king crimson Archive

The Drive to 1981 Begins: A Look Back at Robert Fripp’s Masterful ‘Exposure’ (Part 2)

Continued from Part One … Fans of King Crimson’s Red receive a wonderful treat with “Breathless.” Though the specific players on each track aren’t noted, the song – very much a cousin to Red‘s title track – features a very progressive Narada Michael Walden on the drum kit, and Tony Levin (of future Crimsons) on

The Drive to 1981 Begins: A Look Back at Robert Fripp’s Masterful ‘Exposure’ (Part 1)

Guitarist Robert Fripp has long been one of music’s most intriguing figures. Largely operating outside the pop mainstream (and, when he can, outside the traditional machinery of the music business itself), Fripp is that unique artist who expects certain things from his audience. He believes – and operates according to a belief – in the

I Talk to the Wind (and Other Instruments): The Ian McDonald Interview, Part Two

Continued from Part One… By 1976 McDonald was involved in the founding of a new and very different group. Joined by ex-Spooky Tooth guitarist Mick Jones and American singer Lou Gramm, McDonald launched Foreigner. The group would go onto become one of the biggest-selling acts of the rock era, and the music it made seemed

I Talk to the Wind (and Other Instruments): The Ian McDonald Interview, Part One

Ian McDonald’s career has taken some seemingly unexpected twists and turns. The singer, songwriter and instrumentalist played with an embryonic version of groundbreaking progressive rock group King Crimson, and was a key figure in the critical success of the band’s debut album. A few years later, he co-founded Foreigner, one of the most popular acts

King Crimson: Don’t Write an Epitaph Just Yet (Part Two)

Continued from Part One… Jakszyk explains the group’s current thinking. “We are embracing the music as a whole, and we are going back and we are playing things that have either not been played in decades, or that have never been played live, ever.” He mentions a suite of songs off one of the group’s

King Crimson: Don’t Write an Epitaph Just Yet (Part One)

Progressive rock giant King Crimson has a long and convoluted history. Founded in 1969 by iconoclastic guitarist Robert Fripp, the group has gone through numerous breakups, reorganizations and lineups of varying character. The current King Crimson configuration is generally considered to be its eighth, or perhaps an expanded version of is eighth: along with mainstay

King Crimson: Iconoclastic Innovators

Note: This feature is based on an interview with King Crimson guitarist/vocalist Jakko Jakszyk. Stay tuned for another Crim feature — coming soon — based on interviews with Tony Levin and Pat Mastelotto. — bk After decades as a successful touring musician and recording artist, Jakko Jakszyk is fronting the band he discovered in 1969,

New Music Review Roundup, Part 2

Here’s the second of three collections of reviews. The Hangabouts – Kits & Cats and Saxon Wives Good-timing, cleverly-written melodic pop is what’s on offer on the latest album from the Hangabouts. It rocks a bit harder than their last outing, and there are hints of some of the more adventurous end of early 70s

Hundred-word Reviews January 2016: Prog

Today I’m serving up five more hundred-word reviews; today’s five all fit more or less into the progressive rock category, and they’re sourced from across this globe of ours. Mekaal Hasan Band – Andholan Talk about genre labels: I have some issues with the term “world music.” While often well-intentioned, it marginalizes most anything outside

Album Review: District 97 with John Wetton — One More Red Night

With exceedingly few exceptions, progressive rock is a man’s game. There’s certainly no law against women singing or playing in the style – Julie Slick, for example, is one of the best bassists around these days, irrespective of genre and gender – but the truth is that the progressive rock scene is one in which