week-long dive into my backlog of worthy music for review wraps up with five archival releases. Vulgar Boatmen – You and Your Sister First things first: the album title (and title song) have no relation whatsoever to the same-named song by Big Star‘s Chris Bell. There’s not really much in common stylewise, either;

Hundred-word Reviews January 2016: Compilations

This week-long run of quick reviews wraps up today with looks at five excellent compilation albums. King Curtis – The Complete Atco Singles Real Gone Music swings for the fences with this, a three-CD set that collects all of the saxophonist’s 64 a- and b-sides released on the Atlantic subsidiary (plus two unreleased tracks). Randy

Hundred-word Reviews January 2016: Reissues

Today’s collection of hundred-word reviews focuses on recent reissues of note. Uriah Heep – Totally Driven I’m not going to try to tell you that the turn of the 21st century was Uriah Heep‘s finest hour. Their high point was in the early 1970s, around the time of Demons and Wizards and The Magician’s Birthday

Hundred-word Reviews for September, Part 6 of 8

Today I take quick looks at excellent reissue and compilation releases from three labels that excel at that kind of thing: Omnivore Recordings, Light in the Attic and Real Gone Music. Low Down Original Motion Picture Soundtrack The 2014 film tells the story of jazz pianist Joe Albany and his (ultimately unsuccessful) attempts to break

Album Review: Craig Fuller / Eric Kaz

There’s always a place for solid, midtempo, soft-rock. Or at least there was one before what passes for country music co-opted the style, watered it down and called it modern country (or, heaven forfend, bro country). For a time in the mid to late 1970s, artists like Pure Prairie League, post-prog Ambrosia, Ace, Michael Martin

Album Review: Shanti — Shanti

At this stage in the game, nobody’s sure who developed the genre (or, much less, coined the phrase) “world music.” And a definitive explanation for what is and isn’t world music remains elusive. But to paraphrase the Supreme Court justice, I know it when I hear it. Some strong candidates for early pioneers in what