The potential downside of remote recording is that – when it’s not done well, which is often – it can robe the music of the feel of of spontaneity, the vibe that comes form musicians playing together in real time. The upside, of course, is that an artist can enlist the participation of collaborators who
Farewell Milwaukee – FM Style: heartland jangle-rock Jangling guitars, good-timin’ harmonica, well-worn chord changes … those are the key ingredients in the musical recipe for this album. Familar echoes of John Mellencamp, R.E.M., Gin Blossoms are found throughout the thirteen tracks. But there’s more at work, too: “Figure You out” has a nice southern soul
All through last week, I plowed through my to-be-reviewed CD shelf, covering 50 discs (45 CDs, 5 DVDs) in five days. All of the music was reissues, compilations and/or archival releases. This week the march toward a clean shelf continues, with the focus now on new (as in, released in 2016) CDs. Off we go!
Five more quick reviews. Some great stuff here. Today’s five all fall pretty neatly into the progressive rock category. Security Project – Live 1 Tribute acts can be a dodgy affair, especially when the subject of said tribute still performs. But these guys are truly legit. One, Peter Gabriel no longer performs his early solo
Today I’m serving up five more hundred-word reviews; today’s five all fit more or less into the progressive rock category, and they’re sourced from across this globe of ours. Mekaal Hasan Band – Andholan Talk about genre labels: I have some issues with the term “world music.” While often well-intentioned, it marginalizes most anything outside
More hundred-word reviews. Today it’s progjazz, prog-rock, and rock rock. Lorenzo Feliciati – Koi Rare Noise Records can reliably be counted upon to release challenging, outsider-flavored music that leans toward, jazz, avant-garde, and/or progressive directions. Koi is Lorenzo Felicati (basses, guitars, keyboard and more), Alessandro Gwis (keyboards and computers) and percussionist Steve Jansen. But they’re
Time for some more backlog-clearing hundred-word reviews. All of these are worth my (and your) time in some way, but because of the sheer volume of worthy material in my inbox, I regularly do these short-form reviews to keep them from languishing on my desk. Today’s four are all artists I’ve covered before. The New
There’s a never-ending stream of new music, so it’s time once again for some hundred-worders to work off some of my backlog. As always, these all deserve full reviews, but with limited time and resources, 100 words will have to do. I’ll cut to the chase. Today it’s five acts nominally in the jazz/fusion/prog genres,
The backlog of music here at Musoscribe World Headquarters has gotten massive; it’s nearly overwhelming. Anyone who tells you that there’s no good new music out there clearly doesn’t deserve your attention. These albums, however, do. That said, the only practical way for me to cover them is to do so in a truncated fashion.
Readers of rock history will occasionally stumble across references to the “Canterbury scene,” a construct of music journalists that – in real terms – hardly happened at all. But the term is more legitimate than the “Bosstown sound,” a whole-cloth 60s concoction of the MGM record label that trumpeted such long-forgotten acts as The Beacon