orange peel Archive

You Can Be Who You Are: The John McLaughlin Interview, Part 1

Far be it from me to attempt to introduce John McLaughlin. One of the world’s greatest guitarists, his career has spanned five decades. His latest album Now Here This is credited to John McLaughlin and the 4th Dimension, and it’s the third studio album from this particular improvisational jazz outfit. The band’s 2013 tour will

Opeth: Mixing Metal and Melodicism

Initially a Swedish death metal band, Opeth has since its 1990 inception in Stockholm expanded both its sound and its appeal. While the band was an exemplar of the hard-edged sound, they have proven to be masters at mixing metal and melodicism. In May 2013 the band played a twelve-song headlining set at Asheville’s Orange

Concert Review: Black Angels, Allah-Las and Elephant Stone — Asheville NC April 5 2013

I started attending arena-scale rock concerts back in the late 1970s. My first show was in October 1978, seeing Electric Light Orchestra with their hamburger bun/spaceship setup at Atlanta’s Omni. (In the words of Rob Reiner‘s Marty DiBergi character in This is Spinal Tap, “Don’t look for it; it’s not there anymore.) One of the

Concert Review: Charles Bradley and the Extraordinaires — Asheville NC, April 18 2013

There exists a certain, special sort of concert. And in my experience, it’s extremely rare: the sort of show in which I find myself realizing a mere three, two or even one song into the set that this is an artist I don’t ever want to miss. On those exceedingly uncommon instances, I tell myself,

Concert Review: Tame Impala, Asheville NC 22 Feb 2013

It’s the rare modern act that bridges audiences young and not-so-young. Australia’s Tame Impala is one such act. In the studio, the Australian Tame Impala is essentially one man: Kevin Parker. An unabashed sixties music fetishist, Parker crafts the music (two albums and an EP to date) doing all of the playing, songwriting and singing

Concert Review: The Machine, 10 Jan 2013 Asheville NC

My firsthand experience with tribute bands is quite limited; in general, the concept doesn’t do a lot for me. While there are quite a few acts touring (quite successfully, I should note) the works of more famous bands, many of them base their stage act on the visual style and cues of the band being